These stories that speak about objects and daily happenings, pass over to another dimension, one of nightmare or revelation. In each text, surprise and uneasiness are ingredients added to the indescribable pleasure of its reading. These stories may upset readers due to a very rare characteristic in literature: They stare at us as if waiting for something in return. After reading these true classics, our opinion of the world cannot remain the same.1. "Casa Tomada" ("House Taken Over")2. " Carta a una señorita en París" (Letter to a Young Lady in Paris")3. "Lejana" ("The Distances")4. "Ómnibus" ("Omnibus")5. "Cefalea" ("Headache")6. "Circe" ("Circe")7. "Las puertas del cielo" ("The Gates of Heaven")8. "Bestiario" ("Bestiary")

    The military sci-fi classic in a striking new packageFelix is an Earth soldier, encased in special body armor designed to withstand Earth's most implacable enemy-a bioengineered, insectoid alien horde. But Felix is also equipped with internal mechanisms that enable him, and his fellow soldiers, to survive battle situations that would destroy a man's mind.This is a remarkable novel of the horror, the courage, and the aftermath of combat--and how the strength of the human spirit can be the greatest armor of all.

    

    Be they straight-up monsters or nightmares behind a human mask, they track us and they kill us. Sometimes, they play with their food, where death would be a kindness. But there is hope. There are those who search out the monsters, those who hunt the hunters. These are their stories. ********* Featuring 13 stories of military horror by some of the best known and emerging writers in the genre. 1. Apex Predator -- N. X. Sharps & Tim Marquitz 2. Two Birds, One Stone -- Evan Dicken 3. Non Zero Sum -- R. P. L. Johnson 4. Only Stones -- Christine Morgan 5. That Old Black Magic -- James A. Moore 6. Ngu Tinh -- D. F. Shultz 7. Warm Bodies -- Kirsten Cross 8. The Bani Protocols -- Rose Blackthorn 9. Hungry Eyes -- Seth Skorkowsky 10. The Secret War -- David W. Amendola 11. Outbreak -- V. E. Battaglia 12. Droch Fhola -- Brad C. Hodson 13. Bonked -- Patrick Freivald

    Elizabeth Jenkins's artistry, however, transforms the bare facts of this case from the annals of Victorian England's Old Bailey into an absolutely spine-chilling exploration of the depths of human depravity.

    One of a series of illustrated, easy-to-read adaptations of classic titles designed to support the literacy requirements at Key Stage 2 and the English curriculum at Key Stage 3.

    While such speculation is murky, it is clear that de Maupassant—hailed alongside Chekhov as father of the short story—was at the peak of his powers in this innovative precursor of first-person psychological fiction. Indeed, he worked for years on The Horla’s themes and form, first drafting it as “Letter from a Madman,” then telling it from a doctor’s point of view, before finally releasing the terrified protagonist to speak for himself in its devastating final version. In a brilliant new translation, all three versions appear here as a single volume for the first time.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Written shortly after The Scarlet Letter, The House of the Seven Gables re-addresses the theme of human guilt in a style remarkable in both its descriptive virtuosity and its truly modern mix of fantasy and realism.

    Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of Bella, but his dream is thwarted by Dr. Archibald McCandless's jealous love for Baxter's creation.The hilarious tale of love and scandal that ensues would be "the whole story" in the hands of a lesser author (which in fact it is, for this account is actually written by Dr. McCandless). For Gray, though, this is only half the story, after which Bella (a.k.a. Victoria McCandless) has her own say in the matter. Satirizing the classic Victorian novel, Poor Things is a hilarious political allegory and a thought-provoking duel between the desires of men and the independence of women, from one of Scotland's most accomplished author.

    It is this loss of faith, together with his vulnerability and disequilibrium, his pronounced sense of evil, his desperate challenge to established values and beliefs, that carries Kleist more forcefully than Goethe or Schiller across the gap between the eighteenth century and today.

    Nine misfit academics on an expedition to find the volcryn, a mythic race of intersteller nomads, and the only ship available for this strange quest is the Nightflyer, a cybernetic wonder with a never-seen captain...Nine innocents are about to find themselves in deep space, trapped with an insane murderer who can go anywhere, do anything, and intends to kill them all.

    In this book the entire manuscript has been photographed in colour and reproduced with precise fidelity to the original.

    But he becomes uneasy after finding an anonymous love letter hidden in his daughter's room: "No one could ever love you like I do. No one ever will. We will be together forever. One way or another." But the reality of Ashley's plight far exceeds Scott's worst suspicions. One drink too many had led Ashley, a beautiful, bright art student, into what she thought was just a fling with a blue-collar bad boy. But now, no amount of pleading or reasoning can discourage his phone calls, ardent e-mails, and constant, watchful gaze. Michael O'Connell is but a malignant shadow of a man. His brash, handsome features conceal a black and empty soul. Control is his religion. Cunning and criminal skill are his stock-in-trade. Rage is his language. The harder Ashley tries to break free, the deeper Michael burrows into every aspect of her life, so she turns in desperation to her divorced parents and her mother's new partner-three people still locked in a coldly civilized triangle of resentment. But their fierce devotion to Ashley is the common bond that will draw them together to face down a predator. For Ashley's family, it is a test of primal love that will drive them to the extreme edge-and beyond-in a battle of wills that escalates into a life-or-death war to protect their own. From the bestselling master of suspense, John Katzenbach, The "Wrong Man" is an elegantly crafted and breathtakingly intense read that asks the question, "How far would you go to save the child you love?"

    His two earliest, and perhaps most accessible, successes—A Portrait of the Artist as a Young Man and Dubliners—are here brought together in one volume. Both works reflect Joyce’s lifelong love-hate relationship with Dublin and the Irish culture that formed him.In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book’s inventive style is apparent from its opening pages, a record of an infant’s impressions of the world around him—and one of the first examples of the “stream of consciousness” technique.Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting characters—a group portrait. The interactions among them form one long meditation on the human condition, culminating with “The Dead,” one of Joyce’s most graceful compositions centering around a character’s epiphany. A carefully woven tapestry of Dublin life at the turn of the last century, Dubliners realizes Joyce’s ambition to give his countrymen “one good look at themselves.” Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.--back cover

    Hardy's first story, 'Destiny and a Blue Cloak' was written fresh from the success of Far From the Madding Crowd. Beautiful in their own right, these stories are also testing-grounds for the novels in their controversial sexual politics, their refusal of romance structures, and their elegiac pursuit of past, lost loves. Several of the stories in The Withered Arm were collected to form the famous volume, Wessex Tales (1888), the first time Hardy denoted 'Wessex' to describe his fictional world. The Withered Arm is the first of a new two-volume selection of Hardy's short stories, edited with an introduction and notes by Kristin Brady.