To enter into these poems one must be fully committed, as the poet is, to seeing this world as it is, to staying with it, moment by moment, day by day. Yet these poems hold a dark promise: this is how you can do it, but you must be fully engaged, which means you must be fully awake, you must wake up inside it. As we proceed, the how-to of the beginning poems subtly transform, as the animals (or, more specifically, the livestock) we are engaging begin to, more and more, become part of us, literally and figuratively we enter inside of that which we devour.--Nick FlynnThis is the book you want with you in the cellar when the tornado is upstairs taking your house and your farm. It's the book you want in the bomb shelter, and in the stalled car, in the kitchen waiting for the kids to come home, in the library when the library books are burned. Its instructions are clear and urgent. Rebecca Gayle Howell has pressed her face to the face of the actual animal world. She remembers everything we have forgotten. Read this! It's not too late. We can start over from right here and right now.--Marie HoweIn every one of these haunting and hungry poems, Howell draws a map for how to enter the heat and dew of the human being, naked and facing the natural world, desperate to feel. I did not realize while reading RENDER how deeply I was handing everything over.--Nikky Finney

    Hinckley said, "There is no more significant work in this world than the preparation of boys to become men . . . who are qualified to live productive and meaningful lives." And President Thomas S. Monson underscores this thought when he says that "It's easier to build boys than to mend them." Bradley D. Harris, professor of recreational management and youth leadership at Brigham Young University, and past member of the LDS Young Mens General Board, challenges parents and youth leaders alike to rediscover the spiritual dimensions of Scouting-to focus on the close relationship that should exist between Scouting and the Aaronic Priesthood. The author's 22-year professional career with the Boy Scouts of America, combined with extensive experience within the Church in various priesthood leadership capacities, gives him invaluable insights into the responsibilities that parents and leaders have in bringing young men to Christ. "The family is the first institution charged with bringing young men to Christ. . . . Working in harmony, the family and the Aaronic Priesthood should create an atmosphere where young men's individual testimonies can . . . flourish." Trails to Testimony is a powerful guide for families and leaders entrusted with the sacred responsibility of teaching and guiding the young men of the Church.

    Gran was the heart of Christmas and Eden hasn’t embraced the spirit of the season ever since losing her. In fact, she’s lived a fairly reclusive life other than her job as a vet’s assistant at The Country Vet practice. When a stranger shows up at on Eden’s doorstep one stormy evening, she is shocked to discover the handsome man is none other than her childhood friend, Brady Shepard. He’s all grown up now and gorgeous. Now a veterinarian, Brady is taking over the practice for his ailing grandmother, Vicky Shepard, who happens to be Eden’s boss. As Eden and Brady begin to work together, Eden’s heart begins to open up to the spirit of the season…and to Brady.

    Book 4: Jerusalem InterludeBook 5: Danzig PassageBook 6: Warsaw Requiem

    Whether writing as son of a dying father or as father of a daughter about to be wed, Berry plumbs the complexities of conflict, grief, loss, and love. He celebrates life from the domestic to the eternal, finding in the everyday that which is everlasting.

    And then Rob began to think about how he hoped he'd have the chance to talk with all his grandchildren as they grew. He imagined them coming into his study, settling into one of the two comfy armchairs in front of the fire and opening up about the challenges they were facing. Perhaps it would be when they were beginning their first job, buying their first house, getting married or starting a family. Or perhaps they'd talk long into the night, when their hearts were broken or friends had betrayed them. Perhaps he would have the chance to help them rebuild the dream that somebody had trodden on. "Come on in, take a seat—tell me what's been going on. . ." Rob knew he wouldn't have all the answers. But maybe he could help—just a little.

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership.   Robbins’s poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with “a sky-blue originality of utterance” (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.

    These prayers were destined to become one of Bishop Nikolai’s most popular and deeply loved works, and when they first appeared in print they were greeted with exceptional enthusiasm--as is evidenced by the initial review of the book by Fr. Justin Popovich at that time (translated and published in this volume[...]). The prayers contained in this volume[...]are more than simple supplications to God by Bishop Nikolai. They are philosophical and theological explorations of the relationships between eternity and time, heaven and earth, life and death, reality and illusion, Creator and creation, God and man.”

    The intricate detail of theprophecies illustrated in the observances of these feasts provide insight intoGod's plan for the ages.

    At the heart of this new way of thinking about worship is the role of the worship curator. Many practical examples are used to illustrate ways in which worship, both inside and outside the church building, can be curated and delivered for spiritual formation and mission. The Art of Curating Worship provides a new language and practice for designing worship with the potential for transforming our experience of God. The Art of Curating Worship promotes a new vocabulary to help worship curators work out how and why and where worship can best engage their community, inside and outside the church, in transformative encounters with God.

    A satiric edge, tempered by profound compassion, cuts through many of the poems in Lux’s book. While themes of intolerance, inhumanity, loss, and a deep sense of mortality mark these poems, a lighthearted grace instills even the somberest moments with unexpected sweetness. In the title poem Lux writes, “there’s no reason for God to feel guilt / I think He was downhearted, weary, too weary / to be angry anymore . . . / He wanted each of us, / and all the things we touch . . . / to have a tiny piece of Him / though we are unqualified, / of even the crumb of a crumb.” Dark, humorous, and strikingly imaginative, this is Lux’s most compassionate work to date.

    Speaking in the unique lyrical voice that he called his "Ohioan," Wright created poems of immense sympathy for sociey's alienated and outcast figures and also of ardent wonder at the restorative power of nature.Selected Poems fills a significant gap in Wright's bibliography: that of an accessible, carefully chosen collection to satisfy both longtime readers and those just discovering his work. Edited and with an introduction by Wright's widow, Anne, and his close friend the poet Robert Bly, who also wrote an introduction, Selected Poems is a personal, deeply considered collection of work with pieces chosen from all of Wright's books. It is an overdue--and timely--new view of a poet whose life and work encompassed the extremes of American life.

    You are not crazy. Maybe Jesus is ready to interrupt your life. Snatching Jen Hatmaker from the grip of her consumer life, God began asking her questions like, "What is really the point of My Church? What have I really asked of you?" Transparent and imperfect, Jen will engage and inspire you to go beyond comfortable and answer for yourself the question she faced: Is there more to faith than just safe and sequestered, predictable and boring?

    In an effort to understand desire, beauty, and love as transient anodynes to metaphysical loneliness, he invokes Constantine Cavafy, Pablo Neruda, Anna Akhmatova, and Dante Rossetti.from “Jewel-Tongued”   The stillness of a lover’s mouth   assaulted me. I never wearied of anecdotes   on the Commons, gesturing until I scattered   myself into a luminance, shining over a city   of women. Was I less human or more? I hear still   my breathing echoing off their pillows. So many   eyes like crushed flowers. Our fingers splayed   over a bed’s edge. We were blown away.