He's an elite army JTAC (Joint Terminal Attack Controller- pronounced 'jay-tack') - a specially trained warrior responsible for directing Allied air power with high-tech precision. Commanding Apache gunships, A10 tank-busters, F15s and Harrier jets, he brings down devastating fire strikes against the attacking Taliban, often danger close to his own side. Due to his specialist role, Sergeant Grahame usually operates in the thick of the action, where it's at its most fearsome and deadly. Conjuring the seemingly impossible from apparently hopeless situations, soldiers in battle rely on the skill and bravery of their JTAC to enable them to win through in the heat of the danger zone. Fire Strike 7/9 tells the story of Bommer Grahame and his five-man Fire Support Team on their tour of Afghanistan. Patrolling deep into enemy territory, they were hunted and targeted by the Taliban, shot at, blown-up, mortared and hit by rockets on numerous occasions. Under these conditions Sergeant Grahame notched up 203 confirmed enemy kills, making him the difference between life and death both for his own troops and the Taliban.

    Passionate, exhilarating and darkly humorous, "The Burn" is an extraordinary collection of short stories by a master of paranoia and an unsurpassed prose stylist.

    "The Portable Jack Kerouac" is an essential introduction to one of this country's most important modern writers.

    With a poet’s eye for detail, Kooser captures the beauty of the landscape and the vibrancy of his mother’s Iowa family, the Mosers, in precise, evocative language. The center of the family’s love is Kooser’s uncle, Elvy, a victim of cerebral palsy. Elvy’s joys are fishing, playing pinochle, and drinking soda from the ice chest at his father’s roadside Standard Oil station. Kooser’s grandparents, their kin, and the activities and pleasures of this extended family spin out and around the armature of Elvy’s blessed life. Kooser has said that writing this book was the most important work he has ever undertaken because it was his attempt to keep these beloved people alive against the relentless erosion of time.

    John Whitehead, critic and biographer who himself served with the Indian Army in Burma, has provided this in full measure in his entertaining and scholarly Introduction and comprehensive textual Notes. This Centenary Edition of the ballads is unlikely ever to be superseded.

    in 1928, and containing woodcuts by J. J. Lankes.The title of the poem that the volume is named by is very significant. Where the poem takes place (Derry, New Hampshire), due to its location near the coast, all rivers flow towards the ocean except for West Running Brook (a real brook), which goes westward making itself unique. In the same way, the poet trusts himself to go by contraries.Because of this book, Robert Frost is called "Home-Spun Philosopher".

    Burroughs has had a range of influence rivalled by few living writers. This meticulously assembled volume of his correspondence vividly documents the personal and cultural history through which Burroughs developed, revealing clues to illuminate his life and keys to open up his texts. More than that, they also show how in the period 1945-1959, letter-writing was itself integral to his life and to his fiction-making. These letters reveal the extraordinary route that took Burroughs from narrative to anti-narrative, from Junky to Naked Lunch and the discovery of cut-ups, a turbulent journey crossing two decades and three continents. The letters track the great shifts in Burroughs' crucial relationship with Allen Ginsberg, from lecturing wise man ("Watch your semantics young man") to total dependence ("Your absence causes me, at times, acute pain.") to near-estrangement ("I sometimes feel you have mixed me up with someone else doesn't live here anymore."). They show Burroughs' initial despair at the obscenity of his own letters, some of which became parts of Naked Lunch, and his gradual recognition of the work's true nature ("It's beginning to look like a modern Inferno.") They reveal the harrowing lows and ecstatic highs of his emotions, and lay bare the pain of coming to terms with a childhood trauma ("Such horror in bringing it out I was afraid my heart would stop."). It is a story as revealing of his fellow Beats as it is of Burroughs: he writes of Kerouac and Cassady in the midst of the journey immortalized as On the Road ("Neal is, of course, the very soul of this voyage into pure, abstract, meaningless motion."), and to Ginsberg as he was writing Howl ("I sympathize with your feelings of depression, beatness: 'We have seen the best of our time.'"). And throughout runs the unmistakable Burroughs voice, the u

    – Shubhangi Swarup (Latitudes of Longing)

    

    Passed through, negotiated, unnamed, ignored, the edgelands have become the great wild places on our doorsteps, places so difficult to acknowledge they barely exist. Edgelands forms a critique of what we value as 'wild', and allows our allotments, railways, motorways, wasteland and water a presence in the world, and a strange beauty all of their own.Paul Farley and Michael Symmons Roberts - both well-known poets - have lived and worked and known these places all their lives, and in Edgelands their journeying prose fuses, in the anonymous tradition, to allow this in-between world to speak up for itself. They write about mobile masts and gravel pits, business parks and landfill sites in the same way the Romantic writers forged a way of looking at an overlooked - but now familiar - landscape of hills and lakes and rivers. England, the first country to industrialise, now offers the world's most mature post-industrial terrain, and is still in a state of flux: Edgelands takes the reader on a journey through its forgotten spaces so that we can marvel at this richly mysterious, cheek-by-jowl region in our midst.

    Never-before--published correspondence of Ginsberg, Ferlinghetti, Kerouac, Gregory Corso, John Hollander, Richard Eberhart, and others provides an in-depth commentary on the poem’s ethi-cal intent and its social significance to the author and his contemporaries. A section on the public reaction to the trial includes newspaper reportage, op-ed pieces by Ginsberg and Ferlinghetti, and letters to the editor from the public, which provide fascinating background material on the cultural climate of the mid-1950s. A timeline of literary censorship in the United States places this battle for free expression in a historical context.Also included are photographs, transcripts of relevant trial testimony, Judge Clayton Horn’s decision and its ramifications, and a long essay by Albert Bendich, the ACLU attorney who defended Howl on constitutional grounds. Editor Bill Morgan discusses more recent challenges to Howl in the late 1980s and how the fight against censorship continues today in new guises.

    [Penguin Readers Level 5]

    Color these images and recite these poetries together at Sunset/evening. The love quotients between you would increase exponentially.

    Boyd penned his first book review in 1978—the proverbial bamboo shoot—and we've been reaping the rewards ever since. Beginning with the Whitbread Award–winning A Good Man in Africa, William Boyd has written consistently artful, intelligent fiction and firmly established himself as an international man of letters. He has done nearly thirty years of research and writing for projects as diverse as a novel about an ecologist studying chimpanzees (Brazzaville Beach), an adapted screenplay about the emotional lives of soldiers (The Trench, which he also directed), and a fictional biography of an American painter (Nat Tate). All the while, Boyd has been accruing facts and wisdom—and publishing it in the form of articles, essays, and reviews.Now available for the first time in the United States, Bamboo gathers together Boyd's writing on literature, art, the movie business, television, people he has met, places he has visited and autobiographical reflections on his African childhood, his years at boarding school, and the profession of novelist. From Pablo Picasso to the Cannes Film Festival, from Charles Dickens to Catherine Deneuve, from mini-cabs to Cecil Rhodes, this collection is a fascinating and surprisingly revealing companion to the work of one of Britain's leading novelists.

     With fifty students, the majority fee paying, he looks forward to being able to offer places to another fifty students whose parents are unable to pay. Working on his staff is University friend Jimmy Cadigan, also a priest, and Father Francis Charron, an elderly priest, who had taught Colin at seminary school. Charron’s brilliant, but he assisted at an exorcism as a young priest and has never recovered from the experience. One of the academy’s students, 17-year-old Philip Grant, dresses like Oscar Wilde and hasn’t troubled to define his sexual orientation. Irreverent and rebellious, he’s researching the private lives of the faculty for a video mashup. He asks to borrow the Matteo Ricci map, a sixteenth century map which has been donated to the school. Philip’s enough of a handful, but then Auxiliary Bishop Matthew Ehrlich arrives at the school to tell Colin that he has a new pupil for him. The son of a local lawyer and psychologist, Graham Dennison has been accused of trying to kill his mother. Colin tries to refuse; Ehrlich, conscious of the fundraising prospects, insists. Miserable, Colin contacts his university friend Sarah Markham, a journalist who has just returned from Haiti. Sarah moves in and starts to develop a profile of the young man. She’s not convinced he’s violent at all. And then one of the boys is found dead from a possible drugs overdose. With her old friend panicking and other faculty members behaving strangely, Sarah starts to call in favours to get to bottom of the murder. Was she wrong about Graham? Can she unravel the mystery swiftly enough to save Colin’s school? Jeannette Cooperman spent a decade as an award-winning investigative reporter, then went on to teach, write, and work as editor-in-chief of St. Louis Magazine. She loathed being in charge and cheerfully sank to staff writer, her current full-time gig. On the side, she has written several non-fiction books. This is her first fiction book for Endeavour. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.