Askildsen (b. 1929) first came to prominence in Norwegian literature in the 1950s with his Kafkaesque accounts of alienated individuals in a hostile environment. His reputation has grown since and he is now recognized as a major author. A recent translation of Askildsen's writing into French invited comparison with Beckett.

    The 'scholars' are a cross-section of the local community, from a semi-literate young farmer to and elderly polygot autodidact who reads and quotes Homer in the orginal.In a nearby field camps a recently arrived detachment of the Royal Engineers, engaged on behalf of the Britsh Army and Government in making the first Ordnance Survey. For the purposes ofr cartography, the local Gaelic place names have to be recorded and transliterated - or translated - into English, in examining the effects of this operation on the lives of a small group of people, Irish and English, Brian Friel skillfully reveals the unexperctedly far-reaching personal and cultural effects of an action which is at first sight purely administrative and harmless. While remaining faithful to the personalities and relationshiops of those people at that time he makes a richly suggestive statement about Irish - and English - history.

    All that has happened to you during the day. Every word of it. She will want to know what you are thinking about, why you smile suddenly, why you are looking sad...A tale of desire, manipulation and obsession...

    An innocent-seeming birthday party for Stanley turns into a nightmare.The Birthday Party was first performed in 1958 and is now a modern classic. Produced and studied throughout the world.

    

    This collection gathers together the best of her Pulitzer Prize-winning short fiction, including 'Pale Horse, Pale Rider', where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and 'Noon Wine', a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.

    So will The Longest Memory, the powerful, beautifully crafted, internationally acclaimed fictional debut of prizewinning Guyanese poet Fred D'Aguiar. In language extraordinary for its tautness and resonance, The Longest Memory tells the story of a rebellious, fiercely intelligent young slave, who in 1810 attempts to flee a Virginia plantation - and of his father who inadvertently betrays him. The young slave's love for a white girl who slakes his forbidden thirst for learning and his painful relationship with his father are hauntingly evoked in this novel of astonishing lyrical simplicity. It is a measure of D'Aguiar's achievement and bravery that The Longest Memory is informed not only by the complicities between black slave and white master but also by the tensions among slaves themselves - between stoic survivalists and passionate rebels. Remarkable for its keenness of observation, subtlety, and restraint, The Longest Memory heralds the arrival of a major new voice in the contemporary literature of the African diaspora.

    After a childhood in Brooklyn, he spent many years in and around Manhattan and Washington, where he witnessed troops returning from the Civil War and tended wounded soldiers in the camp hospitals. Whitman's broad humanity, his love of cities (especially Manhattan), his sympathy with all conditions of people, and his visionary - even prophetic - sense of the reality of the American dream make him as much a poet for our time as he was for the time of the American Civil War and its aftermath. This selection of courageous and consoling poems focuses on Whitman's vision of democracy, his love of Manhattan, his sense of the future - and of the community of peoples of this earth.

    Newly designed and typeset in a modern 5.5-by-8.5-inch format by Waking Lion Press.

    Discussing how the vast and powerful Multivac computer was a decisive factor in the war, each of the men admits that in fact he falsified his part of the decision process because he felt that the situation was too complex to follow normal procedures.

    On this, Bierce creates the most surprising story of his career. With dramatic force, the situation is established. The man's nature and mission are quickly revealed in a moving encounter with his wife and two daughters. Then in one of the most exciting short scenes in literature, the audience is taken into the mind of the man at the moment of his execution.

    After disappearing from the Deputy Inspector's face, his nose shows up around town before returning to its proper place.

    Bates characterizes Silas as "the original Adam, rich and lusty and robust" and "a protest against the Puritanical poison in the English blood,” and he adds: "to those who find these stories too Rabelaisian, far-fetched, or robust, my reply would be that, as pictures of English country life, they are in reality understated." This volume contains: The Lily, The Revelation, The Wedding, Finger Wet Finger Dry, A Funny Thing, The Sow & Silas, The Shooting Party, Silas the Good, A Happy Man, Silas & Goliath, A Silas Idyll, The Race, The Death of Uncle Silas, The Return. Published in England in October 1939, these 14 tales offer sly, affectionate glimpses of the narrator's great-uncle Silas--a rural oldster of the earthy, boozy, incorrigible school. In a voice at once dreamy, devilish, innocent, mysterious and triumphant, 93-year-old Silas recalls his more youthful days of poaching and wooing. In ""The Revelation,"" the narrator watches old Silas being given a bath by his surly, longtime housekeeper--and realizes for the first time that their relationship is (or at least Once was) intensely romantic. Elsewhere, Silas chortles over tall-tales of his Casanova days, trying to out-lie his dandyish, equally ancient brother-in-law Cosmo. (In one anecdote, Silas hides from a jealous husband in a cellar for days, eating ""stewed nails"" to keep from starving to death.) There are nostalgic vignettes of roof-thatching, pig-wrestling, and grave-digging--plus, in ""A Happy Man,"" a somewhat more serious sketch of Silas' old chum Walter, an outwardly cheerful ex-soldier who eventually succumbs (with traumatic memories of 1880s Asian campaigns) to madness. And, inevitably, ""The Death of Uncle Silas"" arrives at the close--though, even on his deathbed, Silas is sneaking snorts of wine . . . while, in an epilogue, the narrator shows that he's inherited a wee bit of his great-uncle's mischief.