McCammon, Graham Masterton, Harlan Ellison, Ramsey Campbell and other masters of the macabre take readers into their private world of fear, fantasy, and fatal attraction--in 24 tales of dread and debauchery, riveting stories of sex and terror . . . the fresh fusion that is fast becoming America's obsession.

    In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient. We learn, as Parker did on his first day at the hospital, of the facility’s most difficult, profoundly dangerous case—a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat him has been driven to madness or suicide. Desperate and fearful, the hospital’s directors keep him strictly confined and allow minimal contact with staff for their own safety, convinced that releasing him would unleash catastrophe on the outside world. Parker, brilliant and overconfident, takes it upon himself to discover what ails this mystery patient and finally cure him. But from his first encounter with the mystery patient, things spiral out of control, and, facing a possibility beyond his wildest imaginings, Parker is forced to question everything he thought he knew. Fans of Sarah Pinborough’s Behind Her Eyes and Paul Tremblay’s The Cabin at the End of the World will be riveted by Jasper DeWitt’s astonishing debut.

    Defying her father’s orders to remain at home, she travels to Tidepool, the last place Henry is known to have visited. Residents of the small, shabby oceanside town can’t quite meet Sorrow’s eyes when she asks about her brother.When corpses wash up on shore looking as if they’ve been torn apart by something not quite human, Sorrow is ready to return to Baltimore and let her father send in the professional detectives.However, after meeting Ada Oliver, a widow whose black silk dresses and elegant manners set her apart from other Tidepool residents, Sorrow discovers Tidepool’s dark, deadly secret.With this discovery, some denizens of Tidepool—human and otherwise—are hell-bent on making sure Sorrow never leaves their forsaken town.Lovecraftian dark fantasy gets a modern treatment in this terrifying debut novel.

    Sixty years ago the house was an asylum, home to crazed psychopaths. One night all of them disappeared, never to be seen again.Jack Reed, the owner of The Oaks, has no idea about the building's terrible history. It is only when Jack's son is dragged into the walls of the mansion that he realizes what happened sixty years ago – and just where the inmates have been living all this time...

    . . It's about rock music, about mass hysteria, about vampires, about horror . . . one comes out knowing, and caring, about a panoply of new friends and acquaintances, living and dead, and unalive".--Theodore Sturgeon, The Washington Post.

    But Elise knows Julie better than anyone, and she feels in her bones that her best friend is out there, and that one day she'll come back. She's right. Two years to the day that Julie went missing, she reappears with no memory of where she's been or what happened to her.

    But then he sees them for himself: weird and uncanny images of the dead appearing in his photographs. The apparitions seem to have some connection to Childgrave, a remote village in upstate New York with a deadly secret dating back three centuries. Jonathan and Joanne feel themselves oddly drawn to Childgrave, but will they survive the horrors that await them there?The third novel by Ken Greenhall (1928-2014), whose works are receiving renewed attention as neglected classics of modern horror, Childgrave (1982) is a slow-burn chiller that ranks among Greenhall’s best.“Writing in Shirley Jackson’s precise, sharp, chilly prose, Greenhall delivers a slippery book that can’t be pinned down, all about spectral photography, little dead girls, snowbound small towns, and the disquieting proposition that maybe God is not civilized.” - Grady Hendrix, author of Paperbacks from Hell“A very well-orchestrated, eerie tale.” - Publishers Weekly

    After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale. From Hugo Award–winning author Ursula Vernon, writing as T. Kingfisher.

    A. Macalla Whitcomb. By deciding to investigate how Mrs. Whitcomb's obsessions might have led to her mysterious disappearance, Lois unwittingly invites the forces which literally haunt Mrs. Whitcomb's films into her life, eventually putting her son, her husband and herself in danger. Experimental Film mixes painful character detail with a creeping aura of dread to produce a fictionalized "memoir" designed to play on its readers' narrative expectations and pack an existentialist punch.

    But then a dark cloud threatens the bright promise of summer vacation: on the last day of school, their classmate Tubby Cooke vanishes. Soon, the group discovers stories of other children who once disappeared from Elm Haven. And there are other strange things happening in town: unexplained holes in the ground, a stranger dressed as a World War I soldier, and a rendering-plant truck that seems to be following the five boys. The friends realize that there is a terrible evil lurking in Elm Haven...and they must be the ones to stop it.

    Before long, it was adapted into illustrations, audio recordings, and short films; and that was before it was revised and expanded into a novel!How much do you remember about your childhood?In Penpal, a man investigates the seemingly unrelated bizarre, tragic, and horrific occurrences of his childhood in an attempt to finally understand them. Beginning with only fragments of his earliest years, you'll follow the narrator as he discovers that these strange and horrible events are actually part of a single terrifying story that has shaped the entirety of his life and the lives of those around him. If you've ever stayed in the woods just a little too long after dark, if you've ever had the feeling that someone or something was trying to hurt you, if you remember the first friend you ever made and how strong that bond was, then Penpal is a story that you won't soon forget, despite how you might try.

    In the Kalahari Desert, a nun unearths evidence of a proto-human species and a deity called Older-than-Old. In Bosnia, something has been feeding upon the dead in a mass grave. So begins mankind’s most shocking realization: that the underworld is a vast geological labyrinth populated by another race of beings. Some call them "devils" or "demons." But they are real. They are down there. And they are waiting for us to find them…

    The old brownstone apartment she simply had to have. The grotesque blind priest who watched down on her day and night from an upper-story window. The pair of perverted creatures who wanted her to join their circle. The mad little old man who gave her tea and sympathy. The cool, calculating, supremely rational lover who first mocked her fears.And the secret you will never be able to forget, even if you try...

    But the real horror is not what it looks like, or even what it does to you when it invades your flesh, but what it makes you do to others...

    And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.