It took only twenty-two minutes for Kirby Matheson to exit his car, march onto the school grounds, enter the gymnasium, and open fire, killing six and injuring five others. But this isn’t a story about the shooting itself. This isn’t about recounting that one unforgettable day. This is about one boy—who had friends, enjoyed reading, playing saxophone in the band, and had never been in trouble before—became a monster capable of entering his school with a loaded gun and firing bullets at his classmates. Each chapter is told from a different victim’s viewpoint, giving insight into who Kirby was and who he’d become. Some are sweet, some are dark; some are seemingly unrelated, about fights or first kisses or late-night parties. This is a book told from multiple perspectives—with one character and one event drawing them all together—by some of YA’s most recognizable names.

    Young, reckless, and catapulted toward uncertain futures, here is the new face of Chinese youth on a quest for every kind of freedom.From a crowded apartment on Mott Street, where an immigrant family raises its first real Americans, to a pair of divers at the Beijing Olympics poised at the edge of success and self-discovery, Wang’s unforgettable characters – with their unusual careers, unconventional sex lives and fantastical technologies – share the bold hope that, no matter where they’ve come from, their lives too can be extraordinary.

    Here Mason writes about love with stunning insight and variety.

    In "Days," a woman in her late thirties records her life in a series of lists, giving shape to the tumult of her days--one moment she is eating an apple, the next she is on the floor, howling like a dog. As the details accumulate, we experience with her the full range of emotions: anger, loneliness, regret, pain, and also joy, as the lists become a way to understand, connect to, and rebuild her life.In "Minna Needs Rehearsal Space," a novella told in headlines, an avant-garde musician is dumped via text message. Fleeing the indignity of the breakup and friends who flaunt their achievements in life, career, and family, Minna unfriends people on Facebook, listens to Bach, and reads Ingmar Bergman, then decamps to an island near Sweden, "well suited to mental catharsis." A cheeky nod to the listicles and bulletins we scroll through on a daily basis, So Much for That Winter explores how we shape and understand experience, and the disconnection and dislocation that define our twenty-first-century lives, with Nors's unique wit and humor.

    Subtly honed with her hallmark precision, grace, and compassion, these stories illuminate the quotidian yet extraordinary particularity in the lives of men and women, parents and children, friends and lovers as they discover sex, fall in love, part, quarrel, suffer defeat, set off into the unknown, or find a way to be in the world.Peopled with characters as real to us as we are to ourselves, Munro’s stories encompass the fullness of human experience—from the wild exhilaration of first love, in “Passion,” to the lengths a once-straying husband will go to make his wife happy as her memory fades, in “The Bear Came Over the Mountain.” Other stories suggest the punishing consequences of leaving home (“Runaway”) or leaving a marriage (“The Children Stay”). The part romantic love plays in one’s existence is explored in “Too Much Happiness,” based on the life of the noted nineteenth-century mathematician, Sophia Kovalevsky. And in stories that Munro has described as “closer to the truth than usual”—“Dear Life,” “Working for a Living,” and “Home” among them—we glimpse the author’s own life.As the Nobel Prize presentation speech says in part: “Reading one of Alice Munro’s texts is like watching a cat walk across a laid dinner table. A brief short story can often cover decades, summarizing a life, as she moves deftly between different periods. No wonder Alice Munro is often able to say more in thirty pages than an ordinary novelist is capable of in three hundred. She is a virtuoso of the elliptical and the master of the contemporary short story.”

    Within this collection, each setting is more strange and wonderful than the last, brimming with new technologies and beings. And yet, for all the advances in these futuristic lands, the people still must confront deeply human problems.With tales of friendship and revenge, plus two new stories from the Carve the Mark universe. Each story begins with a hope for a better end, but always end with a better understanding of the beginning.

    From the Flatiron District (Lee Child) and Greenwich Village (Jeffery Deaver) to Little Italy (T. Jefferson Parker) and Chinatown (S.J. Rozan), you’ll encounter crimes, mysteries, and riddles large and small. Illustrated with iconic photography of New York City and packaged in a handsome hardcover, Manhattan Mayhem is a delightful read for armchair detectives and armchair travelers alike!“The Five-Dollar Dress” copyright © 2015 by Mary Higgins Clark“White Rabbit” copyright © 2015 by Julie Hyzy“The Picture of the Lonely Diner” copyright © 2015 by Lee Child“Three Little Words” copyright © 2015 by Nancy Pickard“Damage Control” copyright © 2015 by Thomas H. Cook“The Day after Victory” copyright © 2015 by Brendan DuBois“Serial Benefactor” copyright © 2015 by Jon L. Breen“Trapped!” copyright © 2015 by Ben H. Winters“Wall Street Rodeo” copyright © 2015 by Angela Zeman“Copycats” copyright © 2015 by N. J. Ayres“Red-Headed Stepchild” copyright © 2015 by Margaret Maron“Sutton Death Overtime” copyright © 2015 by Judith Kelman“Dizzy and Gillespie” copyright © 2015 by Persia Walker“Me and Mikey” copyright © 2015 by T. Jefferson Parker“Evermore” copyright © 2015 by Justin Scott“Chin Yong-Yun Makes a Shiddach” copyright © 2015 by S. J. Rozan“The Baker of Bleecker Street” copyright © 2015 by Jeffery Deaver

    Destroyed oil rigs, mysteriously reborn, clamber from the sea and onto the land, driven by an obscure but violent purpose. An anatomy student cuts open a cadaver to discover impossibly intricate designs carved into a corpse's bones—designs clearly present from birth, bearing mute testimony to . . . what?Of such concepts and unforgettable images are made the twenty-eight stories in this collection—many published here for the first time. By turns speculative, satirical, and heart-wrenching, fresh in form and language, and featuring a cast of damaged yet hopeful seekers who come face-to-face with the deep weirdness of the world—and at times the deeper weirdness of themselves—Three Moments of an Explosion is a fitting showcase for one of our most original voices.

    An apocalypse might come in the form of the end of a relationship or the end of the world, but what it exposes is the tricky landscape of our longing for a clean slate.Three longer stories are equally visionary: in "Eyes of Dogs," a soldier returns from war and encounters a witch who may in fact be his mother; "Madmen" describes an America where children who reach adolescence choose the madman who will accompany them into adulthood; in "Godzilla versus the Smog Monster,” a teenager is flustered by his older, wilder neighbor while California burns on the other side of the continent.At once mournful and explosively energetic, One Hundred Apocalypses and Other Apocalypses makes manifest the troubled conscience of an uneasy time

    Three years after the storming of the Bastille, Paris is enlivened with the ideals of liberty, equality, and fraternity. The monarchy has been dismantled and a new nation, for the people, is rising up in its place. Jean-Luc, a young optimistic lawyer, moves his wife, Marie, and their son to Paris, inspired by a sense of duty to contribute to the new order. André, the son of a former nobleman, flees his privileged past to fight in the unified French Army with his roguish brother. Sophie, a beautiful young aristocratic widow and niece of a powerful, vindictive uncle, embarks on her own fight for independence.Underneath the glimmer of hope and freedom, chaos threatens to undo all the progress of the revolution and the lives of these compatriots become inextricably linked. As the demand for justice breeds instability, creates enemies out of compatriots, and fuels a constant thirst for blood in the streets, Jean-Luc, Andre, and Sophie are forced to question the sacrifices made for the revolution. Liberty proves a fragile, fleeting ideal, and survival seems less and less likely—both for these unforgettable individuals, and indeed for the new nation itself.

    In “Rivers,” a free Jim meets up decades later with his former raftmate Huckleberry Finn; “An Outtake” chronicles an escaped slave’s fate in the American Revolution; “On Brazil, or Dénouement” burrows deep into slavery and sorcery in early colonial South America; and in “Blues” the great poets Langston Hughes and Xavier Villaurrutia meet in Depression-era New York and share more than secrets.

    C. Boyle writes, “The Model T gave way to the Model A and to the Ferrari and the Prius . . . modernism to postmodernism and post-postmodernism. We advance. We progress. We move on. But we are part of a tradition.” Boyle’s choices of stories reflect a vibrant range of characters, from a numb wife who feels alive only in the presence of violence to a new widower coming to terms with his sudden freedom, from a missing child to a champion speedboat racer. These stories will grab hold and surprise, which according to Boyle is “what the best fiction offers, and there was no shortage of such in this year’s selections.” Mulling over the question of character likability, series editor Heidi Pitlor asks, “Did I like these characters? I very much liked reading their stories, as did T. C. Boyle.” Here are characters who “are living, breathing people who screw up terribly and want and need and think uneasy thoughts.”   T. C. BOYLE, guest editor, has published fifteen novels and ten collections of short stories. He won the PEN/Faulkner Award in 1988 for his novel World’s End and the Prix Médicis étranger for The Tortilla Curtain in 1995, as well as the 2014 Henry David Thoreau Prize for excellence in nature writing. His most recent book is the novel The Harder They Come. HEIDI PITLOR, series editor, is a former senior editor at Houghton Mifflin Harcourt. She is the author of the novels The Birthdays and The Daylight Marriage.

    Two grown sisters struggle with old assumptions about each other as they stumble to build a new relationship in A Map of Modern Palm Springs. Rome is the setting of Puttanesca, as two young widows move tentatively forward, still surrounded by ghosts and disappointments from the past.These twelve stories, filled with the sharp humor, emotional acuity, and joyful language that are sure to become Straub’s hallmarks, announce the arrival of a major new talent.

    When Josie Messina's wunderkind 12-year-old son earns a full scholarship to one of New Jersey's toniest private schools, this hardworking, cash-strapped single mom is intimidated. Will she ever fit in with the wealthy and fashionable mothers of Little Fawn Country Day? But when Josie runs into Country Day's most famous parent, rock legend Billy Stand - known to her as the boy she used to babysit - their embrace in the school parking lot, viewed by three of the school's most influential social butterflies, rockets her to "A list" status. What happens next will bring truth to the warning, "Be careful what you wish for." This timely, irreverent send-up of contemporary academia -- and the wicked ways of the one percent -- will delight any parent who has ever been dragged to a PTA fundraiser, has sweated out their children's grades and college prospects, or who has wondered what, exactly, their kids are learning at school all day.Editorial Review"A smart, poignant fiction debut...What makes this work stand out is Matthews' handling of social issues such as class boundaries and the state of education in the country...The cause-and-effect relationship intertwined in each plot element creates moments of laughter and societal insight, making the novel an entertaining, shrewd read."- Kirkus Reviews

    Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.