You never mourned loudly, in the streets. You never stopped (couldn’t stop) to wonder if drowning parts ofyourself was a mistake. You never kissed them goodbye.Why didn’t you kiss them goodbye?Was it too hard?Were you ashamed?Of them, or of you?Don’t tell me to be quiet.You need to hear this. Christina Hart, bestselling author of Empty Hotel Rooms Meant for Us, Letting Go Is an Acquired Taste, and There Is Beauty In the Bleeding releases her new poetry chapbook, written in second person POV, which focuses on love, loss, and hope.

    With deadly clouds of radiation swooping in from the wasteland of American port cities, Paul Edwards and his father-in-law Buck seek shelter in a spectacular government bunker, the likes of which has never been seen. They've succeeded in finding safety from the dangers outside, but in a world without rules, trust can be a deadly thing.

    These books have been prepared strictly according to the latest syllabus. The salient features of PRACHI SCIENCE are: Informal interactive-style content divided into four sections, two each for Term-I and Term-II. Text supported with a large number of colorful pictures, diagrams and illustrations for better understanding of scientific concepts. Each topic ends with "So now you know"—a pointwise summary of the topics discussed in each section. A set of "Very Short—ONE WORD" answer type questions at the end of each section to understand the concept better. Book includes a number of Activities (as recommended in the syllabus) to encourage the students to learn through real life experiences. Each chapter ends with a wide variety of questions of different types with an objective to test the comprehension of the learners. In addition to these questions, a section on Value Based Questions (VBQ) and questions on Problem Solving Assessment (PSA) is also added. A PRACTICE PAPER for chapter-based assessment with large number of suggested topics for Group Discussion, Group Activities, Seminars etc. at the end of each chapter. Term-wise Model Test Papers for a continuous assessment of the students.

    

    H. Mallock's A Human Document, and began cutting and pasting the extant text to create something new. The artist writes, 'I plundered, mined and undermined its text to make it yield the ghosts of other possible stories, scenes, poems, erotic incidents and surrealist catastrophes which seemed to lurk within its wall of words. As I worked on it, I replaced the text I'd stripped away with visual images of all kinds. I began to tell and depict, among other memories, dreams and reflections, the sad story of Bill Toge, one of love's casualties.' After its first publication in book form in 1980, A Humument rapidly became a cult classic. This new fourth edition follows its predecessors by incorporating revisions and re-workings -- over half the pages in the 1980 edition are replaced by new versions -- and celebrates an artistic enterprise that is nearly forty years old and still actively a work in progress.

    Yoram Avnimelech that reviewed the state-of-the-art and status of biofloc technology in aquaculture. The first two editions quickly sold out, so a corrected and expanded second edition has been published. In the preface to the third edition Dr. Avnimelech says: "In writing this book I tried to have a conversation with the reader, to communicate in a way that will help the reader understand the story of biofloc technology, simplify explanations and minimize usage of complex technical terms." Dr Avnimelech expresses his excitement with the amount of information added to the book and the technology itself. "It is exciting and inspiring to see how much information was added."

    His broad-ranging discussion offers insight on everything from the mountain landscape to the origins of consciousness and the Cosmos, from geology to Chinese landscape painting, from parenting to pictographic oracle-bone script, to a family chutney recipe. It’s a spiritual ecology that is profoundly ancient and at the same time resoundingly contemporary. Your view of the landscape—and of your place in it—may never be the same.

    Her parents are always arguing about Dad's junk. Nana's so tired of craft lessons that she starts barbecuing things in the middle of the night. And Juliet's friends, Lindsay and Gemma, are competing to see which of them is Juliet's best friend. Juliet can't fit in any more worries!But then she makes a remarkable discovery. Behind the wallpaper in her new bedroom, Juliet uncovers an old painting of a very special tree. Nana remembers it well. It's the Worry Tree, and with the help of a duck called Delia and the other Worry Tree animals, Juliet just might be able to solve some of life's big problems.

    It's a brave new world of lollipops and sphinxes—and Bella and Ben are on one page-turning adventure. How will they find their way back into their very own book?

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Sufferers report feeling suffocated, held down by some "force," paralyzed, and extremely afraid.The experience is surprisingly common: the author estimates that approximately 15 percent of people undergo this event at some point in their lives. Various cultures have their own name for the phenomenon and have constructed their own mythology around it; the supernatural tenor of many Old Hag stories is unavoidable. Hufford, as a folklorist, is well-placed to investigate this puzzling occurrence.

    This here is the story of the Loop Garoo Kid. A cowboy so bad he made a working posse of spells phone in sick. A bullwhacker so unfeeling he left the print of winged mice on hides of crawling women. A desperado so onery he made the Pope cry and the most powerful of cattlemen shed his head to the Executioner's swine." And so begins the HooDoo Western by Ishmael Reed, author of Mumbo Jumbo and one of America's most innovative and celebrated writers. Reed demolishes white American history and folklore as well as Christian myth in this masterful satire of contemporary American life. In addition to the black, satanic Loop Garoo Kid, Yellow Back Radio Broke-Down features Drag Gibson (a rich, slovenly cattleman), Mustache Sal (his nymphomaniac mail-order bride), Thomas Jefferson and many others in a hilarious parody of the old Western.

    A powerful and absorbing saga, moving from Sunderland to London in the 1940s, as Sarah Brown dreams of a better life.

    For centuries, Tibetans have used fifty-nine pithy slogans—such as "A joyous state of mind is a constant support" and "Don't talk about others' shortcomings"—as a means to awaken kindness, gentleness, and compassion. While Tibetan Buddhists have long valued these slogans, recently they have become popular in the West due to such books as Start Where You Are by Pema Chödrön and Training the Mind by Chögyam Trungpa. This edition of The Great Path of Awakening contains an accessible, newly revised translation of the slogans from the famous text The Seven Points of Mind Training . It also includes illuminating commentary from Jamgon Kongtrul that provides further instruction on how to meet every situation with intelligence and an open heart.

    A century later, Jarry is firmly established as one of the leading figures of the artistic avant-garde. Italo Calvino, Umberto Eco, Gilles Deleuze, Jean Baudrillard, Philip K. Dick, Paul McCartney, DJ Spooky, Peter Greenaway, and J. G. Ballard are among his many admirers. A community of scholars and artists maintain a posthumous dialogue with Jarry's ideas through the Collège de 'Pataphysique in Paris (named after the "science of imaginary solutions" he conceived), while a steady stream of books on twentieth-century drama pay tribute to his absurd and grotesque play, Ubu Roi. Even so, most people today tend to think of Jarry only as the author of that play, and of his life as a string of outlandish "ubuesque" anecdotes, often recounted with wild inaccuracy. In this first full-length critical biography of Jarry in English, Alastair Brotchie reconstructs the life of a man intent on inventing (and destroying) himself, not to mention his world, and the "philosophy" that defined their relation. In short, Brotchie gives us the narrative version of what Jarry himself produced: a pataphysical life. Drawing on a wealth of new material, Brotchie alternates chapters of biographical narrative with chapters that connect themes, obsessions, and undercurrents that relate to the life.The anecdotes remain, and are even augmented: Jarry's assumption of the "ubuesque," his inversions of everyday behavior (such as eating backwards, from cheese to soup), his exploits with gun and bicycle, and his herculean feats of drinking. But Brotchie distinguishes between Jarry's purposely playing the fool and deeper nonconformities that appear essential to his writing and his thought, both of which remain a vital subterranean influence to this day.