With the help of David Tushingham, he has adapted Salman Rushdie's classic children's novel, Haroun and the Sea of Stories for the stage. Set in an exotic eastern landscape peopled by magicians and fantastic talking animals, Rushdie's novel inhabits the same imaginative space as Gulliver's Travels, Alice in Wonderland and The Wizard of Oz. Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way he encounters many foes, intent on draining the sea of all its storytelling powers.

    The vocal score including all 14 songs to this musical by Richard Rodger's daughter Mary. Includes: Happily Ever After * In a Little While * Normandy * Sensitivity * Shy * Song of Love * Yesterday I Loved You * and more.

    Among the customers is wise old Dr Harker, a retired physician and seafarer, whose patient demeanour and fascinating tales endear him to Tom. When Tom and Harker hear a newspaper seller announce a most curious murder in the city, with the victim pierced by an arrow and left holding an illustrated card of 'Death and the Arrow', they are both intrigued by the mystery. As subsequent 'Death and the Arrow' victims are discovered, the mystery closes ever more tightly round the city and intrudes even into Tom's own life. From then onwards, he can't rest till he has discovered the truth behind the murders... A really atmospheric venture into the eighteenth-century, combined with a gripping mystery plot, will fascinate and engage readers of ten and upwards.

    When Agnes finds Tilly's Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

    His tricks and turns have a purpose. They are bridges over a deep pit of sympathy and sorrow, illuminated by a tragic vision of stunted and frustrated lives.' Fintan O'Toole, Irish TimesMartin McDonagh's searingly brilliant new play premi�res at the National Theatre, London in November 2003.

    The same family appears in Act Two 25 years older and back in London, only now it’s 1979. Cloud 9 is about relationships between women and men, men and men, women and women. It is about sex, work, mothers, Africa, power, children, grandmothers, politics, money, Queen Victoria, and Sex. Cloud 9 premiered in London at the Royal Court Theatre in 1979 and has since been staged all over the world.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    Bitter rivalries. Jealousy. Betrayals. Star-crossed lovers. When you consider all these plot points, it's pretty surprising William Shakespeare didn't write Mean Girls. But now fans can treat themselves to the epic drama--and heroic hilarity--of the classic teen comedy rendered with the wit, flair, and iambic pentameter of the Bard. Our heroine Cady disguises herself to infiltrate the conniving Plastics, falls for off-limits Aaron, struggles with her allegiance to newfound friends Damian and Janis, and stirs up age-old vendettas among the factions of her high school. Best-selling author Ian Doescher brings his signature Shakespearean wordsmithing to this cult classic beloved by generations of teen girls and other fans. Now, on the 15th anniversary of its release, Mean Girls is a recognized cultural phenomenon, and it's more than ready for an Elizabethan makeover.

    Play as Hamlet, Ophelia, or King Hamlet--if you want to die on the first page and play as a ghost. It's pretty awesome! Readers can follow Yorick skull markers to stick closely to Shakespeare's plot, or go off-script and explore alternative possibilities filled with puzzles and humor.Each ending in the book is accompanied by a full-color, full-page illustration by one of the 65 most excellent artists working today, so each rereading yields new surprises and rewards. Ryan's prose is, as always, colloquial and familiar but full of clever references, vivid imagination, and only the most choice of jokes. Inventive devices like a book-within-a-book (to mirror Hamlet's play-within-a-play) take full advantage of the gamebook medium and liven up the original story for even the most disinterested of Shakespeare readers!To Be or Not to Be became a sensation when it launched: over 15,000 people backed the book in just one month, and it remains the number-one most funded publishing project ever on Kickstarter.com.To be, or not to be: that is the adventure!

    Focusing on the mysteries--romantic, scientific, literary--that engage the minds and hearts of characters whose passions and lives intersect across scientific planes and centuries, it is "Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and... emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow... Exhilarating" (Vincent Canby, The New York Times).

     Or so Oak Jones thought. He’s wanted on the Police Dinosaur Unit all his life. Now that he’s in, he’s discovered that training a Police Working Velociraptor is a lot harder than he ever imagined. And if he thought training would be difficult, living with a Velociraptor is a whole new level. Banshee can clear a six-foot fence like it was nothing, and he has a love for eating the neighborhood cats, which is putting Oak on the outs with his next-door neighbor, Christy Dao. But there is a reason for everything, and when Oak discovers why Banshee struggles, it breaks his heart. Terrible Lizard is a funny and endearing look at life with Banshee, a great working dinosaur, but one terrible lizard. +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Officer Hendricks sat at the temporary desk for training leads. He was without his sunglasses for the first time ever. His bright blue eyes burned with intensity. “I wanted to talk to you about Banshee,” he said. “I know it was rough yesterday,” I said, “but we’ve made good progress.” “You have, and it’s to be commended. You are the best handler here. But it’s a team effort, Oak. I called you in because I wanted you to be the first to hear that I intend to fail Banshee.” “What? No. There’s still two weeks left.” “Less than two weeks left. And this isn’t the kind of thing that gets fixed in less than two weeks.” “Give me a chance.” “Oak, you will be returned to your station until I can place you in Violent Offenders. Renato has given you a great review, and the captain there can’t wait to have you. Next year, you can re-apply. I cannot guarantee you that you will be accepted, but based on what I’ve seen over the past four weeks, I like your chances. You will definitely have my vote.” Officer Hendricks extended his hand to me, and I shook my head. “No. I refuse. Give me two weeks.” The open hand pinched Officer Hendricks’ nostrils. “You are not the first officer to work with Banshee. This was his third time in the course. Three strikes, and the raptor is gone.” “So that’s it? There’s nothing more that can be done?” “Not in my experience, Oak. I’m sorry.”

    Written in 1941, Blithe Spirit remained the longest-running comedy in British Theatre for years. Plotted around the central role of one of Coward's best loved characters, a medium Madame Arcati (originally played by Margaret Rutherford). Coward's play is a spirited charade about a man with 2 wives, one dead and another alive.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    Ferdinand, the king of Navarre, insists that his court join him in a pledge to undertake a strict regimen of study and celibacy. The grudging compliance of three noblemen is sorely tested — as is the king's own resolve — with the arrival of a French princess and a trio of comedy attendants.

    Emma Duncan, a hypochondriac with memory problems, and her orphaned fianc