Three child survivors. A religious fanatic who insists the three are harbingers of the apocalypse. What if he's right?The world is stunned when four commuter planes crash within hours of each other on different continents. Facing global panic, officials are under pressure to find the causes. With terrorist attacks and environmental factors ruled out, there doesn't appear to be a correlation between the crashes, except that in three of the four air disasters a child survivor is found in the wreckage. Dubbed 'The Three' by the international press, the children all exhibit disturbing behavioural problems, presumably caused by the horror they lived through and the unrelenting press attention. This attention becomes more than just intrusive when a rapture cult led by a charismatic evangelical minister insists that the survivors are three of the four harbingers of the apocalypse. The Three are forced to go into hiding, but as the children's behaviour becomes increasingly disturbing, even their guardians begin to question their miraculous survival.

    Stanley Oxenford, director of a pharmaceutical research company, has everything riding on a drug he is developing to fight a lethal virus.A Brewing StormSeveral others are interested in his success too: his children, at home for Christmas with their offspring, have their eyes on the money he will make; Toni Gallo, forced to resign from the police department in disgrace, is betting her career on keeping the drug safe; and a local television reporter, determined to move up, has sniffed the story, even if he has to bend the facts to tell it.A House Under SiegeA sinister gang spots an opportunity to use one of Stanley’s children against him and steal the virus. As everyone takes shelter, it becomes apparent that being inside the house may be more dangerous than the storm outside, especially when a lethal virus might be on the loose . . .

     22-year-old Eileen goes missing while hiking in the remote Ashlough Forest. Five days later, her camera is discovered washed downriver, containing bizarre photos taken after her disappearance. Chris wants to believe Eileen is still alive. When the police search is abandoned, he and four of his friends create their own search party to scour the mountain range. As they stray further from the hiking trails and the unsettling discoveries mount, they begin to believe they’re not alone in the forest… and that Eileen’s disappearance wasn’t an accident. By that point, it’s too late to escape.

    It’s been seventeen years, and though desperate to start a new life with her fiancé, Hannah is compelled to question the events of her last summer at Brackenhill.When a human bone is found near the estate, Hannah is convinced it belongs to her long-lost sister. She launches her own investigation into that magical summer that ended in a nightmare. As strange happenings plague the castle, Hannah uncovers disturbing details about the past and startling realizations about her own repressed childhood memories.Fueled by guilt over her sister’s vanishing, Hannah becomes obsessed with discovering what happened all those years ago, but by the time Hannah realizes some mysteries are best left buried, it’s too late to stop digging. Overwhelmed by what she has exposed, Hannah isn’t sure her new life can survive her old ghosts.

    Now, with his birthday fast approaching, Ned has been drawn back to his home town of Edgerton, Illinois, by a premonition that his mother is dying. On her deathbed, she imparts to him the name of his long-absent father and warns him that he is in grave danger. Despite her foreboding, he embarks on a search through Edgerton’s past for the truth behind his own identity and that of his entirely fantastic family. But when Ned becomes the lead suspect in three violent deaths, he begins to realize that he is not the only one who has come home…'Mr. X marks Straub's triumphant return to the tale of the paranormal and the supernatural....There are several scenes of utter, ghastly, hide-your-eyes horror; when Peter Straub turns on all his jets, no one in the scream factory can equal him. The plot is challenging, the characters are intriguing in their complexity, and the language is a delight.'Stephen King'No one is better than Straub at having whole communities rocked by the forces of wickedness.' Observer

    Feeling helpless and alone, their sorrow is compounded by anger and frustration. The local and state police haven’t uncovered any leads. Josh and Luis, the friends who were with Tommy last, may not be telling the whole truth about that night in Borderland State Park, when they were supposedly hanging out at a landmark the local teens have renamed Devil’s Rock— rumored to be cursed. Living in an all-too-real nightmare, riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. She believes a ghostly shadow of Tommy materializes in her bedroom, while Kate and other local residents claim to see a shadow peering through their own windows in the dead of night. Then, random pages torn from Tommy’s journal begin to mysteriously appear—entries that reveal an introverted teenager obsessed with the phantasmagoric; the loss of his father, killed in a drunk-driving accident a decade earlier; a folktale involving the devil and the woods of Borderland; and a horrific incident that Tommy believed connected them all and changes everything. As the search grows more desperate, and the implications of what happened becomes more haunting and sinister, no one is prepared for the shocking truth about that night and Tommy’s disappearance at Devil’s Rock.

    When a violent storm leaves Sarah and her daughter stranded, Sarah finds herself tortured by the past—what really happened on that fateful day one of her daughters died?

    It was the tragic story of the year - a little boy, Aiden, wandered away from school during a terrible flood, fell into the river, and drowned.  His body was never recovered.  Ten years later, Emma has finally rediscovered the joy in life. She's married, pregnant, and in control again...... until Aiden returns. Too traumatized to speak, he raises endless questions and answers none. Only his body tells the story of his decade-long disappearance. The historic broken bones and injuries cast a mere glimpse into the horrors Aiden has experienced. Aiden never drowned. Aiden was taken. As Emma attempts to reconnect with her now teenage son, she must unmask the monster who took him away from her. But who, in their tiny village, could be capable of such a crime?It's Aiden who has the answers, but he cannot tell the unspeakable.This dark and disturbing psychological novel will appeal to fans of The Widow and The Butterfly Garden.

    Ostracised by her colleagues, her family and her partner, she begins to wonder if she really is losing her mind.And then she meets the next victim.So compulsive you can't stop reading.So chilling you won't stop talking about it.A pitch-black and devastatingly original psychological thriller.

    . . but when the storm hits, no one is getting awayIt's winter in the Catskills and Mitchell's Inn, nestled deep in the woods, is the perfect setting for a relaxing--maybe even romantic--weekend away. It boasts spacious old rooms with huge woodburning fireplaces, a well-stocked wine cellar, and opportunities for cross-country skiing, snowshoeing, or just curling up with a good murder mystery.So when the weather takes a turn for the worse, and a blizzard cuts off the electricity--and all contact with the outside world--the guests settle in and try to make the best of it.Soon, though, one of the guests turns up dead--it looks like an accident. But when a second guest dies, they start to panic.Within the snowed-in paradise, something--or someone--is picking off the guests one by one. And there's nothing they can do but hunker down and hope they can survive the storm--and one another.

    But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.

    And they’re right; with newborn twins, Morgan and Riley, she’s never been more tired in her life. But she knows what she saw: that night, in her hospital room, a woman tried to take her babies and replace them with her own…creatures. Yet when the police arrived, they saw no one. Everyone, from her doctor to her husband, thinks she’s imagining things.A month passes. And one bright summer morning, the babies disappear from Lauren’s side in a park. But when they’re found, something is different about them. The infants look like Morgan and Riley―to everyone else. But to Lauren, something is off. As everyone around her celebrates their return, Lauren begins to scream, These are not my babies.Determined to bring her true infant sons home, Lauren will risk the unthinkable. But if she’s wrong about what she saw…she’ll be making the biggest mistake of her life.Compulsive, creepy, and inspired by some our darkest fairy tales, Little Darlings will have you checking―and rechecking―your own little ones. Just to be sure. Just to be safe.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient. We learn, as Parker did on his first day at the hospital, of the facility’s most difficult, profoundly dangerous case—a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat him has been driven to madness or suicide. Desperate and fearful, the hospital’s directors keep him strictly confined and allow minimal contact with staff for their own safety, convinced that releasing him would unleash catastrophe on the outside world. Parker, brilliant and overconfident, takes it upon himself to discover what ails this mystery patient and finally cure him. But from his first encounter with the mystery patient, things spiral out of control, and, facing a possibility beyond his wildest imaginings, Parker is forced to question everything he thought he knew. Fans of Sarah Pinborough’s Behind Her Eyes and Paul Tremblay’s The Cabin at the End of the World will be riveted by Jasper DeWitt’s astonishing debut.

    The perfect love.Abbie awakens in a daze with no memory of who she is or how she landed in this unsettling condition. The man by her side claims to be her husband. He's a titan of the tech world, the founder of one of Silicon Valley's most innovative start-ups. He tells Abbie that she is a gifted artist, an avid surfer, a loving mother to their young son, and the perfect wife. He says she had a terrible accident five years ago and that, through a huge technological breakthrough, she has been brought back from the abyss.She is a miracle of science.But as Abbie pieces together memories of her marriage, she begins questioning her husband's motives--and his version of events. Can she trust him when he says he wants them to be together forever? And what really happened to Abbie half a decade ago?Beware the man who calls you . . .