Author Kate Allen doesn't back down from sensitive issues in this serious, slyly humorous novel of a new lesbian crime solver.

    She's gate-crashed a wedding... She's making money by secretly cleaning houses... And she's been asked to spy for Her Majesty the Queen.Everything seems to be going swimmingly until she finds a body in her bathtub... and someone is definitely trying to kill her.Length: 8 hrs and 9 mins

    This hilarious, heartfelt novel opens with Francesca newly arrived in San Francisco. She has fled her hometown, where she rented her childhood room from the new family who moved in when her parents moved out.The new tenants happened to be her childhood babysitter and her alcoholic husband. But Francesca's move to San Francisco is no mere coincidence. A lonely virgin searching for her sexual identity and obsessed with her philosophy teacher, Francesca has followed her professor, Irene, to California, where Irene has relocated to live with her young male lover and former student.Once in San Francisco, Francesca is forced to work at the local pancake house. Much to her dismay, she has to wear a ridiculous Heidi of the Alps uniform — which is almost as humiliating as serving the array of speed freaks and other graveyard shift misfits. Suicidal and euphoric, Francesca seeks solace in anything and anyone who might distract her from her unrequited love for Irene.More than a coming of age story, The IHOP Papers is a comic portrait of survival and self-discovery on the IHOP late shift.

    It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?

    When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.

    The greatest villain Starlight City has ever known. The greatest supervillain the world has ever seen. She rules her city with an iron fist, and there are no new worlds to conquer. Needless to say life is pretty damn boring. All that changes when she decides to shake things up by robbing a bank the old fashioned way and runs into the city's newest hero: Fialux. Flying Fialux. Invulnerable Fialux. Super strong Fialux. Beautiful Fialux? Night Terror has a new archenemy who might just be able to defeat her, but even more terrifying are the confusing feelings this upstart heroine has ignited. She doesn't like heroes like that. She definitely doesn't like girls like that. Right? Only she can't deny the flutter she feels whenever she thinks of Starlight City's newest heroine! The line between hate and love is a razor's edge that the world's greatest villainess will have to walk if she wants to hold onto that title! Villains Don't Date Heroes! is a lesbian scifi romance novel that explores the world of villains, antiheroes, and heroes in a whole new way! This novel was previously published as Villainess Love. It's been completely rewritten with about 50% new content and is the first in a planned series following the misadventures of Night Terror and Fialux!

    Ayers is an ex-Washington political correspondent who suffered a humiliating fall from grace, and her acerbic, vicious tongue keeps everyone at bay. Everyone, that is, except knockabout Iowa girl King, who is undaunted, unimpressed and gives as good as she gets.One night a curious story unfolds before their eyes: One business launch, 34 prostitutes and a pallet of missing pink champagne. Can the warring pair work together to unravel an incredible story? This is a lesbian fiction with more than a few mysterious twists.Winner of the Golden Crown Literary Award (2016) for Mystery Thriller, and Lambda finalist.

    At least that’s how the hyper-private Quinn Kincaid sees it. When her publicist suggests a good old-fashioned sham of a Hollywood relationship, Quinn reluctantly agrees. And that’s how the star of Jordan’s Appeal, TV’s highest rated legal drama, ends up with a fake girlfriend – the very real, very sexy and very gay soap star, Lacey Matthews. In Casting Lacey, Elle Spencer gives us a hilarious new take on a classic storyline, complete with nosy mothers, fawning assistants and two beautiful actresses who might learn about true love. If they don’t kill each other first. 110,000 words

    The P.I. firm belonging to her mentor, Padraig, is in a financial mess, and to help him, she must take this latest assignment—which couldn’t be more offensive. When Jil is sent to St. Marguerite’s Catholic School to investigate teachers breaking their contracts of Catholic conduct, her investigation takes a dramatic turn after a student winds up dead on campus. To further complicate matters, circumstances keep throwing her together with the hot blond principal, Jessica Blake, at the center of her investigation. Decades-old secrets run deep through the veins of this traditional school, and Jil has to find answers to some chilling questions—like what really happened to those two boys in the old gym forty years ago—before another student pays the ultimate price. Difficult, when all she can think about is getting Jessica into bed.

    On the surface, she is a woman with an enviable life. But since the birth of her second child, Inez has been plagued by a depression that’s been deepened by her husband’s philandering. Now, at forty, the violinist is obsessed with thoughts of suicide. Sylvia Bran, a waitress and music store pianist, also has an obsession. Enraptured by the beautiful violinist, Sylvia contrives a way to get to know Inez. At once seductive and solicitous, Sylvia awakens Inez from the suffocating grip of her career, the demands of motherhood, and the tensions of her unhappy marriage. The two women become lovers, embarking on a dance of passion and betrayal that soon spins out of control.A novel of risk, passion, and surrender, Beautiful Inez is alive with the music that draws Inez and Sylvia together. Set against the vivid backdrop of San Francisco in the early 1960s, it is an unexpected journey into the lives of two masterfully drawn, unforgettable women. Includes a new essay and a Q + A with the author.

    She represents everything he's so artfully avoided. Happy in her home life, a divorced mother of two, Billie is the epitome of stability. They have nothing in common.To his horror, Nick is fascinated-- and irresistibly attracted. When Billie generously offers to share her home with Nick's crazy cousin Deedee for a while, Nick finds himself visiting-- often. And while each is slowly seduced by the other's charms, and both are wildly encouraged by devious Deedee, Billie and Nick find out that what they have in common is most important of all. But neither one knows that danger is lurking where they least expect it and a killer is closing in on them.

    New Year's Eve, 1929. Millie is running the show at the Cloak & Dagger, a swinging speakeasy in the French Quarter, while her aunt is out of town. The new year is just around the corner, and all of New Orleans is out to celebrate, but even wealthy partiers' diamond earrings can't outshine the real star of the night: the boy in the red dress. Marion is the club's star performer and his fans are legion--if mostly underground.When a young socialite wielding a photograph of Marion starts asking questions, Millie wonders if she's just another fan. But then her body is found crumpled in the courtyard, dead from an apparent fall off the club's balcony, and all signs point to Marion as the murderer. Millie knows he's innocent, but local detectives aren't so easily convinced.As she chases clues that lead to cemeteries and dead ends, Millie's attention is divided between the wry and beautiful Olive, a waitress at the Cloak & Dagger, and Bennie, the charming bootlegger who's offered to help her solve the case. The clock is ticking for the fugitive Marion, but the truth of who the killer is might be closer than Millie thinks..

    His remarkable gut instincts and relentless detective work have put him on a three-year fast track to becoming an inspector. When the murder of barrister Maria Curzon-Whyte lands in his lap, he finds himself drawn back into the insidious world of London's privileged elite where men like James's father possess wealth and power enough to hold the law in contempt. As James navigates the promiscuous, secretive and corrupt spheres of the rich, the murderer strikes again. Soon James begins to fear that these crimes lead dangerously close to his own heart and home. And now, he risks losing everything he's made of his life unless he can expose the sordid truths that have bred this bitter legacy.

    Some were outraged; others were overjoyed.This Thirtieth Anniversary Edition contains extra material - an essay on the Gothic and Decadent origins of Conan Doyle's iconic character, and a Foreword by Charlie Raven exploring the changes in attitude towards LGBTQ relationships since the book's first publication.

    and a small boy very worried.Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down.Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.