She's also the light of her father, Daniel's life -- a straight-A student; a pretty, popular freshman in high school; a girl who's always seen her father as a hero. That is, until her world is turned upside down with a single act of violence. Suddenly everything Trixie has believed about her family -- and herself -- seems to be a lie. Could the boyfriend who once made Trixie wild with happiness have been the one to end her childhood forever? She says that he is, and that is all it takes to make Daniel, a seemingly mild-mannered comic book artist with a secret tumultuous past he has hidden even from his family, venture to hell and back to protect his daughter. With The Tenth Circle, Jodi Picoult offers her most powerful chronicle yet as she explores the unbreakable bond between parent and child, and questions whether you can reinvent yourself in the course of a lifetime -- or if your mistakes are carried forever.

    When she learns she has a half-brother by her father's first marriage, her world is shattered. Ginny embarks on a quest for the truth that will allow her to claim her artistic heritage--and face her father.

    His white father has acknowledged him and raised him openly—something unusual in post-Civil War Georgia. But as he grows into a man he learns that life for someone like him is not easy. Black people distrust him because he looks white. White people discriminate against him when they learn of his black heritage. Even within his own family he faces betrayal and degradation. So at the age of fourteen, he sets out toward the only dream he has ever had: to find land every bit as good as his father's, and make it his own. Once again inspired by her own history, Ms. Taylor brings truth and power to the newest addition to the award-winning Logan family stories.

    Griffin was the toughest teacher in the school, the one who demanded the most, gave the lowest grades, and refused to turn the classroom into a place where students had 'fun'—there was no reason to kill him. Or was there?Well, Mark suggested, perhaps not kill him—just really frighten him. Kidnap him for a few hours and teach him that students could strike back.No, they never actually intended to kill Mr. Griffin. But sometimes even the best-laid plans go wrong.

    She is friendless, outcast, because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. As time passes, she becomes increasingly isolated and practically stops talking altogether. Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party: she was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. Her healing process has just begun when she has another violent encounter with him. But this time Melinda fights back, refuses to be silent, and thereby achieves a measure of vindication. In Laurie Halse Anderson's powerful novel, an utterly believable heroine with a bitterly ironic voice delivers a blow to the hypocritical world of high school. She speaks for many a disenfranchised teenager while demonstrating the importance of speaking up for oneself.Speak was a 1999 National Book Award Finalist for Young People's Literature.

    At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.

    Brian is forced to crash-land the plane in a lake--and finds himself stranded in the remote Canadian wilderness with only his clothing and the hatchet his mother gave him as a present before his departure. Brian had been distraught over his parents' impending divorce and the secret he carries about his mother, but now he is truly desolate and alone. Exhausted, terrified, and hungry, Brian struggles to find food and make a shelter for himself. He has no special knowledge of the woods, and he must find a new kind of awareness and patience as he meets each day's challenges. Is the water safe to drink? Are the berries he finds poisonous? Slowly, Brian learns to turn adversity to his advantage--an invading porcupine unexpectedly shows him how to make fire, a devastating tornado shows him how to retrieve supplies from the submerged airplane. Most of all, Brian leaves behind the self-pity he has felt about his predicament as he summons the courage to stay alive. A story of survival and of transformation, this riveting book has sparked many a reader's interest in venturing into the wild.

    As Kezi becomes another immortalized victim in the fight against police brutality, Happi begins to question the idealized way her sister is remembered. Perfect. Angelic.One of the good ones.Even as the phrase rings wrong in her mind—why are only certain people deemed worthy to be missed?—Happi and her sister Genny embark on a journey to honor Kezi in their own way, using an heirloom copy of The Negro Motorist Green Book as their guide. But there's a twist to Kezi's story that no one could've ever expected—one that will change everything all over again.

    Amabelle Desir, Haitian-born and a faithful maidservant to the Dominican family that took her in when she was orphaned, and her lover Sebastien, an itinerant sugarcane cutter, decide they will marry and return to Haiti at the end of the cane season. However, hostilities toward Haitian laborers find a vitriolic spokesman in the ultra-nationalist Generalissimo Trujillo who calls for an ethnic cleansing of his Spanish-speaking country. As rumors of Haitian persecution become fact, as anxiety turns to terror, Amabelle and Sebastien's dreams are leveled to the most basic human desire: to endure. Based on a little-known historical event, this extraordinarily moving novel memorializes the forgotten victims of nationalist madness and the deeply felt passion and grief of its survivors.

    His best friend, Alex, is trying to score vicariously through him; his brother is a giant pain; and his father keeps bugging him to get motivated. There is just one thing that really sets him apart for other kids—his father happens to be the head of a powerful crime organization. Needless to say, while Vince''s family''s connections can be handy for certain things (like when teachers are afraid to give him a bad grade), they can put a serious crimp in his dating life. How is he supposed to explain to a girl what his father does for a living? But when Vince meets a girl who finally seems to be worth the trouble, her family turns out to be the biggest problem of all. Because her father is an FBI agent — the one who wants to put his father away for good.

    He is thrilled when his father gives him a red pony, and later promises him the colt of a bay mare. Both these gifts bring joy to Jodi's life - but tragedy soon follows. As Jodi begins to learn the harsh lessons of life and death, he starts to understand what growing-up and becoming an adult really means.

    He's living (for now) with his spaced-out mother and little brother in a homeless shelter. His father's in jail. His girlfriend supports him, but he doesn't feel good enough for her - and seems to be always on the verge of doing the wrong thing around her. There's another girl at the homeless shelter who is also after him, although the desires there are complicated. Tyrell feels he needs to score some money to make things better. Will he end up following in his father's footsteps?

    When she is eventually spotted on an unpopulated island off Cuba, she is an adolescent and seems hardly human to her rescuers. Mila is taken to a child study center in Boston. Eager to please, she makes rapid progress in language and social skills. With her recorder, Mila finds she can even make music like the dolphin songs she yearningly remembers. But the more Mila discovers about what it means to be human--the locked doors, the rules, the betrayals--the more she longs for her watery home and gentle dolphin family. In an emotionally wracking conclusion, she returns to the world where her ears never want for song. Where, although she cannot stand on her tail or jump the waves, she is part of the music of dolphins.

    She's also pretty lonely, until she meets Jennifer. Jennifer is...well, different. She's read Macbeth. She never wears jeans or shorts. She never says please or thank you. And she says she is a witch. It's not always easy being friends with a witch, but it's never boring. At first an apprentice and then a journeyman witch, Elizabeth learns to eat raw ends and how to cast small spells. And she and Jennifer collaborate on cooking up an ointment that will enable them to fly. That's when a marvelous toad, Hilary Ezra, enters their lives. And that's when trouble starts to brew.

    A classic coming-of-age story in the tradition of The Catcher in the Rye and A Portrait of the Artist as a Young Man, Kincaid's novel focuses on a universal, tragic, and often comic theme: the loss of childhood.An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence, who is the very center of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's benign shadow. Looking back on her childhood, she reflects, "It was in such a paradise that I lived." When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she instinctively rebels against authority; and most frighteningly, her mother, seeing Annie as a "young lady," ceases to be the source of unconditional adoration and takes on the new and unfamiliar guise of adversary. At the end of her school years, Annie decides to leave Antigua and her family, but not without a measure of sorrow, especially for the mother she once knew and never ceases to mourn. "For I could not be sure," she reflects, "whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world."