A study of German culture between the two wars, the book brilliantly traces the rise of the artistic, literary, and musical culture that bloomed ever so briefly in the 1920s amid the chaos of Germany's tenuous post-World War I democracy, and crashed violently in the wake of Hitler's rise to power. Despite the ephemeral nature of the Weimar democracy, the influence of its culture was profound and far-reaching, ushering in a modern sensibility in the arts that dominated Western culture for most of the twentieth century. Vivid and eminently readable, Weimar Culture is the finest introduction for the casual reader and historian alike.

    Martin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But very little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.

    Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it. Impassioned and exhilarating in its conviction, The Birth of Tragedy has become a key text in European culture and in literary criticism.

    From high-class hookers to 7/7 survivors these monologues paint a revelatory picture of Britain as it is today. After rave reviews at the 2008 Edinburgh Festival and in New York, "Eight" opened in London's West End in July 2009.

     “If you like Kate Atkinson, Alexander McCall Smith or Dorothy L Sayers, you’re going to love Beatrice Stubbs.” COLD PRESSED “Two things people fear the most? Change and death.” Santorini. Turquoise seas, ancient ruins and beautiful sunsets. And a woman thrown from a cliff. The violent death shocks fellow passengers of the Empress Louise, a grand cruise liner packed with British tourists. For newly promoted Inspector Nikos Stephanakis, the case poses linguistic and cultural problems. His request for assistance yields unexpected results. DI Beatrice Stubbs, called in as support, flies to Greece. What with tension at home, the timing couldn’t be better. She anticipates a few days in the sun and a swift resolution. Yet an earlier death at sea proves suspicious and when another elderly lady is killed in her cabin, terror spreads like contagion. Murder is aboard. And someone has Beatrice in his sights. From the Cyclades to the Dodecanese, Nikos and Beatrice pursue the killer and unearth a secret. Revenge is a dish best served cold. HUMAN RITES “Judgement is in the eye of the beholder.” Adrian Harvey, London wine merchant, has lost the Christmas spirit. Someone is stalking him, stealing his post and vandalising his shop. When the police question him after an anonymous tip-off, he’s more than anxious. He’s scared. And who is that nun? Long time neighbour and friend DI Beatrice Stubbs is dispatched to Germany to investigate a series of apparently related art thefts, so Adrian seizes the chance to flee the city. He follows her to Hamburg to do some Christmas shopping and visit his ex. Yet the stalker is still on his heels. While Beatrice is on the trail of a violent gang of mercenary thieves, Adrian runs from danger to the remote island of Sylt. But danger follows and Adrian has run too far. From the icy streets of Hamburg, to the canals of Amsterdam, and the snowswept beaches of Sylt, Beatrice and Adrian discover how a virtue taken to extremes can lead to deadly sin. BAD APPLES “Some people are just rotten to the core.” Acting DCI Beatrice Stubbs is representing Scotland Yard at a police conference in Portugal. Her task is to investigate a rumour – a ghostwritten exposé of European intelligence agencies – and discover who is behind such a book. Hardly a dangerous assignment, so she invites family and friends for a holiday. Days at the conference and evenings at the villa should be the perfect work-life balance. Until one of her colleagues is murdered. An eclectic alliance of international detectives forms to find the assassin. But are they really on the same side? Meanwhile, tensions rise at the holiday villa. A clash of egos sours the atmosphere and when a five-year-old child disappears, their idyll turns hellish. From Lisbon streets to the quays of Porto, Parisian cafés to the green mountains of Gerês, Beatrice realises trust can be a fatal mistake.

    The cruel bon mot which has its sting drawn from the laughter that ensues. It was Oscar Wilde who pointed out that no comment was in bad taste if it was amusing - and if for that reason alone it is worth while preserving these delightful examples of verbal dexterity.

    But when a disturbing pattern in recent cases begins to emerge, he chooses to postpone his self-imposed retirement in order to help out an old flame.Detective Katharina Rosenberg has a new case and a new cop killer on the run. When two colleagues are murdered in rapid succession, a shocking theory emerges: Is someone killing off the detectives Christian worked alongside solving homicide cases? And is Katharina next?Now, Katharina and Christian must team up once again to catch the murderer before it’s too late. With their buried passion rising to the surface, they give in to their desire while racing against time to find the vengeful cop killer before he finds them.

    Failed ideals and human disillusionment give way in Hamletmachine to the youth clamoring in reaction against the past in order to change the present. To break free of the continual cycle of violence within history the past is questioned and deconstructed. Moving away from psychological narrative, Hamletmachine creates a landscape of the betrayed revolution. Brown's production challenges and provides resistance to this complicated text, inciting spectators to do the same. This performance is an exploration into the place of theatre as a sight of revolutionary change. In Müller's words, "the slogan of the Napoleonic era still applies: Theater is the Revolution on the march."

     In less than three weeks, Hitler achieved the most extraordinary military triumph of modern times: Holland, Luxembourg, and Belgium had been overrun; the French army was about to collapse; and the entire British Expeditionary Force, which had been sent across the Channel to help stop the Germans, was trapped against the sea at Dunkirk. Unless they could be rescued, Britain would be left without an army. ‘Dunkirk’ is the first book to present an overview of those awful days and show the effect the battle on the beaches was having on the rest of the world. It is also the day-by-day story of a great escape, of the transformation of a massive defeat into what would ultimately prove a disaster for Germany. “Norman Gelb demonstrates in Dunkirk how productive it is to focus on an individual operation or battle … Dunkirk is both a good adventure read and an instructive case study yielding modern lessons.” — JOHN LEHMAN, Former Secretary of the Navy, The Wall Street Journal “Norman Gelb finds fresh angles … Dunkirk stands as an exemplar of the perils of vacillation and the possibilities of action.” — The New York Times Book Review “Mr. Gelb has excavated beneath surface events, delved into political and psychological factors, and produced an intelligent, fast-moving narrative.” — PROFESSOR ARNOLD AGES, Baltimore Sun — “Vivid and comprehensive … Absorbing … Sets a high standard for other reconstructions” — Kirkus Reviews NORMAN GELB was born in New York and is the author of seven highly acclaimed books, including The Berlin Wall, Scramble: A Narrative History of the Battle of Britain, and Less Than Glory. He was, for many years, correspondent for the Mutual Broadcasting System, first in Berlin and then in London. He is currently the London correspondent for New Leader magazine. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Osborne was influenced by Erik Erikson's book, Young Man Luther, which had been published 3 years prior in 1958. In the play, Luther's reputed constipation played a part in the course of Luther's life & career. Osborne takes Luther to task for his Against the Murderous, Thieving Hordes of Peasants (1525) & its call for vigorous suppression of the peasants in the Peasants' Revolt (1524-26). Osborne has Luther giving a philosophically & theologically good answer to the challenge, consistent with Luther's own thinking. This would seem to exculpate Osborne of any accusation of being totally one-sided against Luther. Luther seems to have been a disappointment to Osborne, since he could have followed thru in his life as a revolutionary. He does have Johann von Staupitz, although at a time when the historical person would have been dead at least a year, telling Luther: "We owe so much to you." The play was made into a film, starring Stacy Keach, Judi Dench, Maurice Denham, Hugh Griffith, Patrick Magee, & Robert Stephens in 1974.

    Schnitzler explores human sexual behavior in a series of ten vignettes of couples preparing for romantic interludes and assignations.

    His own libretto to the operas, translated by Andrew Porter, is an intricate system of metric patterns, imaginative metaphors and alliteration,combining to produce the music in text.'Andrew Porter's utterly natural, often poetic, faithfully rendered English text should be a revelation...The immediacy of instant comprehension gives the entire drama an added dimension.'--The New York Times

    Moored in an island cove, he meets Stroma Mackay and is captivated by her. He persuades her to write to him in Hamburg, and their correspondence continues until war is declared. Reinhard joins the elite U-boat service, while Stroma serves as a plotter in the WRNS, helping fight the desperate battle against marauding U-boats - the wolf packs. It seems impossible that they will ever meet again . . .

    Go beyond the stereotypes and get in touch with the Germans you never knew existed. Filled with practical travel tips and cultural insights, you'll travel Germany like a pro." * Do you want to learn the history of a town or city without knowing anything more than its name? * Do you want to know the tricks to navigating Germany's Autobahns and railways so you travel like a native? * Do you want to know Germans' secrets for relaxation that you can easily and affordably enjoy as well? * Do you want to learn about German beers and wines so you can order like a connoisseur? Those Crazy Germans! takes you where the other travel guides don't go. Through a combination of observations, tips and historical & cultural insights all written in a relaxed and cheerful style, this book takes you behind the scenes and introduces you to the Germany that the Germans know. Perfect for reading on the plane or train, Those Crazy Germans! is the fun way to get to know Germany. * Learn how hundreds of years of traditions manifest themselves in modern day Germany. * Learn the customs and quirks of German restaurants and hotels. * Learn the insiders' tips to Oktoberfest, Karneval and hundreds of other festivals so that you too can party like a native. * Learn about Germany's unusual do's and don'ts. * Learn how to see towns and cities the way the Germans see them. Most travel guides give you the necessary "go here, see this", "eat here, stay there" details, but are short on insight and cultural knowledge. Those Crazy Germans! bridges the gap by providing the essential and often unknown cultural insights and perspective that lets you truly experience the people and the country.

    They are determined to overcome the memory and haunting legacy of Max, her husband and their papa, who drowned in a drunken leap from the dock as their ship pulled away from the German port. Helga is anxious to be reunited with her sister Amelia, and she’s grateful her wealthy brother-in-law, Dr. Joseph Stein, fulfills his part of the bargain that brought the family to the new world, even without Max to run his mercantile store. Helga takes charge of Stein’s massive boarding house overlooking the road to Texas’ interior and the fickle waves of Matagorda Bay.A woman of strong passions, Helga operates Stein House for boarders of all stripes whose involvement in the rigors of a town on the edge of frontier influences and molds all their lives: the cruelties of yellow fever and slavery, the wrenching choices of Civil War and Reconstruction, murder, alcoholism, and the devastation wrought by the hurricane of 1886."