There is no Table of Contents. Instead, there is a "Track List," making it easy to refer to them to your friends with a, "Hey did you read track seven?!" There are no chapters. Instead, the book is divided into two parts, or as one would say in the 90's, two "sides." Side A holds poetry that touches on all aspects of the human condition like life, death, love, moving on, evolving, growing up, hometowns, family dynamic, life after trauma, and make-ups and breakups. Side B holds the "remixes" of these poems, in the form of blackout poetry, also known as "found poetry." Side B gives the material a fresh twist by creating new poetry out of Side A. There is also a very special surprise at the end of each track. Alicia decided to self publish this effort after leaving her publishing house. She views this book as her "independence" and official separation from that venture. She also drew the front and back cover herself. Alicia is a contributing writer for many blogs and news outlets, including the Huffington Post and multiple Gannett Publications. She writes regularly on drug addiction and how it directly affects families. Because of this, she has chosen to donate 100% of royalties to the Willow Tree Center in New Jersey. www.willowtree.org. Follow Alicia on Instagram: @thealiciacook or check out her website: www.thealiciacook.com.

    He meets up with a childhood friend who is black, and together they battle against a platoon of Klansmen for the literal salvation of a local preacher.

    According to the fellas, he used to pull all kinds of shoot-ups and shenanigans...but damned if he can't remember a thing from before last year, when he got hit over the head with a lead pipe. Sadistic mobster Bud Seitz — known to friends and enemies alike as "The Kind One" — seems to have big plans for him, but truthfully, Danny can't stomach the dirty work. His aim is off, the other wiseguys laugh at him, and he'd gladly trade in the drunken parties and the endless broads for a day at the movies with his colorful and mysterious neighbor Dulwich and eleven-year-old Sophie, whose deadbeat mother delivers an endless stream of emotional and physical abuse. But when Bud's beautiful girlfriend Darla begs Danny to help her escape the Kind One's dark, brutal world, Danny must confront a dangerous test of loyalty that could irrevocably change his future — and his past — forever.

    Schmidt reveals how each poet has transformed "a common language of poetry" into the rustic rhythms and elegiac ballads, love sonnets, and experimental postmodern verse that make up our lyrical canon.A comprehensive guided tour that is lively and always accessible, Lives of the Poets illuminates our most transcendent literary tradition.

    

    Now she’s back to avenge a death. Years ago, Samantha Goode was driven away from love, her family, and her past. Now the Texas Ranger is back in Crystal Creek for her estranged grandmother’s funeral, even though it means coming face to face with everything, and everyone, she’d left behind. When a brutal murder shatters her world, Sam is determined to stay until she solves it. Soon she’s knee-deep in suspects, including the family of the man she once loved but was forced to betray. Rancher Clayton Barnett will do anything to keep his autistic younger brother out of an institution, including sidelining his life to work for their powerful, manipulative father. When tragedy brings Sam back into his life, instead of rekindling their romance, Clay finds himself embroiled in a dangerous murder investigation. Will old secrets pull Sam and Clay apart once more, or can they rise above their past? And with a ruthless killer on the loose, will Sam’s hard-earned Ranger skills be enough to ensure that Goode triumphs over evil? Praise for Goode Over Evil "Meet the exciting new voice in action-packed romance. Leslie Marshman delivers a fast-paced, well-plotted story infused with intense family drama and chilling small town secrets." – Jayne Ann Krentz, NEW YORK TIMES Bestselling Author “Goode Over Evil has everything a reader could want: a tough-as-nails, thoroughly believable female Texas Ranger who refuses to be defined by the opinion of the small town that once shunned her, the son of her worst enemy, who's never gotten over the poor girl who left him cold, and a murder mystery with a twist that left me gasping. With her fast pacing and characters who'll make you laugh, cry, and fall in love, Leslie Marshman's debut marks her as an author to watch!” – Colleen Thompson, Author of The Off Season, Montlake Romance “A kickass Texas Ranger, an old flame, and a murder. You don’t want to miss Leslie Marshman’s debut novel, Goode Over Evil. Leslie Marshman is a new author on the rise to stardom. Her debut novel, Goode Over Evil is romantic, riveting, and wowing. Characters you’ll care about, and a plot that keeps you glued to the page. – Christie Craig, NEW YORK TIMES Bestselling author of the Texas Justice series

    When a friend talks him into seeing hypnotherapist Alexia Finch to help with his insomnia, Joseph accidentally discovers he can time travel. His first trip only takes him back a few minutes, but his new-found ability gives him something he hasn't felt for the longest time: hope.Joseph sets out to travel back to the night Amy went missing and save her. But after several failed attempts, he discovers the farther back he travels, the less time he gets to stay there. And the clock is ticking.With the help of Alexia, Joseph embarks on a desperate race against the past to save his sister. Can he master his new skill and solve the mystery of Amy's disappearance before it's too late?Previously released as The Unexpected Gift of Joseph Bridgeman this updated version includes extra chapters, new plot lines and even deeper character development. It makes way for an expanded vision of The Joseph Bridgeman Series, with the first four books released in 2021 and 2022.

    Wright returns to her native Arkansas and examines an explosive incident from the Civil Rights movement. Wright interweaves oral histories, hymns, lists, newspaper accounts, and personal memories—especially those of her incandescent mentor, Mrs. Vititow—with the voices of witnesses, neighbors, police, activists, and black students who were rounded up and detained in an empty public swimming pool. This history leaps howling off the page.I can walk down the highway unarmedScott Bond, born a slave, becamea millionaire. Wouldn't you like to run wild.Run free. The Very Reverend Al Greenhailed from here. Sonny Liston a few miles west,Sand Slough. Head hardenedon hickory sticks.The cool water is for white/ the sun-heated for blackThis chair is not for you [N-word]/ it is for the white buttockThis textbook/ is nearly new/ is not for you [N-word]This plot of ground does not hold black bonesToday the sermon once again "Segregation After Death"C.D. Wright has published a dozen books of poetry and prose, including the recent volumes One Big Self: An Investigation and Rising, Falling, Hovering, which received the Griffin Poetry Award. A MacArthur Fellow, Wright teaches at Brown University and lives outside Providence, Rhode Island.

    Ted Bliss tells the story of an eighty-two-year-old widow starting life anew after the death of her husband. As Dorothy Bliss learns to cope with the mundane rituals of life in a Florida retirement community, she inadvertently becomes involved with a drug kingpin trying to use her as a front for his operations. Combining a comic plot with a deep concern for character, Elkin ends his career with a vivid portrait of a woman overcoming loss, a woman who is both recognizable and as unique as Elkin's other famous characters.

    Sin comes a new voice, Samantha King’s raw, relatable poetry both celebrates love and mourns the human “curse to feel.” Her verse transports readers to the most private reaches of love and longing. Born to Love, Cursed to Feel is about love—the good, the bad, and the confusing. It touches on morals and how when emotions are involved it’s not as black and white. The poetry is frequently written in a narrative manner that evocatively pulls you in and makes you feel. This book is about falling in love, bad decisions, and ultimately growth. The essence of it all is to show that no matter how far one falls all the mistakes don’t have to be what defines them.

    If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are "sex and the dead," Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its subject the urge to memorialize the scenes of fatal automobile accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title sequence but also many of the round songs that characterize Maggot, and has led Angela Leighton, writing in The Times Literary Supplement, to see these new poems as giving readers "a thrilling, wild, fairground ride, with few let-ups for the squeamish."

    One house. Centuries of secrets East Sussex Coast, 1855 Violet Hargreaves is the lonely daughter of a widowed industrialist, and an aspiring Pre-Raphaelite painter. One day, the naïve eighteen-year-old meets Edwin; a mysterious and handsome man on the beach, who promises her a world beyond the small costal village she’s trapped in. But after ignoring warning about Edwin, a chain of terrible events begins to unfold for Violet… East Sussex Coast, 2016 For thriller-writer Ella Daniels, the house on the cliff is the perfect place to overcome writer’s block, where she decides to move with her small family. But there’s a strange atmosphere that settles once they move in – and rumours of historical murders next door begin to emerge. One night, Ella uncovers a portrait of a beautiful young girl named Violet Hargreaves, who went missing at the same time as the horrific crimes, and Ella becomes determined to find out what happened there 160 years ago. And in trying to lay Violet’s ghost to rest, Ella must face ghosts of her own...This haunting timeslip tale is perfect for fans of Kate Riordan, Tracy Rees, Kate Morton and Lucinda Riley.

    Winner of the Pulitzer Prize, Justice has been hailed by his contemporary Anthony Hecht as “the supreme heir of Wallace Stevens.” In poems that embrace the past, its terrors and reconciliations, Justice has become our poet of living memory. The classic American melancholy in his titles calls forth the tenor of our collective passages: “Bus Stop,” “Men at Forty,” “Dance Lessons of the Thirties,” “The Small White Churches of the Small White Towns.” This master of classical form has found in the American scene, and in the American tongue, all those virtues of our literature and landscape sought by Emerson and Henry James. For half a century he has endeavored, with painterly vividness and plainspoken elegance, to make those local views part of the literary heritage from which he has so often taken solace, and inspiration.School Letting Out(Fourth or Fifth Grade)The afternoons of going home from schoolPast the young fruit trees and the winter flowers.The schoolyard cries fading behind you then,And small boys running to catch up, as thoughIt were an honor somehow to be near—All is forgiven now, even the dogs,Who, straining at their tethers, used to bark,Not from anger but some secret joy.From the Hardcover edition.

    Filled with lyric wisdom, Taplin’s second book expands on the themes introduced in Bloom, offering insight and comfort.

    There’s Wu-Tang and Mary Magdelene with a foot fetish, Lil’ Kim and a self-loving Lilith. Slurs, catcalls, verses, erasures—Dawson asks readers, “Just how far is it to nigger?” Both grounded and transcendent, the book is reality and possibility. Dawson’s work has always been raw; but, When Rap Spoke Straight to God is as blunt as the answer to that earlier question: “Here.” Sometimes abrasive and often abraded, Dawson doesn’t flinch.  A mix of traditional forms where sonnets mash up with sestinas morphing to heroic couplets, When Rap Spoke Straight to God insists that while you may recognize parts of the poem’s world, you can’t anticipate how it will evolve.   With a literal exodus of light in the book’s final moments, When Rap Spoke Straight to God is a lament for and a celebration of blackness.  It’s never depression; it’s defiance—a persistent resistance. In this book, like Wu-Tang says, the marginalized “ain’t nothing to f--- with.”