Her parents are still uptight and disinterested, her bedroom is exactly the way she left it, and the outcast Gavin Timothy still looks like he’s crawled out of one of her dark, twisted drawings.Delilah is instantly smitten.Gavin has always lived in the strange house: an odd building isolated in a stand of trees where the town gives in to mild wilderness. The house is an irresistible lure for Delilah, but the tall fence surrounding it exists for good reason, and Gavin urges Delilah to be careful. Whatever lives with him there isn’t human, and isn’t afraid of hurting her to keep her away.

    His fiercely loyal agent finds him just such a place in a luxurious forgotten mansion high in the Hollywood Hills. But the original owner of the mansion was a beautiful woman devoted to pleasure at any cost, and the terrible legacy of her deeds has not yet died. There are ghosts and monsters haunting Coldheart Canyon, where nothing is forbidden . . .

     The ancient building has been the subject of rumours for close to a century. Its owner, Edith, refused to let guests inside and rarely visited the nearby town. Following Edith's death, her sole surviving relative, Adrienne, inherits the property. Adrienne's only possessions are a suitcase of luggage, twenty dollars, and her pet cat. Ashburn House is a lifeline she can't afford to refuse. Adrienne doesn't believe in ghosts, but it's hard to ignore the unease that grows as she explores her new home. Strange messages have been etched into the wallpaper, an old grave is hidden in the forest behind the house, and eerie portraits in the upstairs hall seem to watch her every movement. As she uncovers more of the house's secrets, Adrienne begins to believe the whispered rumours about Ashburn may hold more truth than she ever suspected. The building has a bleak and grisly past, and as she chases the threads of a decades-old mystery, Adrienne realises she's become the prey to something deeply unnatural and intensely resentful. Only one thing is certain: Ashburn's dead are not at rest.

    His name was Alton Turner Blackwood, and in the space of a few months he brutally murdered four families. His savage spree ended only when he himself was killed by the last survivor of the last family, a fourteen-year-old boy. Half a continent away and two decades later, someone is murdering families again, recreating in detail Blackwood’s crimes. Homicide detective John Calvino is certain that his own family—his wife and three children—will be targets in the fourth crime, just as his parents and sisters were victims on that distant night when he was fourteen and killed their slayer. As a detective, John is a man of reason who deals in cold facts. But an extraordinary experience convinces him that sometimes death is not a one-way journey, that sometimes the dead return. Here is ghost story like no other you have read. In the Calvinos, Dean Koontz brings to life a family that might be your own, in a war for their survival against an adversary more malevolent than any he has yet created, with their own home the battleground. Of all his acclaimed novels, none exceeds What the Night Knows in power, in chilling suspense, and in sheer mesmerizing storytelling.

    -- so when his assistant tells him about a ghost for sale on an online auction site, he immediately puts in a bid and purchases it. The black, heart-shaped box that Coyne receives in the mail not only contains the suit of a dead man but also his vengeance-obsessed spirit. The ghost, it turns out, is the stepfather of a young groupie who committed suicide after the 54-year-old Coyne callously used her up and threw her away. Now, determined to kill Coyne and anyone who aids him, the merciless ghost of Craddock McDermott begins his assault on the rocker's sanity.

    So when a stranger appears on her doorstep with a job offer, she finds herself accepting the mysterious yet unique position: caretaker to his mother, Amaris Sinclair, the famous and rather eccentric horror novelist whom Julia has always admired…and who the world believes is dead.When she arrives at the Sinclairs' enormous estate on Lake Superior, Julia begins to suspect that there may be sinister undercurrents to her "too-good-to-be-true" position. As Julia delves into the reasons of why Amaris chose to abandon her successful writing career and withdraw from the public eye, her search leads to unsettling connections to her own family tree, making her wonder why she really was invited to Havenwood in the first place, and what monstrous secrets are still held prisoner within its walls.

    But their quiet life together is shattered when her father is jailed for killing another man in a barroom brawl and injuring Sarah in a drunken car crash. Left in the cold care of a loveless foster family and alienated at school, Sarah finds a kindred spirit in classmate Nick Dunnigan, a former mental patient still plagued by voices and visions. And in eccentric art instructor Bettina Phillips, Sarah finds a mentor eager to nurture her talent for painting.But within the walls of Bettina’s ancestral home, the mansion called Shutters, Sarah finds something altogether different and disturbing. Monstrous images from the house’s dark history seem to flow unbidden from Sarah’s paintbrush–images echoed by Nick’s chilling hallucinations. Trapped for ages in the shadowy rooms of Shutters, the violence and fury of long-dead generations have finally found a gateway from the grave into the world of the living. And Sarah and Nick have found a power they never had: to take control, and take revenge.

    So when he’s promised exclusive access to notorious cult leader and death row inmate Jeffrey Halcomb, the opportunity is too good to pass up. Lucas leaves New York for the scene of the crime—a split-level farmhouse on the gray-sanded beach of Washington State—a house whose foundation is steeped in the blood of Halcomb’s diviners; runaways who, thirty years prior, were drawn to his message of family, unity, and unconditional love. Lucas wants to tell the real story of Halcomb’s faithful departed, but when Halcomb goes back on his promise of granting Lucas exclusive information on the case, he’s left to put the story together on his own. Except he is not alone. For Jeffrey Halcomb promised his devout eternal life…and within these walls, they’re far from dead.

    It was one of many rules imposed by her cold, distant father. Now, in a final act of desperation, her father has exorcised his demons. But when Laurie returns to claim the estate with her husband and ten-year-old daughter, it’s as if the past refuses to die. She feels it lurking in the broken moldings, sees it staring from an empty picture frame, hears it laughing in the moldy greenhouse deep in the woods…At first, Laurie thinks she’s imagining things. But when she meets her daughter’s new playmate, Abigail, she can’t help but notice her uncanny resemblance to another little girl who used to live next door. Who died next door. With each passing day, Laurie’s uneasiness grows stronger, her thoughts more disturbing. Like her father, is she slowly losing her mind? Or is something truly unspeakable happening to those sweet little girls?

    Three nights in which David Ash, there to investigate a haunting, will be the victim of horrifying and maleficent games. Three nights in which he will face the enigma of his own past. Three nights before Edbrook's dreadful secret will be revealed - and the true nightmare will begin.

    Haunted by memories and grief, Jess packs what’s left and heads for the small mountain town of Pine Lake, where she takes a position as caregiver to an eccentric old woman.A rumored clairvoyant, Lucy is strange but welcoming and immediately intuits Jess as a “loose end” in need of closure. But Jess isn’t the only guest in Lucy’s large Victorian home. There’s also Star, a teenage runaway with a secret too painful to share. And the little boy with heart-shaped stones, who comes with a hope for reconciliation—and a warning.Soon Jess learns that she’s not the only lost soul running from the ghosts of the past. She and Star have been brought together for a reason: to be saved by the very thing that destroyed them.

    Working to rebuild her law practice after her son commits suicide, Angela Toussaint journeys to the family home where the suicide took place, hoping for answers, and discovers an invisible, evil force that is driving locals to acts of violence.

    In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient. We learn, as Parker did on his first day at the hospital, of the facility’s most difficult, profoundly dangerous case—a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat him has been driven to madness or suicide. Desperate and fearful, the hospital’s directors keep him strictly confined and allow minimal contact with staff for their own safety, convinced that releasing him would unleash catastrophe on the outside world. Parker, brilliant and overconfident, takes it upon himself to discover what ails this mystery patient and finally cure him. But from his first encounter with the mystery patient, things spiral out of control, and, facing a possibility beyond his wildest imaginings, Parker is forced to question everything he thought he knew. Fans of Sarah Pinborough’s Behind Her Eyes and Paul Tremblay’s The Cabin at the End of the World will be riveted by Jasper DeWitt’s astonishing debut.

    Harrison’s The Silent Wife—a harrowing tale of psychological suspense set in New York’s Hudson Valley.When Jess and Clare Martin move from Williamsburg, Brooklyn, to their former college town in the Hudson River valley, they are hoping for rejuvenation—of their marriage, their savings, and Jess's writing career.They take a caretaker's job at Riven House, a crumbling estate and the home of their old college writing professor. While Clare once had dreams of being a writer, those plans fell by the wayside when Jess made a big, splashy literary debut in their twenties. It's been years, now, since his first novel. The advance has long been spent. Clare's hope is that the pastoral beauty and nostalgia of the Hudson Valley will offer some inspiration.But their new life isn't all quaint town libraries and fragrant apple orchards. There is a haunting pall that hangs over Riven House like a funeral veil. Something is just not right. Soon, Clare begins to hear babies crying at night, and sees strange figures in fog at the edge of their property. Diving into the history of the area, she realizes that Riven House has a dark and anguished past. And whatever this thing is—this menacing force that destroys the inhabitants of the estate—it seems to be after Clare next…

    Each one hoped to be the last to leave. Now they're just hoping to stay alive. It seems the island isn't deserted after all. Contestants and crew members are disappearing, but they aren't being eliminated by the game. They're being taken by the monstrous half-human creatures that live in the jungle. The men will be slaughtered. The women will be kept alive as captives. Night is falling, the creatures are coming, and rescue is so far away. . .