She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    Now, he’s sure he’ll be the first person to die there.After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills — and a relentless, dogged refusal to quit — he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

    The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the male plague; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

    The London that comes to life in Kraken is a weird metropolis awash in secret currents of myth and magic, where criminals, police, cultists, and wizards are locked in a war to bring about—or prevent—the End of All Things.In the Darwin Centre at London’s Natural History Museum, Billy Harrow, a cephalopod specialist, is conducting a tour whose climax is meant to be the Centre’s prize specimen of a rare Architeuthis dux—better known as the Giant Squid. But Billy’s tour takes an unexpected turn when the squid suddenly and impossibly vanishes into thin air.As Billy soon discovers, this is the precipitating act in a struggle to the death between mysterious but powerful forces in a London whose existence he has been blissfully ignorant of until now, a city whose denizens—human and otherwise—are adept in magic and murder.There is the Congregation of God Kraken, a sect of squid worshippers whose roots go back to the dawn of humanity—and beyond. There is the criminal mastermind known as the Tattoo, a merciless maniac inked onto the flesh of a hapless victim. There is the FSRC—the Fundamentalist and Sect-Related Crime Unit—a branch of London’s finest that fights sorcery with sorcery. There is Wati, a spirit from ancient Egypt who leads a ragtag union of magical familiars. There are the Londonmancers, who read the future in the city’s entrails. There is Grisamentum, London’s greatest wizard, whose shadow lingers long after his death. And then there is Goss and Subby, an ageless old man and a cretinous boy who, together, constitute a terrifying—yet darkly charismatic—demonic duo.All of them—and others—are in pursuit of Billy, who inadvertently holds the key to the missing squid, an embryonic god whose powers, properly harnessed, can destroy all that is, was, and ever shall be.

    Now from this brilliant young writer comes a groundbreaking collection of stories, many of them previously unavailable in the United States, and including four never-before-published tales–one set in Miéville’s signature fantasy world of New Crobuzon. Among the fourteen superb fictions are“Jack”–Following the events of his acclaimed novel Perdido Street Station, this tale of twisted attachment and horrific revenge traces the rise and fall of the Remade Robin Hood known as Jack Half-a-Prayer. “Familiar”–Spurned by its creator, a sorceress’s familiar embarks on a strange and unsettling odyssey of self-discovery in a coming-of-age story like no other.

    A note instructs him to see a Dr. Randle immediately, who informs him that he is undergoing yet another episode of acute memory loss that is a symptom of his severe dissociative disorder. Eric's been in Dr. Randle's care for two years -- since the tragic death of his great love, Clio, while the two vacationed in the Greek islands.But there may be more to the story, or it may be a different story altogether. As Eric begins to examine letters and papers left in the house by "the first Eric Sanderson," a staggeringly different explanation for what is happening to Eric emerges, and he and the reader embark on a quest to recover the truth and escape the remorseless predatory forces that threatens to devour him.The Raw Shark Texts is a kaleidoscopic novel about the magnitude of love and the devastating effect of losing that love. It will dazzle you, it will move you, and will leave an indelible imprint like nothing you have read in a long time.

    The teen detectives once known as the Blyton Summer Detective Club (of Blyton Hills, a small mining town in the Zoinx River Valley in Oregon) are all grown up and haven't seen each other since their fateful, final case in 1977. Andy, the tomboy, is twenty-five and on the run, wanted in at least two states. Kerri, one-time kid genius and budding biologist, is bartending in New York, working on a serious drinking problem. At least she's got Tim, an excitable Weimaraner descended from the original canine member of the team. Nate, the horror nerd, has spent the last thirteen years in and out of mental health institutions, and currently resides in an asylum in Arhkam, Massachusetts. The only friend he still sees is Peter, the handsome jock turned movie star. The problem is, Peter's been dead for years.The time has come to uncover the source of their nightmares and return to where it all began in 1977. This time, it better not be a man in a mask. The real monsters are waiting.

    Chaos ensued as people sought to take advantage. Because there will always be nutters who want to change history...And so the Time Police were formed. Internationally sanctioned thugs whose task it was to keep the timeline straight by any and all means possible. And they succeeded. The Time Wars are over. The Time Police won. But who will win the peace?Doing Time follows three hapless new Time Police recruits - Jane, Luke and Matthew - as they try to navigate their first year on the beat. It's all going to be fine. Obviously.

    Everything changes when she discovers a shocking secret from her heavy metal past: Turns out that Terry's meteoric rise to success may have come at the price of Kris's very soul.This revelation prompts Kris to hit the road, reunite with the rest of her bandmates, and confront the man who ruined her life. It's a journey that will take her from the Pennsylvania rust belt to a Satanic rehab center and finally to a Las Vegas music festival that's darker than any Mordor Tolkien could imagine. A furious power ballad about never giving up, even in the face of overwhelming odds, We Sold Our Souls is an epic journey into the heart of a conspiracy-crazed, paranoid country that seems to have lost its very soul...where only a girl with a guitar can save us all.

    starts to feel like something isn't quite right. His most tried-and-true remedies--from beak-delivered beer to the slobbering affection of Big Jim's loyal but dim-witted dog, Dennis--fail to cure Big Jim's debilitating malady. S.T. is left with no choice but to abandon his old life and venture out into a wild and frightening new world with his trusty steed Dennis, where he discovers that the neighbors are devouring each other and the local wildlife is abuzz with rumors of dangerous new predators roaming Seattle. Humanity's extinction has seemingly arrived, and the only one determined to save it is a foul-mouthed crow whose knowledge of the world around him comes from his TV-watching education.Hollow Kingdom is a humorous, big-hearted, and boundlessly beautiful romp through the apocalypse and the world that comes after, where even a cowardly crow can become a hero.

    The young man from a shadowy government entity approaches Mel, a low-level faculty member, with an incredible offer. The only condition: she must sign a nondisclosure agreement in return for the rather large sum of money.Tristan needs Mel to translate some very old documents, which, if authentic, are earth-shattering. They prove that magic actually existed and was practiced for centuries. But the arrival of the scientific revolution and the Age of Enlightenment weakened its power and endangered its practitioners. Magic stopped working altogether in 1851, at the time of the Great Exhibition at London’s Crystal Palace—the world’s fair celebrating the rise of industrial technology and commerce. Something about the modern world "jams" the "frequencies" used by magic, and it’s up to Tristan to find out why.And so the Department of Diachronic Operations—D.O.D.O. —gets cracking on its real mission: to develop a device that can bring magic back, and send Diachronic Operatives back in time to keep it alive . . . and meddle with a little history at the same time. But while Tristan and his expanding operation master the science and build the technology, they overlook the mercurial—and treacherous—nature of the human heart.Written with the genius, complexity, and innovation that characterize all of Neal Stephenson’s work and steeped with the down-to-earth warmth and humor of Nicole Galland’s storytelling style, this exciting and vividly realized work of science fiction will make you believe in the impossible, and take you to places—and times—beyond imagining.

    But this soldier might be better dead than face his latest assignment.Ogre Company is the legion's dumping ground--a motley, undisciplined group of monsters whose leaders tend to die under somewhat questionable circumstances. That's where Ned's rather unique talents come in. As Ogre Company's newly appointed commander, Ned finds himself in charge of such fine examples of military prowess as a moonstruck Amazon, a very big (and very polite) two-headed ogre, a seductively scaly siren, a blind oracle who can hear (and smell) the future, a suicidal goblin daredevil pilot, a walking tree with a chip on its shoulder, and a suspiciously goblinesque orc.Ned has only six months to whip the Ogre Company into shape or face an even more hideous assignment, but that's not the worst of his problems. Because now that Ned has found out why he keeps returning from dead, he has to do everything he can to stay alive. . . .

    He's got a job — transcribing old books and presenting them as the words of the great new leader, Fyodor Kuzmich, Glorybe — and though he doesn't enjoy the privileged status of a Murza, at least he's not a serf or a half-human four-legged Degenerator harnessed to a troika. He has a house, too, with enough mice to cook up a tasty meal, and he's happily free of mutations: no extra fingers, no gills, no cockscombs sprouting from his eyelids. And he's managed — at least so far — to steer clear of the ever-vigilant Saniturions, who track down anyone who manifests the slightest sign of Freethinking, and the legendary screeching Slynx that waits in the wilderness beyond.

    Once he sets out into the woods behind his hotel, he quickly comes to realize that the path he has chosen cannot be given up easily. With no choice but to move forward, Ben finds himself falling deeper and deeper into a world of man-eating giants, bizarre demons, and colossal insects.  On a quest of epic, life-or-death proportions, Ben finds help comes in some of the most unexpected forms, including a profane crustacean and a variety of magical objects, tools, and potions. Desperate to return to his family, Ben is determined to track down the “Producer,” the creator of the world in which he is being held hostage and the only one who can free him from the path.   At once bitingly funny and emotionally absorbing, Magary’s novel is a remarkably unique addition to the contemporary fantasy genre, one that draws as easily from the world of classic folk tales as it does from video games. In The Hike, Magary takes readers on a daring odyssey away from our day-to-day grind and transports them into an enthralling world propelled by heart, imagination, and survival.

    A layer of horror will be seamlessly woven in to comedic effect: you'll meet a group of demonic, feral chimney sweeps, who first appear to victims as angelic, Christmas-card versions of urchins, before turning into agents of death.