Bloom County ran from December 8th, 1980 to August 6th, 1989 and was published in an astounding 1200 newspapers on a daily basis. The huge popularity of Bloom County spawned a merchandizing bonanza, as well as two spin-off strips, Outland and Opus.The Bloom County Library Volume 1 highlights the first time the entire run of the immensely popular Bloom County strip has been collected in beautifully designed hard cover books with exceptional reproduction.The Library of American Comics is the world's #1 publisher of classic newspaper comic strips, with 14 Eisner Award nominations and three wins for best book. LOAC has become the gold standard for archival comic strip reprints...The research and articles provide insight and context, and most importantly the glorious reproduction of the material has preserved these strips for those who knew them and offers a new gateway to adventure for those discovering them for the first time." - ScoopWinner of the 2010 Eisner Award for Best Archival Collection/Project--Strips

    This freshly amusing strip is a darling among readers who enjoy pets with an attitude. This wry cartoon features Rob Wilco, a mild-mannered ad guy who's guardian to two rambunctious pets: Bucky, a temperamental cat who carries a boom box and goes on spending sprees, and Satchel, a gentle canine who tries to remain neutral even when he bears the brunt of Bucky's mischief. Together, this unlikely trio hangs out together, watching TV, cooking for friends, and attempting the occasional adventure outside. Anyone who has a pet or even knows one will find this Get Fuzzy collection, The Dog is Not a Toy, an astutely witty take on relationships between the species.

    All of Fritz's appearances are collected here for the first time.

    During its 31 year run, it was enormously popular with the public and with many writers, artists, and intellectuals of the time. An innovative cartoon masterpiece and the first major biographical work on the artist himself.

    FoxTrot offers welcome relief from all of this, and not a moment too soon." --Bill WattersonThis treasury edition, FoxTrot: The Works, combines two FoxTrot collections, FoxTrot and Pass the Loot. All the daily strips and color Sundays are collected in one large volume for FoxTrot fans everywhere.

    (Among other things, three major cast members—Schroeder, Lucy, and Linus—initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!) Thus The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day, week by week, month by month.This volume is rounded out with Garrison Keillor's introduction, a biographical essay by David Michaelis (Schulz and Peanuts) and an in-depth interview with Schulz conducted in 1987 by Gary Groth and Rick Marschall, all wrapped in a gorgeous design by award-winning cartoonist Seth.

    He was the most popular cartoonist of his day, his sense of humor coming straight out of Mark Twain, who also balanced exaggerated tall tales and a perfect ear for everyday speech with dark themes that undercut his laugh-out-loud stories. The series will consist of six volumes released annual through 2011.In this first volume, covering 1928-1930, Popeye's initial courtship of Olive Oyl takes center stage while Olive's brother Castor Oyl discovers the mysterious Whiffle Hen. Also, the entire cast meets the Sea Hag for the first time in their pursuit of the "Mystery House" (Popeye's first extended daily narrative), and Castor Oyl attempts to turn Popeye into a boxing champion in a series of hilarious Sunday strips. These strips are masterpieces of comic invention. Popeye's omnipotence pre-figures the rise of superheroes in the 1930s and 1940s, though Popeye is a much more sympathetic character, and his very name announces his vibrant personality. His mangled English pulsated with the vital spirit of immigrant America, its rhythm poetic in its own vulgar way: "I yam what I yam and tha's all I yam."2007 Eisner Award nominee: Best Archival Collection/Project: Strips; and Best Publication Design (Jacob Covey); 2007 Harvey Award nominee: Best Domestic Reprint Project; Special Award for Excellence in Presentation; Winner: HOW Magazine Design Merit Awards: Covers

    During its run, the cartoon spawned 22 books from AMP, which were translated into a total of 17 different languages. For his work with The Far Side, Larson was awarded the Reuben Award for Outstanding Cartoonist from the National Cartoonists Society in 1991 and 1994. The group also named The Far Side Best Syndicated Panel in both 1985 and 1987.

    Cartoonists Jerry Scott and Jim Borgman have captured the humor of that challenging time with Zits, in which they chronicle the life and times of the typically exasperating yet ever lovable Jeremy Duncan.In this first Zits treasury, a compilation of Zits and Growth Spurt, faithful fans of Jeremy's world will get a glimpse behind the scenes with never-before-seen sketches and the stories behind the strips. Sunday cartoons appear in full-color, highlighting the strip's acclaimed drawing style.Even though the teenage terrain is rocky, Zits is warm and sympathetic. "The highest compliment we hear from readers is, 'You must have a camera hidden in our house!'" says Borgman.

    Features the bonus, peel-away insert, Smell-O-Toons, the aromatic fragrance that is dabbed on more Commando pulse points than all other perfumes combined! Little, Brown.

    It is one of the fastest growing comics online, having sextupled in readership since 2008. SMBC appeals to many different groups, as evidenced by the fact it has been featured on a variety of important websites and blogs, including The Economist, Glamour, BoingBoing, Bad Astronomy, Blastr, Blues News, Joystiq, The Washington Post, Freakonomics, and more. SMBC has never released a book, which is almost unheard of for a comic with such an extensive archive, making this first-ever collection highly anticipated. BreadPig donates its profits to DonorsChoose.org, a not-for-profit organization that aims to improve public education by empowering every teacher to be a change-maker and enabling any citizen to be a philanthropist.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    Just see what their mothers have to say!"Dave is a nice, young man with a bright future ahead of him. I always knew he was a gifted boy who would go on to do great things. I hope he settles down with a nice, young woman and ****s the **** out of her."—Dave's mom"I don't know how to get computer pictures, so I'm glad Kris finally has a book out. I haven't read it yet, but I hope he gives me a quote on the back."—Kris's mom"I hope Robert's book does well so he can finally afford to move out. He plays his hip-hop music too loud."—Rob's momMatt's mom was unavailable for a quote due to being dead.

    The passion of Morticia and Gomez Addams, the lonely desires of Fester, the numerous grim and ghastly fights between husband and wife -- all found their way into Addams's signature drawings. Addams's concept of love was quite a bit different from the traditional idea of romance. Forget roses and chocolate, Addams will show you how to woo a mermaid or celebrate an anniversary on a desert island. Or how to keep your husband on a leash -- literally. Learn what to do when your prince stays a frog, even after you've kissed him. Compiled from Addams's personal archive, many of these cartoons are previously unpublished gems, while others are Addams classics. The cartoons in Chas Addams Happily Ever After run the gamut from ecstatic love to disappointed affection to murderous obsession and demonstrate that love really does hurt.

    This book answers the call as it delivers the life and times of Marlys Mullen, the most beloved character in Barry's nationally syndicated comic strip, "Ernie Pook's Comeek." This is a Lynda Barry double-tall: the long-awaited collection of the best strips from her syndicated comics. Way back in the mid-1980s, comic illustrator and writer Lynda Barry introduced the character of Marlys Mullen, her crazy groovy teenage sister Maybonne, her sensitive and strange little brother Freddie, a mother like no other, and an array of cousins and friends from the 'hood. This oversized book presents the long strange journey through puberty and life that Marlys and company have experienced. Marlys's universe and galaxy are funny, rude, disturbing, tearful . . . in short, very, very Lynda Barry.