Using a bold, stark graphic style and storylines that recall the moody world of a David Lynch movie, he fills traditional comic strip panels with outre characters and inexplicable happenings. Spanning 1998 to 2002, the stories in Tiny Giants are about awkward silences and miscommunication, growing up in the Midwest, and fighting to hold onto the sweetness of life by any means possible. These “true stories that never happened” build on vignettes into an otherworldly narrative of disturbing intensity in this debut collection of work from this talented underground comic artist.

    A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibilityIncludes chronology, updated suggestions for further reading, and extensive notes

    Although he published over 45 books of poetry, hundreds of his poems were kept by him and his publisher for posthumous publication, This is the first collection of these unique poems, which Bukowski considered to be among his best work.

    This cutting comedy about hard times, bad jobs, lousy marriages, little magazines, high principles, and the morning after bears comparison with the best work of Dawn Powell and Mary McCarthy.

    In a wayside tavern, a murderous innkeeper raises a young girl among the ghosts of his past victims. Elsewhere the village of Whistler’s Gore is swept up in the tumult of religious fervor, while in rural Falmouth, the souls of the buried dead fall prey to a fungal infestation.This is New England as it was once envisioned by Hawthorne and Lovecraft, a twilit country of wild hills and barren farmland where madness and repression abound. The Lord Came at Twilight presents 14 stories of doubt and despair, haunter and haunted, the deranged and the devout.

    Featuring a selection of Chandler's previously unpublished early writings - including a gripping piece about his combat experiences in World War I - and an abandoned profile of the infamous mobster "Lucky" Luciano, The Raymond Chandler Papers is a must-have for all true fans and an important contribution toward understanding the life and work of the enigmatic man Evelyn Waugh called "the greatest living American novelist."

    As they and their eight year old daughter, Daisy are preparing for a dream holiday in America, they have no idea of the maelstrom of evil and madness they are entering. They've heard nothing of the series of child abductions and murders that have plagued the area they intend to visit. They know nothing of the crazed Cult that has spread terror throughout the state they are all looking forward to seeing.Nothing can prepare them for the violence, terror and depravity they are to face. As they travel along the highways of Colorado they are pursued not just by the forces of an unimaginable evil but also by the darkness within themselves. When the final confrontation comes, they will discover things about themselves they never wanted to know and never dared to imagine....

    Hall's new poems further the themes of love, death, and mourning so powerfully introduced in his WITHOUT (1998), but from the distance of passed time. A long poem, "Daylilies on the Hill 1975 - 1989," moves back to the happy repossession of the poet's old family house and its history - a structure that "persisted against assaults" as its generations of residents could not. These poems are by turns furious and resigned, spirited and despairing - "mania is melancholy reversed," as Hall writes in another long poem, "Kill the Day." In this book's fourth and final section, "Ardor," the poet moves toward acceptance of new life in old age; eros reemerges.

    There are conquerors, slaves, and rebels from Caribbean history; the "Mayan astronomer" calmly smoking a cigarette in the middle of a New York tenement fire; a nun staging a White House vigil to protest her torture; a man on death row mourning the loss of his books; and even Carmen Miranda.

    Among the things I do pretty well at this point I’d have to list darts, re-closing Stay-Fresh boxes, and staying out of the way. This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen—familiar to readers from publications ranging from McSweeney’s to The New Yorker to Harper’s to Tin House—encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine.A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind's greatest yearning as well as its titanic failure. Generous in scope and astonishing in ambition, Shepard’s voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, “a passionate writer with a razor-sharp wit and an elephantine heart”—in short, one of the most powerful talents at work today.

    It's an unusual and at times unbearable existence, but Chaos soon discovers that his post-nuclear reality may have no connection to the truth. So he takes to the road with a girl named Melinda in order to find answers. As the pair travels through the United States they find that, while each town has been affected differently by the mysterious source of the apocalypse, none of the people they meet can fill in their incomplete memories or answer their questions. Gradually, figures from Chaos's past, including some who appear only under the influence of intravenously administered drugs, make Chaos remember some of his forgotten life as a man named Moon.

    Why else would he be so talented at expertly crafting stories that defy expectations? For me there is no greater joy than seeing an artist excel at his craft." - Aintitcoolnews.com Quite literally, no escape. Because he's always with you. And in the real world -the world of you, the reader - HE WAITS will stay in your mind in a way that you won't expect ...PLUS THE SECOND STORY, 'KEEP YOUR CHILDREN CLOSE'A campsite. A family holiday. A broken down car. And an approaching breakdown truck that is just the start of Shelley's nightmare. By the time the sun sets, someone in that field will be dead, and Shelley must somehow make sure it isn't one of her children ... KEEP YOUR CHILDREN CLOSE is a story that you will find impossible to predict.PRAISE FOR LUKE SMITHERD'S WRITING:"... a novel that intrigues, enthralls, horrifies, thrills, and hits the reader with an emotional resonance as only the best stories can." - Ain't It Cool News.com"... strong characterization, moral quandaries, mystery, and a whole lot of tense moments. Reading the final sentence was truly a bittersweet moment." - SFsignal.com, Hugo award-winning websiteWant to download the first few pages of this book for FREE so that you can try before you buy? Click the 'Send sample now' button on the upper right hand side of this page to do just that!AMAZON REVIEWS OF LUKE SMITHERD'S WORK:"I couldn't help myself and read this is one sitting." - simon211175, Amazon Vine Voice"It was one of those books where you tell yourself you will read just one more page, then look at the clock and realise that it's 2 hours later. I would thoroughly recommend it." - Elaine Hosegood"I have owned a Kindle for about 2 years and downloaded some excellent books for very little cost but Luke Smitherd's works beat the lot." - Silversmith, Amazon UK Review"As soon as I started reading I was completely sucked in, which very rarely happens for me. I couldn't wait to get home and read it each night. I laughed. I cried. I did actual real life gasps of horror." - Katie, Amazon Review

    It is for ages 3-6.

    Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

    'Highliners' is the commercial fishermen's term for their own elite, the skippers and crews who bring in the biggest hauls. Set in Kodiak, Highliners brings into sharp relief the lives of the men and women who make their living catching salmon, king crab, halibut, and shrimp off the coast of Alaska. Hank Crawford comes to Kodiak as a college student to work in the canneries during the summer. But he is inexorably drawn to the water and to the hard, often brutal existence of the fishermen, and ultimately, he joins their ranks. Highliners chronicles Hank's journey from greenhorn to highliner, and the triumphs and tragedies of the people he comes to know so well. (6 X 9, 408 pages, maps, illustrations)