Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking. In her introduction to the book, competition judge Louise Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”

    E. Cummings's biographer, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.The selection includes most of the favorites plus many fresh and surprising examples of Cummings's several poetic styles. The corrected texts established by George J. Firmage have been used throughout.

    Throughout the pages you will experience heartbreak, happiness, sadness, and be reminded of what it was like to be a teenager.

     even when our days are darker than ever we hold on to hope knowing that time will heal our wounds. -time heals all things

    is the debut collection of prose and poetry by Malawian writer, Upile Chisala. This book explores the self, joy, blackness, gender, matters of the heart, the experience of Diaspora, spirituality and most of all, how we survive. soft magic. is a shared healing journey.

    Lloyd Copeland is a young neurologist who is tormented by the conviction that he has inherited the severe, early-onset dementia that has plagued his family for generations – the very disease which spurred his father to take his own life when Lloyd was just a child. Withdrawn to a life of emotional detachment, he looks for solace in hollow sexual trysts as a way to escape his throbbing loneliness. Still, he clings to the hope that the highly controversial treatment for memory loss he has devised may stem his genetic destiny and free him from his family’s curse.But when odd mishaps take place in his laboratory, his research is blocked by a hospital review board headed by Erin Kennedy: a beautiful medical ethicist with a link to his troubled childhood. The fight to salvage his reputation and recover the hope for his own cure brings him face to face with sordid secrets that rock his very self-identity. And to make matters worse, he finds himself falling irretrievably in love with the very woman who seems intent on thwarting his efforts.

    She was a teacher, and it was morning on the first day of school. In this haunting new collection of poems, Taylor Mali, once a teacher himself, explores her life and their love as well as the shape and texture of his own guilt and resilience.

    In it he posed the fundamental question: What makes us human? Now director Mark Romanek (One Hour Photo), writer Alex Garland and DNA Films bring Ishiguro's hauntingly poignant and emotional story to the screen. Kathy (Oscar nominee Carey Mulligan, An Education), Tommy (Andrew Garfield, Boy A, Red Riding) and Ruth (Oscar nominee Keira Knightley, Pride & Prejudice, Atonement) live in a world and a time that feel familiar to us, but are not quite like anything we know. They spend their childhood at Hailsham, a seemingly idyllic English boarding school. When they leave the shelter of the school and the terrible truth of their fate is revealed to them, they must also confront the deep feelings of love, jealousy and betrayal that threaten to pull them apart.

    it contains black & white photographs paired with poetry pieces; giving it a photo diary feels.

    Man versus monster; conflict versus conversation; age versus youth; humanity versus its environment; utopia versus what we're living through now. This is a combative and moving book and an answer to anyone who's ever accused poetry of receding into irrelevance.

    Alyssa Karr's beautiful words fill the reader with inspiration and hope to turn darkness into light.

    But most of all, she had to endure the shame of her name – that of the city's most notorious prostitute. Taking care of her younger brother and desperately trying to live down her name, Maggie manages to escape from Liverpool to enjoy an idyllic new life. But fate forces her back again and into the arms of a stranger who is to bring her both heartbreak and the greatest happiness she will ever know.

    Abby may not admit to needing some alone time with her husband and Dominant, but Nathaniel knows better. He sees the desires and needs she too often brushes aside in order to care for their family, and the sacrifices she makes to mentor the members of their BDSM club.Though she denies it, Nathaniel’s certain taking her away for a week is what they both need. He doesn’t even mind when she continues to argue about it with him. After all, he knows exactly how to handle a naughty submissive...

    Beautifully illustrated in water colors and can be opened up to make a poster.

    Chronicling the complexities, joys, and challenges of this transitional phase of life, Please Don’t Go Before I Get Better is a powerful, deeply affecting work that pierces your heart with its refreshing candor and vulnerability. A poignant exploration of self-image, self-discovery, and self-reflection, this anthology brilliantly captures the universal experience of growing up, and you are bound to find yourself reflected in these glimmering pages.