Mark Lewisohn uses his unprecedented archival access and hundreds of new interviews to construct the full story of the lives and work of John Lennon, Paul McCartney, George Harrison, and Ringo Starr. Ten years in the making, Tune In takes the Beatles from before their childhoods through the final hour of 1962—when, with breakthrough success just days away, they stand on the cusp of a whole new kind of fame and celebrity. They’ve one hit record ("Love Me Do") behind them and the next ("Please Please Me") primed for release, their first album session is booked, and America is clear on the horizon.  This is the lesser-known Beatles story—the pre-Fab years of Liverpool and Hamburg—and in many respects the most absorbing and incredible period of them all. Here is the complete and true account of their family lives, childhoods, teenage years and their infatuation with American music, here is the riveting narrative of their unforgettable days and nights in the Cavern Club, their laughs, larks and adventures when they could move about freely, before fame closed in.  For those who’ve never read a Beatles book before, this is the place to discover the young men behind the icons. For those who think they know John, Paul, George, and Ringo, it’s time to press the Reset button and tune into the real story, the lasting word.

    From there he joined the ever-popular Move, then helped form the groundbreaking Electric Light Orchestra. After co-founder Roy Wood left in 1972, Lynne turned what had been a struggling rock and classical fusion into one of Britain s most consistently successful and popular acts. Following a run of hit singles, albums, and sell-out concerts throughout the world, he laid the group to rest in 1986 and combined a solo career as an artist and producer with membership of the ultimate supergroup, the Traveling Wilburys. His production credits include Roy Orbison, Tom Petty, Del Shannon, George Harrison, and even the Beatles on their two final singles in the mid- 90s. Jeff Lynne: The Electric Light Orchestra, Before and After is the first-ever biography of one of the most prolific and highly regarded performers of the last fifty years. Rich in backstage anecdotes of overheated orchestras, frontmen rivalries, tour mishaps, cross-group partnerships, unlikely collaborations, and self-imposed exile from the stage in the quest for inspiration, this book will leave fans and general readers delighted and inspired by a career at the epicentre of twentieth-century rock. ** This electronic edition contains 35 photographs **

    And then enthralled. He set about trying to catch their lightning in his Nikon F2AS.That quixotic impulse became a lifelong quest. A little history got made on the way.Collected here for the first time are the fruits of his labour. A Little History is an extraordinary document, tracking Nick Cave's creative career from the apoplectic extravagance of The Birthday Party to the calmer disquiet of 2013's Push The Sky Away via snapshots, spotlit visions and sumptuous, theatrical portraits. It mixes the candid and uncanny, the spontaneous and the patiently staged, and includes eyeball encounters with Cave's baddest lieutenants, men for the most part who long since burned their own bridges down. Butcher's Nikonic eye defines moment after arresting moment in Cave's glorious, sprawling story: it's a splendid testament to two brilliant careers.

    Both sought to redefine themselves beneath the stars. By the time they made it to the snowy Cascade Range of British Columbia—the trail’s end—Aspen and Justin were in love.Embarking on a new pilgrimage the next summer, they returned to those same mossy mountains where they’d met, and they married. They built a world together, three years of a happy marriage. Until a cold November morning, when, after kissing Aspen goodbye, Justin left to attend the funeral of a close friend.He never came back. As days became weeks, her husband’s inexplicable absence left Aspen unmoored. Shock, grief, fear, and anger battled for control—but nothing prepared her for the disarming truth. A revelation that would lead Aspen to reassess not only her own life but that of the disappeared as well.The result is a brave and inspiring memoir of secrets kept and unearthed, of a vanishing that became a gift: a woman’s empowering reclamation of unmitigated purpose in the surreal wake of mystifying loss.

    

    However, few know the unlikely story of how these hits came to be..Tommy James was discovered in 1966 at the age of nineteen, and was pursued by every record mogul in New York until, inexplicably, every offer but one quickly disappeared. James soon found himself in the office of Morris Levy at Roulette Records, where he was handed a pen and ominously promised “one helluva ride.” Morris Levy, the legendary “godfather” of the music business, needed some hits and Tommy would provide them..Me, the Mob, and the Music tells the intimate story of the relationship between the bright-eyed, sweet-faced blonde musician from the heartland and the big, bombastic, brutal bully from the Bronx, who hustled, cheated, and swindled his way to the top of the music industry. It is also the story of this swaggering, wildly creative era of rock ‘n’ roll when payola and the strong arm tactics of the mob were the norm, and the hits kept coming..

    No writer on rock ‘n’ roll ever lived harder or wrote better–more passionately, more compellingly, more penetratingly. He lived the rock ‘n’ roll lifestyle, guzzling booze and Romilar like water, matching its energy in prose that erupted from the pages of Rolling Stone, Creem, and The Village Voice. Bangs agitated in the seventies for sounds that were harsher, louder, more electric, and more alive, in the course of which he charted and defined the aesthetics of heavy metal and punk. He was treated as a peer by such brash visionaries as Lou Reed, Patti Smith, Richard Hell, Captain Beefheart, The Clash, Debbie Harry, and other luminaries.Let it Blurt is a scrupulously researched account of Lester Bangs’s fascinating (if often tawdry and unappetizing) life story, as well as a window on rock criticism and rock culture in their most turbulent and creative years. It includes a never-before-published piece by Bangs, the hilarious "How to Be a Rock Critic," in which he reveals the secrets of his dubious, freeloading trade.

    Receiving unique, unfettered access, acclaimed filmmakers Joe Berlinger and Bruce Sinofsky followed Metallica over two and a half years as they faced monumental personal and professional challenges that threatened to destroy the band just as they returned to the studio to record their first album in four years. Berlinger's book about the experience reveals the stories behind the documentary Some Kind of Monster, capturing the energy, uncertainty, and ultimate triumph of both the filming and Metallica's bid for survival. It weaves the on-screen stories together with what happened off-screen, revealing intimate details of the band's struggle amid personnel changes, addiction, and controversy. In part because Berlinger was one of the only witnesses to the intensive group-therapy sessions and numerous band meetings, his account of his experience filming the band is the most honest and deeply probing book about Metallica---or any rock band---ever written.This is the book both Metallica and film fans have dreamed of---a stark and honest look at one of rock's most important bands through the eyes of one of the most provocative documentary filmmakers working today.

    In the 30 years since his death his influence has not diminished.

    Time is simply how you live your life.” —Craig SagerThanks to an eccentric wardrobe filled with brightly-colored suits and a love of sports that knows no bounds, Craig Sager is one of the most beloved and recognizable broadcasters on television. So when the sports world learned that he was diagnosed with acute myeloid leukemia (AML) there was an outpouring of love and support from everyone who was inspired by his colorful life and his fearless decision to continue doing the job he loved—despite being told that he would have only three-to-six months to live. Since then Sager has undergone three stem cell transplants—with his son as the donor for two of them—and more than twenty chemotherapy cycles.In Living Out Loud, Craig Sager shares incredible stories from his remarkable career and chronicles his heroic battle. Whether he’s sprinting across Wrigley Field mid-game as a college student with cops in pursuit, chasing down Hank Aaron on the field for an interview after Aaron broke Babe Ruth’s home run record, running with the bulls in Pamplona, or hunkering down to face the daunting physical challenges of fighting leukemia, Craig Sager is always ready to defy expectations, embrace life, and live it to the fullest.Including a foreword by Charles Barkley and with unique insight from his son Craig Sager II, this entertaining, honest, and introspective account of a life lived in sports reveals the enduring lessons Sager has learned throughout his career and reminds you that no matter what life throws at you, to always look at the bright side.

    His grandfather, Thomas Skelly, entered the department in 1893, when the NYPD was little more than a brutal gang of organized enforcers and Tammany Hall a corrupt political machine that could make or break an honest cop's career. His father Frank's career would span World War II through the 1960s, taking him from street cop to squad commander of the Forty-first Precinct. Better known as "Fort Apache", it was a place from which few cops emerged whole. His brother Frank McDonald, Jr., went on to become a decorated officer, waging an undercover war on drugs and crime.From turn-of-the-century Brooklyn to the South Bronx in the 1970s to the bedroom communities of upstate New York, My Father's Gun combines a rare and intimate family story with turbulent social history.

    It will make you happy. Legendary producer and co-founder of Chic, Nile Rodgers wrote 'We are Family' for Sister Sledge and 'I'm Coming Out' for Diana Ross, produced 'Let's Dance' for David Bowie and 'Like a Virgin' for Madonna. He has worked with just about every major star, from Michael Jackson and Bob Dylan to Prince and Duran Duran. But before he reinvented pop music, Nile Rodgers invented himself. Born into a mixed-race family of dopefiend bohemians, he learned "at a very early age" everything he needed to know about love, loss, fashion, art, music, and the subversive power of underground culture. The stars of the scene were his glamorous teenage mom and heroin-addicted Jewish stepfather, but there were also monkeys, voodoo orishas, jazz cats, and contract killers in the mix. By the age of 16, Nile was busking his way through the 60s, half-hippie and half-Black Panther. He jammed with Jimi Hendrix, took acid with Timothy Leary, toured with Big Bird on Sesame Street's road show, and played guitar behind history's greatest soul singers. And then, one night, he discovered disco. This was pop's most glamorous and decadent age. Nile Rodgers wrote the songs, produced the hits and lived behind the velvet rope holding court in the bathroom stalls at Studio 54, club-hopping with Madonna, scarfing down burgers with Diana Ross. Le Freak is the personal, moving story of a creative genius, told in his own unique voice "warm, intimate and relentlessly charming. It is also a stunning recreation of an age" told by the man who wrote its soundtrack.

    He gave rock and roll its devil's edge with hit records like 'Great Balls of Fire'. His incendiary shows caused riots and boycotts. He ran a decade-long marathon of drugs, drinking, and women, and married his thirteen-year-old second cousin, the third of seven wives. He also nearly met his maker, at least twice. He survived it all to be hailed as one of the greatest music icons. For the very first time, he reveals the truth behind the Last Man Standing of the rock-and-roll era.

    Two very different accounts of their journey clash and mesh as the pilgrims venture forth into the frozen wastes at the top of the world. Bill Drummond and Mark Manning were involved with two of pop music's most esoteric creations: Zodiac Mindwarp and the KLF.

    Jacqueline du Pré (the subject of the recent film Hilary and Jackie) was the music world's "golden girl," with what appeared to many to be a fairytale career and storybook marriage to Daniel Barenboim. But away from her cello, du Pré was achingly human. As a child, she was isolated by her phenomenal talent. As an adult, she was confined to the rarefied, insular concert world. And during the last fifteen years of her life, she lived in the inexorably shrinking world of the invalid, as multiple sclerosis took its toll. The Baltimore Sun said, Carol Easton tells this extraordinary story "with feeling befitting du Pré's own."