Edited by Lee Ann Brown. SONNETS, first published in 1989 as Tender Buttons Number 1 is widely considered to be one of the most generative and innovative works of contemporary American poetry, radically rethinking the traditional sonnet form. This expanded 25th Anniversary edition includes a new preface by Bernadette Mayer, an editor's note by Tender Buttons Press publisher Lee Ann Brown, and a selection of previously unpublished archival material including the Skinny Sonnets, described as Hypnogogic Word Playing in Reporters' Notebooks which further expand our map of Bernadette Mayer's ground- breaking works of writing consciousness.

    A keepsake enjoyed by tea lovers for over a hundred years, The Book of Tea Classic Edition will enhance your enjoyment and understanding of the seemingly simple act of making and drinking tea.In 1906 in turn-of-the-century Boston, a small, esoteric book about tea was written with the intention of being read aloud in the famous salon of Isabella Gardner, Boston's most notorious socialite. It was authored by Okakura Kakuzo, a Japanese philosopher, art expert, and curator. Little known at the time, Kakuzo would emerge as one of the great thinkers of the early 20th century, a genius who was insightful, witty—and greatly responsible for bridging Western and Eastern cultures. Okakura had been taught at a young age to speak English and was more than capable of expressing to Westerners the nuances of tea and the Japanese Tea Ceremony.In The Book of Tea Classic Edition, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzo argues that tea-induced simplicity affected the culture, art and architecture of Japan.Nearly a century later, Kakuzo's The Book of Tea Classic Edition is still beloved the world over, making it an essential part of any tea enthusiast's collection. Interwoven with a rich history of Japanese tea and its place in Japanese society is a poignant commentary on Asian culture and our ongoing fascination with it, as well as illuminating essays on art, spirituality, poetry, and more. The Book of Tea Classic Edition is a delightful cup of enlightenment from a man far ahead of his time.

    Here is a novel which inquires: What if your id (loyally keeping your name) decides to strike out on its own, cuts a disreputable swath through the world, and then sends home to you all its unpaid bills and ruined maidens? And then: What if you and your alter ego decide to write a book together?

    An intimate and devastating portrait of Romania during and after the Second World War, through the prism of a moving and utterly original friendship.Shortlisted for the 2012 Orange Prize.

    A great stone bridge built three centuries ago in the heart of the Balkans by a Grand Vezir of the Ottoman Empire dominates the setting of Andric's stunning novel. Spanning generations, nationalities, and creeds, the bridge stands witness to the countless lives played out upon it: Radisav, the workman, who tries to hinder its construction and is impaled on its highest point; to the lovely Fata, who throws herself from its parapet to escape a loveless marriage; to Milan, the gambler, who risks everything in one last game on the bridge with the devil his opponent; to Fedun, the young soldier, who pays for a moment of spring forgetfulness with his life. War finally destroys the span, and with it the last descendant of that family to which the Grand Vezir confided the care of his pious bequest - the bridge.

    What I'm Doing HereTo a Man Who ThinksHe Is Making an AngelI Had It for a Moment The HearthOn the Sickness of My LoveIsland Bulletin Portrait of the City HallCruel BabyIndependence CongratulationsFor MarianneThe House The Drawer's Condition on November 28, 1961The Failure of a Secular LifeOrder The SuitMy MentorsDestiny Business as UsualHydra 1960Queen Victoria and Me Indictment of the Blue HoleLeviathanThe Pure List and the Commentary Nothing I Can LoseHeirloomThe New Step (A Ballet-Drama in One Act) Police GazettePromiseThe Paper No PartnersSkyNursery Rhyme On the Death of an Uncharted PlanetWaiting for MarianneOld Dialogue I Wanted to Be a DoctorWhy I Happen to Be FreeWinter Bulletin On Hearing a NameLong UnspokenThe True DesireWhy Did You Give My Name to the Police? Finally I CalledThe Way BackGovernments Make Me Lonely StyleThe ProjectThe Lists Goebbels Abandons His Novel and Joins the PartyHydra 1963To the Indian Pilgrims Why Commands Are ObeyedAll There Is to Know about Adolph EichmannThe Music Crept By Us It Uses Us!The New LeaderThe Telephone The First MurderHow It Happened in the Middle of the DayDisguises My Teacher Is DyingFor E.J.P.Lot Montreal 1964The Glass DogOne of the Nights I Didn't Kill Myself Why Experience Is No TeacherA Migrating DialogueThe Big World For My Old LaytonThe BusNarcissus The Only Tourist in Havana Turns His Thoughts Homeward LaundryCherry Orchards The Invisible TroubleThe Rest Is DrossStreetcars Sick AloneHow the Winter Gets InBullets MillenniumPropagandaHitler Hitler the Brain-MoleOpium and HitlerFront Lawn Death of a LeaderFor Anyone Dressed in MarbleKerensky Alexander Trocchi, Public JunkiePriez Pour NousWheels, FirecloudsAnother Night with Telescope Three Good NightsFolk

    In its massive Hotel Savoy, he meets there a surreal cast of characters, each eagerly awaiting the return from America of a rich man named Bloomfield. Like Europe itself in 1932, the hotel is the stage upon which characters follow fate to its tragic destination.

    A rhinoceros suddely apears in a small town, tramping through its peaceful streets. Soon there are two, then three, until the "movement" is universal: a transformation of average citizens into beasts, as they learn to "move with the times." Finally, only one man remains. "I'm the last man left, and I'm staying that way until the end. I'm not capitulating!" Rhinoceros is a commentary on the absurdity of the human condition made tolerable only by self-delusion. It shows us the struggle of the individual to maintain integrity and identity alone in a world where all others have succumbed to the "beauty" of brute force, natural energy and mindlessness.

    With all the stark simplicity of a fractured fairy tale, the trilogy tells the story of twin brothers, Claus and Lucas, locked in an agonizing bond that becomes a gripping allegory of the forces that have divided "brothers" in much of Europe since World War II. Kristof's postmodern saga begins with The Notebook, in which the brothers are children, lost in a country torn apart by conflict, who must learn every trick of evil and cruelty merely to survive. In The Proof, Lucas is challenging to prove his own identity and the existence of his missing brother, a defector to the "other side." The Third Lie, which closes the trilogy, is a biting parable of Eastern and Western Europe today and a deep exploration into the nature of identity, storytelling, and the truths and untruths that lie at the heart of them all. "Stark and haunting." - The San Francisco Chronicle; "A vision of considerable depth and complexity, a powerful portrait of the nobility and perversity of the human heart." - The Christian Science Monitor.

    Chosen as one of the Best Books of the Year by The New York Times, and greeted with critical acclaim as "the most insightful and timely work on the Balkans to date" (The Boston Globe), Kaplan's prescient, enthralling, and often chilling political travelogue is already a modern classic.This new edition includes six opinion pieces written by Robert Kaplan about the Balkans between l996 and 2000 beginning just after the implementation of the Dayton Peace Accords and ending after the conclusion of the Kosovo war, with the removal of Slobodan Milosevic from power.

    The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed, and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile"!), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud. Rimbaud entrapped by the communist revolution, entrapped in a sombre farce.

    At its center is a poignant story about the narrator's divorce and the fact that he isn't "the author" of his soon-to-be-ex-wife's pregnancy. Maybe he's suffering from attention deficit disorder; maybe he's just stuck with a skewed if stoic appreciation of life's messy flux. Whatever the cause, his monologue turns into a quirky, compulsively readable book that deftly hints at the emptiness and sadness at its core.(Anderson Tepper, The New York Times)

    Widely read in prerevolutionary Russia, banned and forgotten under Communism; and recently rediscovered to great excitement, A Calendar of Wisdom is a day-by-day guide that illuminates the path of a life worth living with a brightness undimmed by time. Unjustly censored for nearly a century, it deserves to be placed with the few books in our history that will never cease teaching us the essence of what is important in this world.

    Editor Faubion Bowers provides a foreword and many informative notes to the poems.

    He is a successful Hollywood script doctor, a fixer of flawed films. He is fifty, overweight, a heavy drinker and chain smoker. He is at an age when things break down, but he has no health insurance. His separation from his wife, Dinah, has become another form of marriage. His relationship with his son, Billy, a college student, is one of pure avoidance. He cannot free himself from the grip of the powerful producer Jay Cromwell, who wants him to recut the last great film of the legendary director Arthur Houseman and make it more commercial. After seeing the film, Karoo considers refusing the job. But he soon becomes obsessed with Leila Miller, an unknown actress whom he has spotted in a small scene. In fact Karoo becomes convinced that she is the mother of his adopted son, Billy, and he becomes determined to track her down.Karoo finds Leila in Venice Beach (where she's one of thousands of Hollywood hopefuls), working as a waitress and haunted by the memory of the baby she gave up for adoption. Karoo falls in love with her, and in the grip of his newfound devotion uses every cheap screenwriter's trick to change Houseman's poignant masterpiece into an outrageous comedy that will make Leila a star. And, he plans to unite the long-lost mother and child at the film's premiere. But Billy, not knowing that Leila is his mother, also falls for her and she for him. The triangle ends in an auto accident, with Karoo driving, in which Billy and Leila are killed and the recut film, becomes a huge success. Devastated by the personal disaster he has helped to create, Karoo winds up being hired by Cromwell to transform a journalistic expose of his own tragic machinations into a screenplay.Steve Tesich has grounded his story in the highly recognizable world of New York in the late-eighties, a milieu of unscrupulous West Coast producers, dry cleaning, divorce and fantasies of escape. Karoo is a haunting, highly human, deliciously realistic novel of decline, fall, and rejuvenation.