Arranged by spiritual ailment, the sections include a range of verse, new and old, which may be of comfort to those in need of a pick-me-up for the soul. The collection has been carefully compiled by Deborah Alma, the world's first and only emergency poet, who travels to schools, libraries, festivals and other events in her 1970s ambulance to offer consultations and prescribe poems as cures for various maladies. This collection is designed to lift your mood and offers poetic help whenever it may be required.

    Here is a mouth after a recent excavation, black with soot, devoid of kisses. Here are hands, trembling against the soft ache of morning, here are eyes, wet, wide, half-full of sky and loneliness. Here is belly, back, femur, spine, ragged and smooth all at once, all at once. Here are dreams, ink black and speckled, lost behind the eyes. Here is a muted elegy, crow’s feet feathered over the eyes like lace. Here are the last strains of a dirge, wild, discordant, free.

    The marriage of Robert Browning and Elizabeth Barrett has been well named "the most perfect example of wedded happiness in the history of literature - perfect in the inner life and perfect in its poetical expression."

    The woman who loves him is left scarred and haunted. In her fierce, one-of-a-kind debut, Rebecca Lindenberg tells the story—in verse—of her passionate relationship with Craig Arnold, a much-respected poet who disappeared in 2009 while hiking a volcano in Japan. Lindenberg’s billowing, I-contain-multitudes style lays bare the poet’s sadnesses, joys, and longings in poems that are lyric and narrative, at once plainspoken and musically elaborate.Regarding her role in Arnold’s story, Lindenberg writes with clear-eyed humility and endearing dignity: “The girl with the ink-stained teeth / knows she’s famous / in a tiny, tragic way. / She’s not / daft, after all.” And then later, playfully, of her travels in Italy with the poet, her lover: “The carabinieri / wanted to know if there were bears / in our part of America. Yes, we said, / many bears. Man-eating bears? Yes, of course, / many man-eating bears.” Every poem in this collection bursts with humor, pathos, verve—and an utterly unique, soulful voice.This widely anticipated debut, already selected as a finalist for several prominent book awards, marks the first collection in the newly minted McSweeney’s Poetry Series. MPS is an imprint which seeks to publish a broad range of excellent new poetry collections in exquisitely designed hardcovers—poetry that’s useful and meaningful to anyone in any walk of life.

    With work that ranges from the laugh out loud funny to the silence and rage of loss, Forgive Yourself These Tiny Acts of Self-Destruction is a must read. As the book unfolds Jared guides the reader through fresh takes on the discussion of body image and body positivity side by side with all too familiar discussions of mental health, anxiety and suicide. It explores the complex cloth that is American culture and New York in particular, taking extra time to examine his identity as a Jewish American and how that underpins the authors daily experience. Forgive Yourself is a modern handbook for finding yourself and your place without losing your way.

    We meet in cities where we've never been before. We meet where no one will recognize us. A "man of God" is how someone described my father to me. I don 't remember who. Not my mother. I'm young enough that I take the words to mean he has magical properties and that he is good, better than other people. With his hand under my chin, my father draws my face toward his own. He touches his lips to mine. I stiffen. I am frightened by the kiss. I know it wrong, and its wrongness is what lets me know, too, that it is a secret.

    A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.”In Bright Dead Things, Limón showed us a heart “giant with power, heavy with blood”—“the huge beating genius machine / that thinks, no, it knows, / it’s going to come in first.” In her follow-up collection, that heart is on full display—even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.

    Fans are going to love it, and newcomers will be pleased and startled by his intensity and originality. The images are vivid and the voice is honest and powerful.”—Stephen King, author of Duma Key“Ryan Adams writes with equal parts precision and recklessness; the blood he draws from the text is easily as unnerving as its unapologetic tenderness. He is proof that poetry will find its writer.”—Mary-Louise Parker, actress“Infinity Blues is Ryan Adams at his personal, unforgettable best. Strong and beautiful and funny and pure. Like all his work, it’s soul poetry of the highest order.”—Cameron Crowe, filmmaker“This is much better than reading a friend’s journal. It’s more like watching somebody you love in the bathtub talking to himself. You’re like, wow, he’s even good at taking a bath. After reading Infinity Blues (which I think is a great title), I give Ryan Adams the best compliment I ever got—and the only reason for reading anyone’s poetry. Ryan, I really like your mind.”—Eileen Myles, author of Cool for YouRyan Adams may be known primarily for acclaimed albums such as Cardinology, Heartbreaker, Gold (which includes the popular hit songs “When the Stars Go Blue” and “New York, New York”), Love Is Hell, Cold Roses, Jacksonville City Nights, and Easy Tiger, but the world renowned singer/songwriter has always been a poet and fiction writer at heart. With the release of Infinity Blues, his nonmusical writing is for the first time ever unveiled in book form. Mr. Adams’s work rings of an emotional authenticity that provides perhaps an even deeper insight into the man than is revealed through the songs that have resonated with his hundreds of thousands of fans the world over.RYAN ADAMS is usually performing in some city on the globe at any given moment with his longtime band the Cardinals. Adams is known for his prolific nature, which in the last ten years has produced various international hit albums. Adams has also produced Willie Nelson’s Songbird album and contributed to records by Toots and the Maytals, Beth Orton, the Wallflowers, Counting Crows, and Cowboy Junkies; additionally, he has appeared on CMT’s Crossroads with Elton John. He was a longtime Manhattan resident before relocating to France in 2009, and he listens to A LOT of heavy metal.

    Follow in real time as the author grapples with the excitement, hesitation, and fear of asking yourself… did I just find the one? Raw and honest and written without thoughts of publication, this collection is perfect for romantics and skeptics alike."I thought the reckoning was shifting everyone’s lives and bringing a change so great it was rewriting the fabric of the universe. Turns out I was just falling in love. The two can feel very similar, I think."

    Written between the ages of sixteen and eighteen, with examinations of anxiety, death, first loves, and first lusts, Graffiti extends a hand to those undergoing the trials and uncertainty of teenagehood, and assures them they're not alone.

    In addition to including many more pieces, Tomlinson has organized the whole in chronological order.It isn't what he [the poet] says that counts as a work of art," Williams maintained, "it's what he makes, with such intensity of purpose that it lives with an intrinsic movement of its own to verify its authenticity.

    Reaching inwards to explore the self; reaching back to explore what made us who we are.In this collection of fifty poems, Elisabeth Hewer ponders love and the world, whilst tackling the inexplicable desires and dangers that thread through our daily lives.At times hopeful, at times despairing, her poems ruminate on all the things we comes up against, even if, on occasion, it’s only ourselves.

    Poems to Read is a welcoming avenue into poetry for readers new to poetry, including high school and college students. It is also meant to be a fresh, valuable collection for readers already devoted to the art. This anthology concentrates on the actual pleasures of reading poems: hearing the poem in your voice, bringing it to other people, musing about it, taking excitement or comfort from it, wandering with it or—as in the Keats letter quoted in the Introduction—having it as a starting post. Many of these 200 poems are accompanied by comments from readers of various ages, regions, and backgrounds who participated in the Favorite Poem Project. Included are poems by John Donne, Walt Whitman, William Butler Yeats, Langston Hughes, Elizabeth Bishop, Gwendolyn Brooks, Seamus Heaney, Allen Ginsberg, and Louise Glück, to name a few. The editors offer their own comments on some of the poems, which are arranged in thematic chapters.

    In less than a year, he became one of the most recognizable figures on the platform he writes: Instagram (@farawaypoetry). In this book of selected poems and writings, Faraway takes the reader on a journey of discovery, with a message of hope running as the main artery through the pages. It fearlessly dives into the depths of the human condition, tackling topics such as new and old love, heartbreak, loss, anxiety, self-love, dreaming, and much more.

    Each piece aims to go beyond just words and reveal an emotion; love, pain or happiness and by the end of it, the prospect of attaining solace. The author uses 'memories' as a title to emphasise that it is universally relatable - as readers should find at least one (or more) piece(s) that reminds them of a previous experience that they have had/ emotion that they have felt, hence becoming a 'memory' that is unwound in this book.Each piece aims to fuel the realisation of sentiments that fabricate our very being, and by the end of the book readers are shown the possibility of hope, redemption, closing 'old chapters' and moving on to make new memories.