But now, Stonecutter has been stolen, and Kasimir must recover it before it causes irrevocable damage.

    Set in Mississippi during the Civil War and Reconstruction, THE UNVANQUISHED focuses on the Sartoris family, who, with their code of personal responsibility and courage, stand for the best of the Old South's traditions.

    The time is World War II. The family is the Macauley's -- a mother, sister, and three brothers whose struggles and dreams reflect those of America's second-generation immigrants.. In particular, fourteen-year-old Homer, determined to become one of the fastest telegraph messengers in the West, finds himself caught between reality and illusion as delivering his messages of wartime death, love, and money brings him face-to-face with human emotion at its most naked and raw. Gentle, poignant and richly autobiographical, this delightful novel shows us the boy becoming the man in a world that even in the midst of war, appears sweeter, safer and more livable than out own.

    Few writers possess Hailey's ability to combine careful, accurate research with a profound sense of human drama. (Doubleday)

    A poor farmer, Ethan finds himself stuck in a miserable marriage to Zeenie, a sickly, tyrannical woman, until he falls in love with her visiting cousin, the vivacious Mattie Silver. As Mattie is forced to leave his household, Frome steals one last afternoon with her—one that culminates in a ruinous sled ride with unspeakably tragic results.Unhappily married herself, Edith Wharton projected her dark views of love onto people far removed from her social class in Ethan Frome. Her sensitivity to natural beauty and human psychology, however, make this slim novel a convincing and compelling portrait of rural life. A powerful tale of passion and loss—and the wretched consequences thereof—Ethan Frome is one of American literatures great tragic love stories.Also included in this volume are four of Edith Wharton’s finest short stories: “The Pretext,” “Afterward,” “The Legend,” and “Xingu.”Kent P. Ljungquist, Professor of English at Worcester Polytechnic Institute, is the author of The Grand and the Fair: Poe’s Landscape Aesthetics and Pictorial Techniques, co-editor of the SUNY Press edition of James Fenimore Cooper's The Deerslayer, and editor of several reference works of American fiction.(back cover)

    Jeremy Clarkson knows this. There is, after all, a whole world out there just waiting to be discovered.

    Along with such visionaries as William S. Burroughs, Neal Cassady, and Allen Ginsberg, Kerouac changed the face of American literature, igniting a counterculture revolution that even now, decades later, burns brighter than ever in Desolation Angels.In one of the major cinematic events of 2012, Jack Kerouac's legendary Beat classic, On the Road, finally hits the big screen. Directed by Walter Salles (The Motorcycle Diaries; Paris, Je T'Aime) and with a cast of some of Hollywood's biggest young stars, including Kristen Stewart (The Twilight Saga), Sam Riley, Garrett Hedlund, Kirsten Dunst, Amy Adams (Julie & Julia, The Fighter), Tom Sturridge, and Viggo Mortensen (the Lord of the Rings trilogy, The Road), the film will attract new fans who will be inspired by Kerouac's revolutionary writing.

    An alternate cover edition of this ISBN can be found here.Features 104 of Blake's poems: "A Song of Liberty," "The Argument," "Proverbs of Hell," "The Mental Traveller," "The Land of Dreams," "To the Evening Star" and many more.

    Originally published in 1897, it continues to speak to modern readers.

    Contents:· The Dead Past · nv Astounding Apr ’56 · The Foundation of Science Fiction Success · pm F&SF Oct ’54 · Franchise · ss If Aug ’55 · Gimmicks Three [“The Brazen Locked Room”] · ss F&SF Nov ’56 · Kid Stuff · ss Beyond Fantasy Fiction Sep ’53 · The Watery Place · ss Satellite Oct ’56 · Living Space · ss Science Fiction Stories May ’56 · The Message · vi F&SF Feb ’56 · Satisfaction Guaranteed [Susan Calvin (Robot)] · ss Amazing Apr ’51 · Hell-Fire · vi Fantastic Universe May ’56 · The Last Trump · ss Fantastic Universe Jun ’55 · The Fun They Had · ss The Boys and Girls Page Dec 1 ’51; F&SF Feb ’54 · Jokester · ss Infinity Science Fiction Dec ’56 · The Immortal Bard · vi Universe May ’54 · Someday · ss Infinity Science Fiction Aug ’56 · The Author’s Ordeal · pm Science Fiction Quarterly May ’57 · Dreaming Is a Private Thing · ss F&SF Dec ’55

    Now, picking up where he left off, Fulghum turns our eyes to show-and-tell, weddings, his own ten commandments, and more insightful and unique observations on what our world is and was....

    Many have large casts and an equal mix of boy and girl parts. This play deals with the horror and futility of trench warfare, as Captain Stanhope and his officers await attack in their dugout.

    . . a power that some will stop at nothing to obtain. Though she knows she has much still to learn, magick has brought her more than she could ever have imagined: the love of her soul mate. Yet her dreams uncover something else - a dark force threatening her entire world. As the darkness closes in, Morgan realizes that she must make a choice - light or dark; hatred or love. Is she strong enough to make the sacrifice and discover her true nature, or will the darkness consume all she holds dear?

    Ray Garrett, the grieving husband, convinces the police in Rome of his innocence, but not his thuggish father-in-law, an American painter named Ed Coleman, who shoots him at point-blank range and leaves him for dead. Ray survives, however, and follows Coleman to Venice, where the two fall into an eerie game of cat-and-mouse—Coleman obsessed with vengeance and Ray equally insistent on clearing his conscience, though each is at once the hunter and the hunted in a duel composed of tension, hiding, and guessing, and at times punctuated by violence that, even as each manages to walk away, draws them nearer to death.

    Here the father—a former high school teacher—is demeaned by the only job he can get: gravedigger and cemetery caretaker. When local prejudice and the family's own emotional frailty give rise to an unthinkable tragedy, the gravedigger's daughter, Rebecca heads out into America. Embarking upon an extraordinary odyssey of erotic risk and ingenious self-invention, she seeks renewal, redemption, and peace—on the road to a bittersweet and distinctly “American” triumph.