This sturdy board book edition is not too big, not too small, but just right for toddlers.Accompanied by bold and vibrant colored paintings, Barton's story includes the rhythmic refrain children love to hear.Supports the Common Core State Standards

    As the pot of water boils with the stone in it, he urges her to add more and more ingredients until the soup is a feast "fit for a king".

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    It's a deadly contest of man-vs-machine written with such power that this African-American folk hero becomes as awesome as a force of nature, yet as familiar as an older brother. Pinkney's stunning art shows John Henry's energy bursting from nature. Full color.

    But cunning Mr. Dog tricks Salma, and before she knows it, he’s wearing her stripy ntama, her pretty white beads, and her yellow sandals. And he’s on his way to Granny’s house! African culture and flavor infuse this inventive retelling of a favorite fairy tale, and the vibrant lively illustrations bring it to life. The result is a story that combines new and old and spans cultures as successfully as it has spanned the centuries.

    Or his peaches, plums, grapes, cherries, and pears. Oh, and he takes his family along too. But the trail is cruel. First there’s a river to cross that’s wider than Texas, then there are hailstones as big as plums, and then there’s even a drought, sure to crisp the cherries. Luckily Delicious (the nonedible apple of Daddy’s eye) won’t let anything stop her father’s darling saps from tasting the sweet Oregon soil. A hilarious tall tale from the team that brought you Fannie in the Kitchen that’s loosely based on the life of a real fruiting pioneer.

      Here are Paul Bunyan, that king-sized lumberjack who could fell “ten white pines with a single swing”; John Henry, with his mighty hammer; Mose, old New York’s biggest, bravest fireman; Sally Ann Thunder Ann Whirlwind, who could “outgrin, outsnort, outrun, outlift, outsneeze, outsleep, outlie any varmint”; and other uniquely American characters, together in one superb collection.   In the tradition of the original nineteenth-century storytellers, Mary Pope Osborne compiles, edits, and adds her own two cents’ worth—and also supplies fascinating historical headnotes. Michael McCurdy’s robust colored wood engravings recall an earlier time, perfectly capturing all the vitality of the men and women who carved a new country out of the North American wilderness.

    in full color. The Caldecott Medalist's powerful classic is now reissued in a handsome paperback edition, as well as a library edition.

    But to fall in love in a place like Minidoka, a place built to make people feel like they weren’t human—that was miraculous.After the bombing of Pearl Harbor, Tama is sent to live in a War Relocation Center in the desert. All Japanese Americans from the West Coast—elderly people, children, babies—now live in prison camps like Minidoka. To be who she is has become a crime, it seems, and Tama doesn’t know when or if she will ever leave. Trying not to think of the life she once had, she works in the camp’s tiny library, taking solace in pages bursting with color and light, love and fairness. And she isn’t the only one. George waits each morning by the door, his arms piled with books checked out the day before. As their friendship grows, Tama wonders: Can anyone possibly read so much? Is she the reason George comes to the library every day? Beautifully illustrated and complete with an afterword, back matter, and a photo of the real Tama and George—the author’s grandparents—Maggie Tokuda-Hall’s elegant love story for readers of all ages sheds light on a shameful chapter of American history.

    Together they live with their mother in cozy, peaceful cottage in the woods. Then, one snowy day, their peace is disturbed by a giant black bear looking for a warm place to rest. At first scared, the girls and their mother soon realize the bear is kind--in fact, there is more to the bear than meets the eye. Will the girls' giving spirits rescue the bear from his troublesome and secretive fate? This age-old Brothers Grimm tale is here deftly retold and stunningly re-illustrated with modern, magical paintings by Kelly Vivanco.

    The 33 Scandinavian folk tales take the imagination of the reader from rags to riches, from skulduggery to heroism, via witches' curses, beautiful princesses, giants, quests, billy goats and the occasional wicked troll, to a happy ending.

    It's perfect for Disney Princess fans ages 2-5.

    He presents no match for the spunky heroine and her quick-thinking cat TeJean, though, as they use some strong Cajun hot sauce to teach Claude a lesson he will never forget!The combination of hilarious rhyme and exaggerated art creates a highly original retelling of the classic fairy tale. A pronunciation guide/glossary accompanies a tempting dialect that begs to be read aloud or acted out again and again. This is Little Red Riding Hood as she's never been seen before: Cajun and ducky.

    A lush treasury of 19 fairy tales that generations of children have grown up on, lushly illustrated by Diane Goode.

    All girls from good Korean families must learn to sew, do laundry, and work in the kitchen. This prepares them for their future lives in their husbands' inner court.Jade has other interests. She longs to take trips to the mountains and the marketplace. If only she could read and paint, but these are things only boys can do. Jade won't stop thinking about the world beyond the high walls of her home. Then one day she secretly sets off to do what no other girl her age has ever done before.