10, 1913 - Feb. 10, 1914 (CW 148)From his clairvoyant reading of the akashic record--the cosmic memory of all events, actions, and thoughts--Steiner was able to discuss aspects of the life of Jesus Christ that are not recorded in the four Gospels of the conventional Christian Bible. The results of such research has been called "The Fifth Gospel."After an intense inner struggle to verify the exact nature of these events, and having checked the results of his research, Steiner described many detailed episodes from the akashic record. For example, he speaks of Jesus' life in the community of the Essenes, the temptation of Christ in the wilderness, and a significant, previously unreported conversation between Jesus and Mary.Steiner states that divulging such spiritual research is intensely difficult, but that "although people show little inclination to be told such facts as these, it was absolutely essential that knowledge of such facts should be brought to Earth evolution at the present time."German title of the German source edition: Aus der Akasha-Forschung. Das f�nfte Evangelium.

    During the summer months, thousands of hopefuls line the single-file path leading to his door, seeking his wisdom. From bombastic, wealthy nobles intent on cheating their way to the top to drunkards who gradually build the physical and mental strength they need to quit their addiction, The Man on the Mountaintop is a rousing tale full of humour, wit and life lessons. In an Audible Originals production, Stanley Tucci (The Devil Wears Prada, Fortitude) and Toby Jones (Infamous, Harry Potter and the Chamber of Secrets) lead a multivoice cast in an inspiring tale that is as entertaining as it is profound. Also featuring Alison Dowling, Anne Rosenfeld, Avita Jay, Christophe Hespel, Christopher Ragland, Clare Corbett, David Thorpe, Fran Canals, Hayward B. Morse, Jeff Harding, Lachele Carl, Laurence Bouvard, Liza Ross, Lobo Chan, Martin T Sherman, Paul Panting, Rachel Atkins, Richard Rees, Sagar Arya, Sheena Bhattessa, Stephen Hogan and Tim Bentinck.

    Some have cited a perception that began to grow after September 11, 2001-that faith in general is a source of aggression, intolerance, and divisiveness, something bad for society. But how accurate is that view? And does it apply equally to all faiths? In these troubled times, we risk basing decisions of real and dangerous consequence on mistaken understandings of the faiths around us, in our immediate community as well as globally. And so, with her deep learning and sympathetic understanding, Karen Armstrong examines the impulse toward violence in each of the world's great religions. The comparative approach is new: while there have been plenty of books on jihad or the Crusades, for example this one lays the Christian and the Islamic way of war side by side, along with those of Buddhism, Hinduism, Confucianism, Daoism, and Judaism. Each of these faiths arose in an agrarian society with plenty of motivation for violence: landowners had to lord it over peasants, and warfare was essential to increase one's landholdings, the only real source of wealth before the great age of trade and commerce. In each context, it fell to the priestly class to legitimate the actions of the state. And so the martial ethos became bound up with the sacred. At the same time, however, the faiths developed ideologies that ran counter to the warrior code: around sages, prophets, and mystics within each tradition there grew up communities that represented a protest against the injustice and violence endemic to agrarian society. This book explores the symbiosis of these two impulses and its development as these confessional faiths came of age. But modernity has also been spectacularly violent, and so Armstrong goes on to show how and in what measure religions, in their relative maturity, came to absorb modern belligerence-and what hope there might be for peace among believers in our time.

    Many critics complained of the book because it merely criticised current philosophies without offering any alternative philosophy. This book is an attempt to answer the challenge. It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it. The book is therefore arranged upon the positive principle of a riddle and its answer. It deals first with all the writer's own solitary and sincere speculations and then with the startling style in which they were all suddenly satisfied by the Christian Theology. The writer regards it as amounting to a convincing creed. But if it is not that it is at least a repeated and surprising coincidence.

    In Zen Is Right Here, his teachings are brought to life powerfully and directly through stories told about him by his students. These living encounters with Zen are poignant, direct, humorous, paradoxical, and enlightening; and their setting in real-life contexts makes them wonderfully accessible.Like the Buddha himself, Suzuki Roshi gave profound teachings that were skilfully expressed for each moment, person, and situation he encountered. He emphasized that while the ungraspable essence of Buddhism is constant, the expression of that essence is always changing. Each of the stories presented here is an example of this versatile and timeless quality, showing that the potential for attaining enlightenment exists right here, right now, in this very moment.

    Combing the teachings of Buddhism with the style of Thoreau, a Zen master shares the wisdom of her hundred days of solitude, reminding us of the important lessons obscured by our busy lives,

    Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by Haruki Murakami this is a book which will be a revelation to many of its readers. Short story writers already well-known to English-language readers are all included - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, Yoshimoto - but also many surprising new finds. From Tsushima Yuko's 'Flames' to Sawanishi Yuten's 'Filling Up with Sugar', from Hoshi Shin'ichi's 'Shoulder-Top Secretary' to Yoshimoto Banana's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy.

    The mind is designed to often delude us, he argued, about ourselves and about the world. And it is designed to make happiness hard to sustain. But if we know our minds are rigged for anxiety, depression, anger, and greed, what do we do? Wright locates the answer in Buddhism, which figured out thousands of years ago what scientists are only discovering now. Buddhism holds that human suffering is a result of not seeing the world clearly—and proposes that seeing the world more clearly, through meditation, will make us better, happier people. In Why Buddhism is True, Wright leads readers on a journey through psychology, philosophy, and a great many silent retreats to show how and why meditation can serve as the foundation for a spiritual life in a secular age. At once excitingly ambitious and wittily accessible, this is the first book to combine evolutionary psychology with cutting-edge neuroscience to defend the radical claims at the heart of Buddhist philosophy. With bracing honesty and fierce wisdom, it will persuade you not just that Buddhism is true—which is to say, a way out of our delusion—but that it can ultimately save us from ourselves, as individuals and as a species.

    It’s the part of you that already knows how to break free of fear and unhappiness. This rebel is the voice of your own awakened mind. It’s your rebel buddha—the sharp, clear intelligence that resists the status quo. It wakes you up from the sleepy acceptance of your day-to-day reality and shows you the power of your enlightened nature. It’s the vibrant, insightful energy that compels you to seek the truth. Dzogchen Ponlop guides you through the inner revolution that comes from unleashing your rebel buddha. He explains how, by training your mind and understanding your true nature, you can free yourself from needless suffering. He presents a thorough introduction to the essence of the Buddha’s teachings and argues that, if we are to bring these teachings fully into our personal experience, we must go beyond the cultural trappings of traditional Asian Buddhism. “We all want to find some meaningful truth about who we are,” he says, “but we can only find it guided by our own wisdom—by our own rebel buddha within.”

    The famed lecturer and teacher explains the principle that there is an inner grace available to all and offers concrete directions for hearing and understanding the voice of God.

    His body twitched, and then lay still.The Lama nodded again to the acolyte, who touched flame to the third stick of incense. "Spirit now released from the suffering body," said the Lama, "pay attention before setting out on your journey; pay attention for I shall detail to you the steps you must take, and the path you must follow..."The fourth stick of incense was lit, and the smoke trailed upwards, as if it had been drawn in blue-gray chalk, straight as a pillar in the almost airless room...

     When Nate Wilson looks at the world around him, he asks "What is this place? Why is this place? Who approved it? Am I supposed to take it seriously?" What could such an outlandish, fantastical world say about its Creator? In these sparkling chapters, Wilson gives an aesthetic examination of the ways in which humanity has tried to make sense of this overwhelming carnival ride of a world. He takes a whimsical, thought-provoking look at everything from the "magic" of quantum physics, to nature's absurdities, to the problem of evil, evolution and hell. These frequently humorous, and uniquely beautiful portraits express reality unknown to many Christians-the reality of God's story unfolding around and among us. As the author says, "Welcome to His poem. His play. His novel. His comedy. Let the pages flick your thumbs."

    In Storms Can't Hurt the Sky, Gabriel Cohen bravely delves into his personal experience-along with insights from Buddhist masters, parables, humor, social science studies, and interviews with other divorces-to provide a practical and very helpful guide to surviving the pain of any break-up. Focusing on the emotions most common in the dissolution of a relationship-anger, resentment, loss, and grief -- Storms Can't Hurt the Sky shows how thinking about these feelings in surprisingly different ways can lead to a radically better experience. This compulsively readable book offers sound advice and much-needed empathy for anyone dealing with a break-up.

    The classic text of these 81 verses, called the Tao Te Ching or the Great Way, offers advice and guidance that is balanced, moral, spiritual, and always concerned with working for the good.In this book, Dr. Wayne W. Dyer has reviewed hundreds of translations of the Tao Te Ching and has written 81 distinct essays on how to apply the ancient wisdom of Lao-tzu to today’s modern world. This work contains the entire 81 verses of the Tao, compiled from Wayne’s researching of 12 of the most well-respected translations of text that have survived for more than 25 centuries. Each chapter is designed for actually living the Tao or the Great Way today. Some of the chapter titles are “Living with Flexibility,” “Living Without Enemies,” and “Living by Letting Go.” Each of the 81 brief chapters focuses on living the Tao and concludes with a section called “Doing the Tao Now.”        Wayne spent one entire year reading, researching, and meditating on Lao-tzu’s messages, practicing them each day and ultimately writing down these essays as he felt Lao-tzu wanted you to know them.This is a work to be read slowly, one essay a day. As Wayne says, “This is a book that will forever change the way you look at your life, and the result will be that you’ll live in a new world aligned with nature. Writing this book changed me forever, too. I now live in accord with the natural world and feel the greatest sense of peace I’ve ever experienced. I’m so proud to present this interpretation of the Tao Te Ching, and offer the same opportunity for change that it has brought me.”

    He began writing it in 1953 as reading notes on Buddhism intended for his friend, poet Allen Ginsberg. As Kerouac's Buddhist study and meditation practice intensified, what had begun as notes evolved into a vast and all-encompassing work of nonfiction into which he poured his life, incorporating poems, haiku, prayers, journal entries, meditations, fragments of letters, ideas about writing, overheard conversations, sketches, blues, and more. The final manuscript, completed in 1956, was as visually complex as the writing: each page was unique, typed in patterns and interlocking shapes. The elaborate form which Kerouac so painstakingly gave the book on his manual typewriter is re-created in this typeset facsimile.