An imaginative young boy from the Bronx goes swimming with his group from day camp at a backyard pool in the suburbs, and faces the effects of power and privilege in ways he can barely grasp. A teen intent on proving himself a man through the all-night revel of J’Ouvert can’t help but look out for his impressionable younger brother. A pair of college boys on the prowl follow two girls home from a party and have to own the uncomfortable truth of their desires. And at a capoeira conference, two brothers grapple with how to tell the story of their family, caught in the dance of their painful, fractured history.Jamel Brinkley’s stories, in a debut that announces the arrival of a significant new voice, reflect the tenderness and vulnerability of black men and boys whose hopes sometimes betray them, especially in a world shaped by race, gender, and class―where luck may be the greatest fiction of all.

    True stories that give voice to the thoughts we all have but dare not mention. It begins with a Tang Instant Breakfast Drink television commercial when Augusten was seven. Then there is the contest of wills with the deranged cleaning lady. The execution of a rodent carried out with military precision and utter horror. Telemarketing revenge. Dating an undertaker and much more. A collection of true stories that are universal in their appeal yet unabashedly intimate and very funny.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    Two roughneck hockey players are kicked off the team and forced to join the drama club. A young bartender at a party of coastal aristocrats has to deal with the surreal request to put a rich old coot out of his misery. Can a father defend his family if the diver helping to free the tangled propeller of their boat turns out to be a real threat?With humor, a piercing eye, and a sense that danger often lies just around the corner, Robinson gives us a variety of vivid characters, wealthy and poor, delinquent and romantic, while illuminating the mythic, universal implications of so-called ordinary life. These stories are at once classic and modern; taken together, they bring the good news that an important, compassionate new voice in American fiction has arrived.

    A group of men spend a weekend hunting for mushrooms in the wilderness where they grew up and where some still find themselves trapped. An aging environmentalist takes out his frustration and anger on a singular, unsuspecting target. One woman helps another get revenge against a man whose crime extends far beyond him to an entire community. Together, the ten stories in this dazzling, surprising collection evoke a landscape that will be instantly recognizable to anyone who has traveled the back roads and blue highways of America, and they completely capture the memorable characters who call it home.

    Amy Bloom writes great short stories. Her first collection, Come to Me, was a finalist for the National Book Award, and here she deepens and extends her mastery of the form.Real people inhabit these pages, the people we know and are, the people we long to be and are afraid to be: a mother and her brave, smart little girl, each coming to terms with the looming knowledge that the little girl will become a man; a wildly unreliable narrator bent on convincing us that her stories are not harmless; a woman with breast cancer, a frightened husband, and a best friend, all discovering that their lifelong triangle is not what they imagined; a man and his stepmother engaged in a complicated dance of memory, anger, and forgiveness. Amy Bloom takes us straight to the center of these lives with rare generosity and sublime wit, in flawless prose that is by turns sensuous, spare, heartbreaking, and laugh-out-loud funny.These are transcendent stories: about the uncertain gestures of love, about the betrayals and gifts of the body, about the surprises and bounties of the heart, and about what comes to us unbidden and what we choose.A blind mand can see how much I love you --Rowing to Eden --Lionel and Julia (Night vision, Light into dark) --Stars at elbow and foot --Hold tight --The gates are closing --The story

    It's even more savage inside the twisted minds of murderers who conceal their malevolence behind smiling masks and strike out without pity. This spine-tingling collection contains 23 new stories of suspense from some of the bestselling authors in the genre. Authors include Clive Barker, Lawrence Block, David Morrell, Ray Bradbury, and many more.CONTENTSThe dripping / David Morrell --The wringer / F. Paul Wilson --A season of change / Richard T. Chizmar --Good vibrations / Richard Laymon --The Tulsa experience / Lawrence Block --Trolls / Christopher Fahy --Small deaths / Charles de Lint --White lightning / Al Sarrantonio --Hitman / Rick Hautala --Vympyre / William F. Nolan --And eight rabid pigs / David Gerrold.Bringing it along / A.R. Morlan --Redemption / Jack Ketchum --The graveyard ghoul / Edward D. Hoch --The rings of Cocytus / Katherine Ramsland --Late last night / John Maclay --Beasts in buildings, turning 'round / J.N. Williamson --Dark side of the moon / Babara Collins --Honor bound / J.M. Morgan --The instrumentalist / William Relling Jr. --Corpse carnival / Ray Bradbury --The book of blood / Clive Barker.

    In prose alternately stark, lush and hallucinatory, occasionally nightmarish and often absurd, the seven stories in this collection are suffused with fear and desire, introducing us to a company of indelible characters reeling with love, jealousy, megalomania, and despair.As in his debut novel, The Evolution of Bruno Littlemore, the voices in these stories speak from the margins: a dominatrix whose longtime client, a US congressman, drops dead during a tryst in a hotel room; an addict in precarious recovery who lands a job driving a truck full of live squid; a heartbroken performance artist who attempts to eat himself to death as a work of art. From underground radicals hiding in Morocco to an aging hippy in Colorado in the summer before 9/11 to a young drag queen in New York at the cusp of the AIDS crisis, these stories rove freely across time and place, carried by haunting, peculiar narratives that form the vast tapestry of American life.Hale’s work has earned accolades from writers as disparate as novelist Jonathan Ames, who compared discovering his work to watching Mickey Mantle play ball for the first time; Washington Post critic Ron Charles, who declared him “fully evolved as a writer,” and bestselling author Jodi Picoult, who simply called him “brilliant.” Pairing absurdity with philosophical musings on the human condition and the sway our most private selves and hidden pasts hold over us, the stories in The Fat Artist reside in the unnerving intersections between life and death, art and ridicule, consumption and creation.

    . . A fighter leads his band of virtual warriors, thieves, and wizards across a deadly computer-generated landscape . . . A company outsources grief for profit, their tagline: "Don't feel like having a bad day? Let someone else have it for you."

    Elsewhere, an old woman uncovers a sinister plot while looking after a friend’s plants (“Orchids”), and a girl in the war-torn countryside befriends an unlikely creature (“Keeper of the Glass”). In “Barnstormers,” a futuristic flying circus tries to forestall bankruptcy with one last memorable show. At the heart of “Sheila” is the terrible choice a retired judge must make when faced with the destruction of his beloved robotic dog, and “Yuri, in a Blue Dress” follows one of the last survivors of an alien invasion as she seeks help.Extending from World War II to the far future, these fifteen stories offer a gorgeously observed perspective on our desire for connection and what it means to have compassion—for ourselves, for one another, for our past…and for whatever lies beyond.

    In the O. Henry award-winning title story, "Heat," young twin sisters are murdered, and both they and their killer remembered by a woman who was their contemprary and, in a way, a victim as well...In "Leiila Lee," a young woman who married an older man tried to develop a relationship with her husband's angry teenage son...In "House Hunting," a husband perplexed by his disintegrating marriage goes househunting without his wife, and embarks on a quest - not only for a house, but for his future. From small towns to big cities, from the working-class to the upper-class, there is scarcely an aspect of the American experience that Joyce Carol Oates has not magically made her own. Her stories shock, provoke, and astound us with their commentary on the human condition.

    There are worse things than a bullet to the brain—much worse. The dead are walking, and they’re hungry. Steven Jenkins, bestselling author of Fourteen Days and Burn The Dead, shares five zombie tales that are rotten for all the right reasons. Meet Dave, a husband and father with a dirty secret, who quickly discovers that lies aren’t only dangerous…they’re deadly. Athlete Sarah once ran for glory, but when she finds herself alone on a country road with an injured knee, second place is as good as last. Howard, shovelling coal in the darkness of a Welsh coal mine, knows something’s amiss when his colleagues begin to disappear. But it’s when the lights come on that things get truly scary. Five different takes on the undead, from the grotesque to the downright terrifying. But reader beware: as the groans get louder and the twitching starts, you’ll be dying to reach the final page.

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    They spend their time telling stories to the unborn baby, trying to pass on the lessons they've learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But each must keep their storytelling a secret from the other, as they've agreed to only ever tell the plain truth. Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window. As their tales build and grow along with their child, Liska and Ruth realise that the truth lives in their stories, and they cannot hide from one another. A Portable Shelter is a beautifully produced collection of elegant, haunting short stories from one of Britain's most exciting new talents. Each story is accompanied by an illustration by award-winning artist Liz Myhill. Produced with the assistance of the Dr Gavin Wallace Fellowship.