On the day of his death, in the blink of an eye, the lives of one woman and her six grown children changed irrevocably. The matriarch Countess Margaret Lilias Catesby was now a dowager countess; her strength and maternal duty the sole driving force pushing herself through the grief. Each of the Catesby children are left to carry on their father’s legacy, shown physically through their father’s green eyes and spiritually through his impassioned attitude for living. Eldest son Francis had barely a day to cope with his father’s death before the title of Lord Catesby was immediately thrust upon him. With Francis assuming ownership of the estate and his five siblings left to sort out the pieces, each must now find a way to navigate the world without their dear father’s guidance. Will siblings Francis, Emily, Helena, Sophia and the twins, Charles and Henry, be able to move forward into society and proudly carry on the Catesby name? There’s only one way to find out…---Book 1: ”Lady Emily’s Escape”Book 2: ”Charles and the Intruder”Book 3: ”The Mysterious Lord Livingstone”Book 4: ” Lady Sophie and the Proper Gardener”Book 5: ” Mr. Henry Catesby and the Rebellious Redhead”Book 6: ” Dilemma of the Earl's Heart”EXCLUSIVE BONUS! Book 7:” The Scandalous Dowager Countess”

    Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. Antiquities, James Cuno argues, are the cultural property of all humankind, evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders.Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul.The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial.

    In addition to fieldwork and traditional methods, paleoanthropologists and archaeologists now draw upon genetics and other cutting-edge scientific techniques. In fifty chapters, Prehistoric Investigations tells the story of the many thought-provoking discoveries that have transformed our understanding of the distant past.

    Five hundred great works of art from all periods and regions in the world have been carefully selected and are arranged in chronological order, breaking through the usual geographical and cultural boundaries of art history to celebrate the vast range of human artistry.

    That story—and the story of what happened afterwards—has been told many times, but always following the narrative offered by the Spaniards. After all, we have been taught, it was the Europeans who held the pens. But the Native Americans were intrigued by the Roman alphabet and, unbeknownst to the newcomers, they used it to write detailed histories in their own language of Nahuatl. Until recently, these sources remained obscure, only partially translated, and rarely consulted by scholars.For the first time, in Fifth Sun, the history of the Aztecs is offered in all its complexity based solely on the texts written by the indigenous people themselves. Camilla Townsend presents an accessible and humanized depiction of these native Mexicans, rather than seeing them as the exotic, bloody figures of European stereotypes. The conquest, in this work, is neither an apocalyptic moment, nor an origin story launching Mexicans into existence. The Mexica people had a history of their own long before the Europeans arrived and did not simply capitulate to Spanish culture and colonization. Instead, they realigned their political allegiances, accommodated new obligations, adopted new technologies, and endured.This engaging revisionist history of the Aztecs, told through their own words, explores the experience of a once-powerful people facing the trauma of conquest and finding ways to survive, offering an empathetic interpretation for experts and non-specialists alike.

    Whether a coyote or rabbit, raccoon or raven, Tricksters use cunning to get food, steal precious possessions, or simply cause mischief. In Trickster, the first graphic anthology of Native American trickster tales, more than twenty Native American tales are cleverly adapted into comic form. An inspired collaboration between Native writers and accomplished artists, these tales bring the Trickster back into popular culture in vivid form. From an ego-driven social misstep in "Coyote and the Pebbles" to the hijinks of "How Wildcat Caught a Turkey" and the hilarity of "Rabbit's Choctaw Tail Tale," Trickster bring together Native American folklore and the world of graphic novels for the first time.

    Mann.

    The book offers a balanced summary of every major culture area in North America, and places the continent in its wider context in human prehistory. Lavish illustrations, many new to the fourth edition, draw on North America's rich ethnographic record to illustrate key sites and artifacts. The chapter on first settlement has been heavily revised in light of new discoveries in Siberia and the Americas, and current controversies are surveyed. Chapters on archaeological theory, the Great Basin, the Northeast, the Northwest, and the Archaeology of European Contact reflect major advances, and important new discoveries and scientific methodologies receive full coverage.

    Paul. Now, in Once There Were Castles, he offers a richly illustrated look at another world of ghosts in our midst: the lost mansions and estates of the Twin Cities.Nobody can say for sure how many lost mansions haunt the Twin Cities, but at least five hundred can be accounted for in public records and archives. In Minneapolis and St. Paul, entire neighborhoods of luxurious homes have disappeared, virtually without a trace. Many grand estates that once spread out over hundreds of acres along the shores of Lake Minnetonka are also gone. The greatest of these lost houses often had astonishingly short lives: the lavish Charles Gates mansion in Minneapolis survived only nineteen years, and Norman Kittson’s sprawling castle on the site of the St. Paul Cathedral stood for barely more than two decades. Railroad and freeway building, commercial and institutional expansion, fires, and financial disasters all claimed their share of mansions; others succumbed to their own extravagance, becoming too costly to maintain once their original owners died.The stories of these grand houses are, above all else, the stories of those who built and lived in them—from the fantastic saga of Marion Savage to the continent-spanning conquests of James J. Hill, to the all-but-forgotten tragedy of Olaf Searle, a poor immigrant turned millionaire who found and lost a dream in the middle of Lake Minnetonka. These and many other mansion builders poured all their dreams, desires, and obsessions into extravagant homes designed to display wealth and solidify social status in a culture of ever-fluctuating class distinctions.The first book to take an in-depth look at the history of the Twin Cities’ mansions, Once There Were Castles presents ninety lost mansions and estates, organized by neighborhood and illustrated with photographs and drawings. An absorbing read for Twin Cities residents and a crucial addition to the body of work on the region’s history, Once There Were Castles brings these “ghost mansions” back to life.

    It includes – A KNIGHT’S CHRISTMAS WISH by Lana Williams – A knight’s Christmas wish is fulfilled in an unexpected way when he meets a lady in need of rescue. WISH UPON A WINTER SOLSTICE by Emma Prince – Deep in the Scottish Highlands sits an ancient well fabled to grant true-love’s wish to those who visit it near the winter solstice. To test the powers of the legendary well, Keita Cameron trespasses onto the lands of her clan’s enemy. She never expects to come face to face with the man they call the Demon of Loch Moy—or succumb to the dark heat her captor stirs within her. MISTLETOE MAGIC by Laurel O’Donnell – A confident knight arrives home to find his childhood friend grown into much more then he remembered. The lady of the castle keeps a dangerous secret that threatens all she holds dear. Will Mistletoe Magic save them? THE CHRISTMAS KNOT by Barbara Monajem – It’s bad enough being a governess, but far worse that Edwina White’s new employer is the man who deceived her years before. Richard Ballister’s estate has a ghost and a curse, and if that’s not trouble enough, the new governess is the woman who spurned him for a richer man. Richard and Edwina don't want to work together, but they have no choice. Can they overcome the bitterness of the past in time to unravel a centuries-old knot and end the Christmas curse? THE WOLF OF SKYE by Hildie McQueen – Fate's wicked sense of humor strikes Highland guard Faolan Mackinnon when he ends up betrothed to Catriona Grant, a fiery lass, who he met only minutes earlier. A heartbroken Highland guard's last desperate attempt to regain the woman he loves becomes a journey across Scotland to a mysterious well that grants wishes. However upon getting to know a beautiful lass in the village of Moy, Faolan Mackinnon questions his true feelings. A PARTRIDGE IN A PEAR TREE by Amanda McCabe – Spend the holidays in Regency England! Seeking an heir to her fortune, a widow challenges her family to a wild holiday scavenger hunt in the novella "A Partridge in a Pear Tree"--and two people find a lasting love seeking the Twelve Days of Christmas... WILD HIGHLAND MISTLETOE by Eliza Knight – A week before Christmas, snow falls gently on the Highland hills, and once more an adventure awaits the Sutherlands! Dunrobin Castle is overflowing with excitement and holiday spirit because of the upcoming Sutherland clan gathering. Arbella and Magnus’ marriage has flourished, their passion and love growing stronger daily. But when a mysterious missive arrives begging Laird and Lady Sutherland for help in a rescue mission, they leave the safety of the castle, and ride headlong into a trap. Will they thwart their enemy and make it home in time to celebrate the holiday season in good Scottish fashion? Or will warring clans prevail? ***This is a Stolen Bride novella--an extension of THE HIGHLANDER'S REWARD*** ONE KNIGHT UNDER THE MISTLETOE by Catherine Kean – Kissing Lord Renfred de Vornay, her late brother’s best friend, under the mistletoe was the last thing Lady Liliana Thornleigh ever expected days before Christmas. Seven years have passed since Ren played his foolish prank on her, but she hasn’t forgotten that humiliating incident—and neither, it seems, has he. Now a wealthy and respected lord, Ren has important information for her father, but Liliana is suspicious of Ren’s reasons for spending Christmas at her sire’s castle.

    An in-depth look at the things we know are bad for us but we love too much to stay away from, including tobacco, alcohol, promiscuous behavior, drugs, fatty foods, and more, along with the reasons we love them so much.

    “A tantalizing whodunit” (Boston Globe) and a “riveting, wonderfully vivid account [that] takes you into the underworld of obsessed art detectives, con men, and thieves” (Jonathan Harr, author of The Lost Painting), The Gardner Heist is true crime history at its most spellbinding.

    Many of these new finds are included among the hundreds of reproductions.

    In this book, Mari Grinde Arntzen asks how and why this is—how can fashion simultaneously attract us to its glamour and repel us with its superficiality and how being called “fashionable” can be at once a compliment and an insult. Arntzen guides us through the major figures and brands of today’s fashion industry, showing how they shape us and in turn why we love to be shaped by them. She examines both everyday, affordable “fast fashion” brands, as well as the luxury market, to show how fashion commands a powerful influence on every socioeconomic level of our society. Stepping into our closets with us, she thinks about what happens when we get dressed: why fashion can make us feel powerful, beautiful, and original at the same time that it forces us into conformity. Stripping off the layers of the world’s fifth largest industry, garment by garment, she holds fashion up as a phenomenon, business, and art, exploring the questions it forces us to ask about the body, image, celebrity, and self-obsession. Ultimately, Arntzen asks the most direct question: what is fashion? How has it taken such a powerful hold on the world, forever propelling us toward its concepts of beauty?

    Now this view is being challenged by a new generation of historians, who point out that Diaz originally rose to power in alliance with anti-conservative forces and was a modernising force as well as a dictator. Drawing together the threads of this revisionist reading of the Porfiriato, Garner reassesses a political career that spanned more than forty years, and examines the claims that post-revolutionary Mexico was not the break with the past that the revolutionary inheritors claimed.