A hurricane, a tragic death, two boys, one marble. How they intertwine is at the heart of this beautiful, poignant book. When ten-year-old Zavion loses his home in Hurricane Katrina, he and his father are forced to flee to Baton Rouge. And when Henry, a ten-year-old boy in northern Vermont, tragically loses his best friend, Wayne, he flees to ravaged New Orleans to help with hurricane relief efforts—and to search for a marble that was in the pocket of a pair of jeans donated to the Red Cross.   Rich with imagery and crackling with hope, this is the unforgettable story of how lives connect in unexpected, even magical, ways.   “In Smith’s poetic hands, this poignant story barrels across the pages and into the reader’s heart, reminding us that magic can arise from the deepest tragedy.” —Kathi Appelt, Newbery Honor Award winner and two-time National Book Award Finalist

    We’re not really sisters—we were just adopted from the same orphanage. And we’re nothing alike. They sing Chinese love songs on the bus to summer camp, and I pretend like I don’t know them. To make everything worse, we have to journal about our time at camp so the adoption agency can do some kind of “where are they now” newsletter. I’ll tell you where I am: At Camp Little Big Woods in a cabin with five other girls who aren’t getting along, competing for a campout and losing (badly), wondering how I got here…and where I belong.

    She and her best friend, Austin, usually do everything together, but he's off to soccer camp for a month, and he's been acting kind of weird lately anyway. So it's up to Bina to see how much fun she can have on her own. At first it's a lot of guitar playing, boredom, and bad TV, but things look up when she finds an unlikely companion in Austin's older sister, who enjoys music just as much as Bina. But then Austin comes home from camp, and he's acting even weirder than when he left. How Bina and Austin rise above their growing pains and reestablish their friendship and respect for their differences makes for a touching and funny coming-of-age story.

     It's science project time in Ms. Adolf's class. This is good news and bad news for Hank-he loves science, but he hates the report part. So Hank turns to TV to take his mind off things. But when the program directory scrolls by too quickly for Hank to know what's on, he decides to take apart the cable box to try to slow down the crawl. Great! Now Hank has found the perfect science project! But what he wasn't counting on was his sister's pet iguana laying eighteen eggs in the disassembled cable box. How is Hank going to get out of this one? Illustrated by Carol Heyer.

    True, her parents own a cadaver lab where they perform surgeries on dead bodies. And yes, that makes her gross by association, at least according to everyone in seventh grade. And sure, Fovea's stuck working at the lab now that her summer camp plans have fallen through. But she is by no means Dr. Frankenstein's snuffling assistant!That is, until three disembodied heads, left to thaw in the wet lab, start talking. To her. Out loud. What seems like a nightmare, or bizarre hallucination, is not. Fovea is somebody's Igor, all right. Three somebodies, actually. And they need a favor.

    A classic middle grade story told with honesty, nuance, and depth, in the tradition of Rebecca Stead, Holly Goldberg Sloan, and Jerry Spinelli.How do you share a parent with a stranger?Maggie's accustomed to leading her life perfectly according to her own well-designed plans. But when Maggie learns that she has a half-brother her own age who needs a place to stay, any semblance of a plan is shattered. Tony's mom struggles with an addiction to opioids, and now she's called upon Maggie's dad—who's also Tony's dad—to take him in.As Maggie struggles to reconcile her mom and dad's almost-divorce, accept the Alzheimer's afflicting her grandmother, and understand Tony's own issues—ignorance is no longer an option. While Maggie can strive for—and even succeed in—a perfect design, when it comes to family, nothing is perfect, and tackling its complexities is only possible with an open heart.Heart-wrenching, authentic, and darkly funny, this is a spectacularly written portrayal of the ways we respond to intense change, and proof that no matter the circumstances, the unexpected things are often the best ones.• WILL KEEP KIDS TURNING PAGES: Part family drama, part contemporary thriller, this book is compulsively readable, and accessible and relatable to all different kinds of readers. A juicy read about important topics featuring unforgettable characters that sucks you in and leaves you wishing for more pages!• TIMELESS RELATABILITY: With themes of family, school, and friendship, at its core this is a coming-of-age story that's relatable despite the unique circumstances the characters face.• HARD-HITTING TOPICS, APPROACHED WITH CARE: Divorce, substance abuse, opioid addiction, class disparities, and loss are all factors in the story. All are approached with care, honesty, thoughtfulness, and thoroughness.• A REAL, IMPERFECT KID CHARACTER: Prickly and dry, closer to Harriet the Spy than Anne Shirley, the main character Maggie is self-aware, unapologetic, and creative, stubbornly herself and ambitiously brave, giving voice to the kind of kid many kids are but don't often see in books.• THOUGHTFUL BUT NEVER PREACHY: This book takes its young readers seriously: it doesn't talk down to them, keeps them absorbed and engaged, and explores important themes without making them obvious or message-y.Perfect for:• Readers who love a bold and self-aware protagonist• Fans of The Things About Jellyfish• Fans of When You Reach Me• Readers looking for books about divorce• Readers looking for non-traditional families• Readers looking for evolving friendships• Kids who have experiences with Alzheimer's• Booksellers• Educators and librarians

    It's been there for an age. I keep on saying that I'll write a journal. So I'll start right here, right now. I open the book and write the very first words: My name is Mina and I love the night. Then what shall I write? I can't just write that this happened then this happened then this happened to boring infinitum. I'll let my journal grow just like the mind does, just like a tree or a beast does, just like life does. Why should a book tell a tale in a dull straight line?And so Mina writes and writes in her journal, and through her stories and poems there grows an opus of her life - her lessons, her loves, her beliefs, her mum, her dad, her thoughts and her dreams.In this stunningly designed book, David Almond revisits Mina before she has met Michael, before she has met Skellig, in what is a thought-provoking and extraordinary prequel to his best-selling debut novel, Skellig. From the winner of the Whitbread Children's Book Award the Carnegie Medal and the 2010 Hans Christian Andersen Award comes the extraordinary prequel to the award-winning Skellig.

    Ruthie Mizrahi and her family recently emigrated from Castro's Cuba to New York City. Just when she's finally beginning to gain confidence in her mastery of English and enjoying her reign as her neighborhood's hopscotch queen, a horrific car accident leaves her in a body cast and confined her to her bed for a long recovery. As Ruthie's world shrinks because of her inability to move, her powers of observation and her heart grow larger. She comes to understand how fragile life is, how vulnerable we all are as human beings, and how friends, neighbors, and the power of the arts can sweeten even the worst of times.

    Her family's small farmhouse seems to shrink each time another mansion grows up behind it. She lives with her career-obsessed mom and opinionated Gran, but has never known her father. Then there's her cerebral palsy: even if Josie wants to forget that she was born with a disability, her mom can't seem to let it go. Yet when a strange new boy—Jordan—moves into one of the houses nearby, he seems oblivious to all the things that make Josie different. Before long, Josie finds herself reaching out for something she's never really known: a friend… and possibly more. Interlinked free verse poems tell the beautiful, heartfelt story of a girl, a family farm reduced to a garden, and a year of unforgettable growth.

    Suddenly, Knox has two days to prepare for an international move—and for leaving his dad, who has to stay for work. At his new school in California, Knox struggles with being the new kid. His classmates think that because he’s from Asia, he must have brought over the virus. At home, Mom just got fired and is panicking over the loss of health insurance, and Dad doesn’t even know when he’ll see them again, since the flights have been cancelled. And everyone struggles with Knox’s blurting-things-out problem. As racism skyrockets during COVID-19, Knox tries to stand up to hate, while finding his place in his new country. Can you belong if you’re feared; can you protect if you’re new? And how do you keep a family together when you’re oceans apart? Sometimes when the world is spinning out of control, the best way to get through it is to embrace our own lovable uniqueness.

    With everything she’s dealing with, Maisie is not excited for their family midwinter road trip along the coast, near the Makah community where her mother grew up.But soon, Maisie’s anxieties and dark moods start to hurt as much as the pain in her knee. How can she keep pretending to be strong when on the inside she feels as roiling and cold as the ocean?

    The diagnosis is vitiligo, a skin condition triggered by stress. Creating a large multigenerational cast, Standish knits an absorbing story of loss, identity, and human connections. A rewarding, realistic novel, illuminated by magical elements." —Booklist (starred review) Wonder meets Some Kind of Happiness in this powerful tween novel from Ali Standish, author of the Carnegie Medal nominee The Ethan I Was Before and August Isle. While her grandmother was alive, Emma’s world was filled with enchantment. But now Gram is gone, and suddenly strange spots are appearing on Emma’s skin. Soon, she’s diagnosed with vitiligo—a condition that makes patches of her skin lose their color—and the magic in her world is suddenly replaced with school bullies and doctor appointments.But when Emma writes one last story in the journal she shared with Gram, something strange happens. Someone writes back to her, just like Gram used to. Who’s writing to Emma? And just what is her story going to be, now that everything is so different?Award-winning author Ali Standish explores the ways life transforms us, and how we learn to let go of what we must while still holding fast to who we are."Seamlessly blending childhood wonder with the slow lessons of maturity, this tale succeeds in celebrating curiosity, thoughtfulness, and collaboration, centering on relatable characters who welcome readers into their world." —Publishers Weekly

    Life on the streets of the teeming city of Chennai is harsh for girls considered outcasts, but the sisters manage to find shelter on an abandoned bridge. There they befriend Muthi and Arul, two boys in a similar predicament, and the four children bond together and form a family of sorts. Viji starts working with the boys scavenging in trash heaps while Rukku makes bead necklaces, and they buy food with what little money they earn. They are often hungry and scared but they have each other--and Kutti, the best dog ever. When the kids are forced from their safe haven on the bridge, they take shelter in a graveyard. But it is now the rainy season and they are plagued by mosquitos, and Rukku and Muthu fall ill. As their symptoms worsen, Viji and Arul must decide whether to risk going for help--when most adults in their lives have proven themselves untrustworthy--or to continue holding on to their fragile, hard-fought freedom.

    But that’s okay, because as her best friend Brianna always said, “We’re All in This Together.”Until the first day of the seventh grade, when Brianna dumps her to be BFFs with the popular new girl. Left all alone, Nina is forced to socialize with “her own kind”–banished to the peanut-free table with the other allergy outcasts. As a joke, she tells her new pals they should form a rock band called EpiPens. (Get it?) Apparently, allergy sufferers don’t understand sarcasm, because the next thing Nina knows she’s the lead drummer.Now Nina has to decide: adopt a picture-perfect pop personality to fit in with Bri and her new BFF or embrace her inner rocker and the spotlight. Well..Call Me a Rock Star, Maybe.

    When you look like this and you're only in the eighth grade, you're both a threat and a target. Marcus knows what classmates and teachers see when they look at him: a monster.But appearances are deceiving. At home, Marcus is a devoted brother. And he finds ways to earn cash to contribute to his family’s rainy day fund. His mom works long hours and his dad walked out ten years ago—someone has to pick up the slack.After a fight at school leaves him facing suspension, Marcus and his family decide to hit the reset button and regroup for a week in Puerto Rico. Marcus is more interested in finding his father, though, who is somewhere on the island. Through a series of misadventures that take Marcus all over Puerto Rico in search of the elusive Mr. Vega, Marcus meets a colorful cast of characters who show him the many faces of fatherhood. And he even learns a bit of Spanish along the way.Marcus Vega Doesn’t Speak Spanish is a novel about discovering home and identity in uncharted landscapes.