Muslim leader reacted to the November 2015 Paris attacks with a declaration that the Islamic State, also known as ISIS, has nothing to do with Islam, President Obama made the same assertion. Who exactly is the enemy we face, not only in the Middle East but also within our borders? Is it "murderers without a coherent creed" or "nihilistic killers who want to tear things down," as some described ISIS after 130 people were brutally slain and another 368 injured in a coordinated attack on Western soil that authorities say was organized with help from inside France's Muslim communities.After the Paris attacks, Obama, himself, described ISIS as "simply a network of killers who are brutalizing local populations." But how much do words and definitions really matter? According to the legendary military strategist Sun Tzu, if "you do not know your enemies but do know yourself, you will win one (battle) and lose one; if you do not know your enemies nor yourself, you will be imperiled in every single battle."When the Department of Homeland Security was founded in 2003, its stated purpose was "preventing terrorist attacks within the United States and reducing America's vulnerability to terrorism." The Bush administration's definition of the enemy as a tactic, terrorism, rather than a specific movement, proved consequential amid a culture of political correctness. By the time President Obama took office, Muslim Brotherhood-linked leaders in the United States were forcing changes to national security policy and even being invited into the highest chambers of influence. A policy known as Countering Violent Extremism emerged, downplaying the threat of supremacist Islam as unrelated to the religion and just one among many violent ideological movements.When recently retired DHS frontline officer and intelligence expert Philip Haney bravely tried to say something about the people and organizations that threatened the nation, his intelligence information was eliminated, and he was investigated by the very agency assigned to protect the country. The national campaign by the DHS to raise public awareness of terrorism and terrorism-related crime known as If You See Something, Say Something effectively has become If You See Something, Say Nothing.In SEE SOMETHING, SAY NOTHING, Haney – a charter member of DHS with previous experience in the Middle East – and co-author Art Moore expose just how deeply the submission, denial and deception run. Haney's insider, eyewitness account, supported by internal memos and documents, exposes a federal government capitulating to an enemy within and punishing those who reject its narrative.Haney discloses:How the Bush administration stripped him and other frontline officers of their ability to define the threat;How much the Obama administration knew in advance of the Boston Marathon bombing and how it launched an ongoing cover-up on behalf of a major ally;The administration’s stealth policy to protect Islamic leaders with supremacist beliefs and violent-jihadist ties, allowing them to freely travel between the U.S. and the Middle East;The scope of access to the White House and the classified information the Obama administration gave to members of Muslim Brotherhood front groups;The damning intelligence on Muslim Brotherhood-linked leaders invited to sit at the table and help form national-security policy;The "words matter" memo imposing the demands of radical U.S. Muslims leaders on the DHS, including stripping intelligence and official communications of any mention of Islam in association with terrorism;The purging of training material that casts Islam in a negative light;The erasing and altering of vital intelligence on terrorists and terror threats;The fear-based tactics imposed by the Muslim Brotherhood front groups in the U.S. and their accomplices that paralyze officials, members of Congress and any Department of Homeland Security employee who dares to expose or resist their agenda; andMuch more … In this well-documented, first-person account of his unique service with DHS, Haney shows why it's imperative that Americans demand that when they see something and say something, the servants under their charge do something to prevent a cunning, relentless enemy from carrying out its stated aim to "destroy Western Civilization from within."

    From a red prayer rug to a blue hijab, everyday colors are given special meaning as young readers learn about clothing, food, and other important elements of Islamic culture, with a young Muslim girl as a guide. Sure to inspire questions and observations about world religions and cultures, Golden Domes and Silver Lanterns is equally at home in a classroom reading circle as it is being read to a child on a parent's lap.

    Many of the poems in this book are exquisitely woven with nature imagery; a subtle reminder that through our struggles and joys we must all remember to take deep breaths and run in the rain every now and then.

    This is a topic-by-topic study about the science of Hadith written to fulfil the needs of modern college students whose medium of instruction is mainly in English.

    A history of the evolution and ideals of Islam, with a life of the prophecy. Contents: Life and Ministry of the Prophet: Mohammed the prophet; Hegira; prophet at Medina; hostility of the Koreish and the Jews; invasion of Medina; prophets clemency; diffusion of the faith; year of deputations; fulfillment of the prophet's work; apostolical succession; Spirit of Islam: ideal of Islam; religious spirit of Islam; idea of future life in Islam; church militant of Islam; status of women in Islam; bondage in Islam; political spirit of Islam; political divisions and schisms of Islam; literary and scientific sprit of Islam; rationalistic and philosophical spirit of Islam; idealistic and mystical spirit in Islam.

    Hauge deserves a larger American readership, and this book may summon it." —Publishers Weekly "(Hauge's) poetry is miniaturist, pictorial, and ruminative; personal in that his experience, cognitive and sensual observations, and intentions are everywhere in it. Yet it isn't at all confessional or self-assertive....He is a man who knows where he is and helps us feel that we can know where we are, too."—Booklist “If you have a tiny farm, you need to love poetry more than the farm. If you sell apples, you need to love poetry more than the apples.”—Robert Bly, from the introduction Olav H. Hauge, one of Norway’s most beloved poets, is a major figure of twentieth-century European poetry. This generous bilingual edition—introduced by Robert Bly—includes the best poems from each of Hauge’s seven books, as well as a gathering of his last poems. Ever sage and plainspoken—and bearing resemblance to Chinese poetry—Hauge’s compact and classically restrained poems are rooted in his training as an orchardist, his deep reading in world literatures, and a lifetime of careful attention to the beauties and rigors of the western fjordland. His spare imagery and unpretentious tone ranges from bleak to unabashedly joyous, an intricate interplay between head and heart and hand. The rose has been sung about. I want to sing of the thorns, and the root—how it gripsthe rock hard, hardas a thin girl’s hand. During a writing career that spanned nearly fifty years, Olav H. Hauge produced seven books of poetry, numerous translations, and several volumes of correspondence. A largely self-educated man, he earned his living as a farmer, orchardist, and gardener on a small plot in the fjord region of western Norway.

    Although capitalism could have only grown to current levels in the soil of democracies, Benjamin Barber argues that global capitalism now tends to work against the very concept of citizenship, of people thinking for themselves and with their neighbors. Too often now, how we think is the product of a transnational corporation (increasingly, a media corporation) with headquarters elsewhere. And although self-determination is one of the most fundamental of democratic principles, unchecked it has lead to a tribalism (think Bosnia, think Rwanda) in which virtually no one besides the local power elite gets a fair shake. The antidote, Barber concludes, is to work everywhere to resuscitate the non-governmental, non-business spaces in life--he calls them "civic spaces" (such as the village green, voluntary associations of every sort, churches, community schools)--where true citizenship thrives.

    Each of these tiny stories was inspired by an event, an overheard conversation, a piece of art or just a fleeting glance of something worth thinking about further.Collected in one volume, Carson's postcards present a panoramic view of contemporary Belfast -- its coffee shops, streets and museums and airports -- and offer it to the wider world. Even as they seem to spring from a writer's solitary perspective, taken together, these observations and their distribution speak of human connectedness. Like a pleasant surprise in the mail, this collection reminds us how many friendships are born and strengthened in a story shared.Illustrated by Benjamin Phillips.

      Muslim Mafia is the sensational result of a six-month undercover penetration of the Washington-based Council on American-Islamic Relations that resulted in the collection of thousands of pages of smoking-gun documents from this terror-linked front group for the dangerous, mob-like Muslim Brotherhood.   Muslim Mafia delivers all the elements of a top-flight mystery novel, except that the situations and conversations are totally real. The book's frightening allegations are supported by more than 12,000 pages of confidential CAIR documents and hundreds of hours of video captured in an unprecedented undercover operation. This trail of information reveals the seditious and well-funded efforts of the Brotherhood under the nonprofit guise of CAIR to support the international jihad movement against the United States. Posing as an intern, Chris Gaubatz courageously gains the trust of CAIR's inner sanctum, working undercover while posing as a devoted convert to Islam, and blows the whistle on the entire factory fueling the wave of homegrown terrorism now plaguing America.

    The poems are haunting, the evocation of emotional life vivid. But her analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of a system of social hierarchy. What begins as a puzzle about a single poetic genre becomes a reflection on the politics of sentiment and the relationship between ideology and human experience.

    Carman.

    This book invites you--no matter what your practice may be--to access the treasure chest of Islamic spirituality, particularly Sufism, and use its wealth to strengthen your own journey.The riches include guidance drawn from the Qur'an, sayings of the Prophet Muhammad and Sufi poets such as the thirteenth-century Rumi on cultivating awareness, intentionality and compassion for self and others. This book also features entertaining wisdom teaching stories, especially those of Mulla Nasruddin, Islam's great comic foil, to expand the mind and heart. It breaks down barriers to accessing this ancient tradition for modern seekers by dispelling myths about the Muslim faith concerning gender bias, inclusivity and appreciation for diversity.Regardless of where you are on your spiritual journey, you will find these gems worthy additions to your own treasure chest within.

    She has a fine ear, a fine eye, and a magician's impeccable timing."—Judith Foosaner, Los Angeles Times"The day-to-day lives in The Lover of Horses are mined wth small, extraordinary moments of epiphany and unsettling insight."—Elizabeth Alexander, Washington Post Book WorldTess Gallagher's previous publications include Amplitude: New and Selected Poems, A Concert of Tenses (essays on poetry), and Moon Crossing Bridge. She lives in Port Angeles, Washington, where she has recently completed the introduction to No Heroics, Please, the first of two volumes of The Uncollected Works of Raymond Carver, edited by William Stull.

    A ruba'i is a two-line stanza with two parts (or hemistichs) per line, hence the word rubáiyát (derived from the Arabic language root for "four"), meaning "quatrains". (Courtesy: Wikipedia)(less)

    Get ready to have a holly jolly zombie holiday with this monstrously funny mash-up that subverts all that tiresomely good Christmas cheer. Clement C. Moore's verses are tweaked and twisted, turning a once-cozy fireside read-aloud on its (now brainless) head. To complete the sacrilege: hilarious renderings of zombie stockings (undead legs ) hung by the chimney with care, and St. Nick attempting to repel a full-out, flesh-devouring zombie attack. One thing's for sure--Santa and his eight tiny reindeer will never be the same