You mean I peaked in December of 1963?I’m afraid so.But he never quit trying to impress her. In his writing, she was sometimes his subject and always his muse. The dedication of the first book he published after her death read, “I wrote this for Alice. Actually, I wrote everything for Alice.”In that spirit, Calvin Trillin has, with About Alice, created a gift to the wife he adored and to his readers.

    But those headlines do not even begin to tell one of the most compelling and fascinating stories of our time. A maverick from an early age, the strikingly attractive and eccentric heiress thumbed her nose at society, all the while forging an incredible life as a renegade with an appetite for adventure, a weakness for pleasure, and a penchant for privacy. Duke and her lifelong rival Barbara Hutton--with whom she would have to compete for the love of several men, most notably international playboy Porfirio Rubirosa-were dubbed "the Gold Dust Twins." Her father, James B. Duke, namesake of Duke University and one of the richest men in the country, was a rough-edged businessman whose greatest love was for his only daughter. Denied affection from her mother, a glamorous socialite concerned mainly with public appearances, Doris Duke led a sheltered adolescence, seeking friendship with those ignored by high society. Later, as her marriage to the politically ambitious son of a prominent grande dame of society crumbled, her concern with secrecy would develop nearly obsessive dimensions. Duke maintained dictatorial control over her four extravagant homes across the country, and she gained a reputation for excess as well as seeming pettiness. Her phenomenal wealth enabled her to withdraw from the world, even to distance herself from the university that bears her family name, and ignore its responsibilities. Recently she adopted a thirty-five-year-old former Hare Krishna who was a confidante also of Imelda Marcos. Here is revealed for the first time Doris Duke's fascination with those who embraced the spotlight she always shunned, especially Imelda Marcos, who found an ardent and fin

    The next, he was lying facedown in an alley after being ambushed and shot in the back of the head by a mobster over a dispute.Russell miraculously healed, and rather than press charges, he maintained his cover. Soon he had a stroke of good luck when he saved a man from an attack by two street thugs. The man he saved turned out to be Andy Gerardo, one of the ranking captains of the Genovese crime family. Quickly earning the trust of his new friend, Russell would orchestrate one of the biggest Mafia takedowns of all time.Urged by his police handlers, Russell used his cover story---an ex-cop fired for excessive force who now made his living from an oil-delivery business---and street skills to assimilate into the Genovese crime family in New Jersey, ultimately leading to more than fifty arrests of mobsters, corrupt prison officials, and even a state senator. Straddling the thin line between collecting evidence and participating in the very crimes he was leaking to the cops, Russell consistently placed himself at risk—especially when his police handlers disregarded his wishes and his well-being, conducting premature raids on the gangsters. With his marriage suffering and his family in danger, Russell took extraordinary steps to ensure his financial security and safety, demanding better terms from the police and allowing a film crew to document the final moments of the epic bust for a documentary that was later sold to HBO.A real-life version of The Sopranos, Undercover Cop immerses readers in the colorful yet harrowing trials of a standout cop who faced the mob on his own terms, crippled organized crime in New Jersey, and forever redefined undercover law enforcement.

    documentary

    He couldn’t dream any bigger than emulating his older brothers and cousin, much less going on to become a basketball champion on the world stage. He faced palpable dangers growing up in the housing projects of Red Hook and West Baltimore’s Murphy Homes (a.k.a. Murder Homes, subject of HBO’s The Wire). He navigated an education system that ignored, exploited, or ostracized him. He suffered the untimely deaths of his closely held loved ones. He struggled to survive physically and emotionally. But with the strength of family and the guidance of key mentors on the streets and on the court, he pushed past lethal odds to endure and thrive. By the time Carmelo found himself at the NBA Draft at Madison Square Garden in 2003 preparing to embark on his legendary career, he wondered: How did a kid who’d had so many hopes, dreams, and expectations beaten out of him by a world of violence, poverty, and racism make it here at all? Carmelo’s story is one of strength and determination; of dribbling past players bigger and tougher than him, while also weaving around vial caps and needles strewn across the court; where dealers and junkies lined one side of the asphalt and kids playing jacks and Double Dutch lined the other; where rims had no nets, and you better not call a foul—a place Where Tomorrows Aren’t Promised.

    Since Operating Instructions and Bird by Bird, her fans have been waiting for her to write the book that explained how she came to the big-hearted, grateful, generous faith that she so often alluded to in her two earlier nonfiction books. The people in Anne Lamott's real life are like beloved characters in a favorite series for her readers: Her friend Pammy; her son, Sam; and the many funny and wise folks who attend her church are all familiar. And Traveling Mercies is a welcome return to those lives, as well as an introduction to new companions Lamott treats with the same candor, insight, and tenderness. Lamott's faith isn't about easy answers, which is part of what endears her to believers as well as nonbelievers. Against all odds, she came to believe in God, and then, even more miraculously, in herself. As she puts it, "My coming to faith did not start with a leap but rather a series of staggers." At once tough, personal, affectionate, wise, and very funny, Traveling Mercies tells in exuberant detail how Anne Lamott learned to shine the light of faith on the darkest part of ordinary life, exposing surprising pockets of meaning and hope.

    Brian’s recounting of his experiences—in all their cringe-worthy, hilarious, and heartbreaking glory—reveal a perpetual outsider awkwardly squirming to find his way in.Indiscriminate sex and escalating drug use help to soothe his hurt, young psyche, usually to uproarious and devastating effect. A no-nonsense mother and broken father play crucial roles in our misfit’s origin story. But it is Brian’s voice in the retelling that shows the true depth of vulnerability for young Black boys that is often quietly near to bursting at the seams.Cleverly framed around Gwendolyn Brooks’s poem “We Real Cool,” the iconic and loving ode to Black boyhood, Punch Me Up to the Gods is at once playful, poignant, and wholly original. Broome’s writing brims with swagger and sensitivity, bringing an exquisite and fresh voice to ongoing cultural conversations about Blackness in America.

    James McBride, journalist, musician and son, explores his mother's past, as well as his own upbringing and heritage, in a poignant and powerful debut, The Color Of Water: A Black Man's Tribute to His White Mother. The son of a black minister and a woman who would not admit she was white, James McBride grew up in "orchestrated chaos" with his eleven siblings in the poor, all-black projects of Red Hook, Brooklyn. "Mommy," a fiercely protective woman with "dark eyes full of pep and fire," herded her brood to Manhattan's free cultural events, sent them off on buses to the best (and mainly Jewish) schools, demanded good grades and commanded respect. As a young man, McBride saw his mother as a source of embarrassment, worry, and confusion--and reached thirty before he began to discover the truth about her early life and long-buried pain. In The Color of Water, McBride retraces his mother's footsteps and, through her searing and spirited voice, recreates her remarkable story. The daughter of a failed itinerant Orthodox rabbi, she was born Rachel Shilsky (actually Ruchel Dwara Zylska) in Poland on April 1, 1921. Fleeing pogroms, her family emigrated to America and ultimately settled in Suffolk, Virginia, a small town where anti-Semitism and racial tensions ran high. With candor and immediacy, Ruth describes her parents' loveless marriage; her fragile, handicapped mother; her cruel, sexually-abusive father; and the rest of the family and life she abandoned. At seventeen, after fleeing Virginia and settling in New York City, Ruth married a black minister and founded the all-black New Brown Memorial Baptist Church in her Red Hook living room. "God is the color of water," Ruth McBride taught her children, firmly convinced that life's blessings and life's values transcend race. Twice widowed, and continually confronting overwhelming adversity and racism, Ruth's determination, drive and discipline saw her dozen children through college--and most through graduate school. At age 65, she herself received a degree in social work from Temple University. Interspersed throughout his mother's compelling narrative, McBride shares candid recollections of his own experiences as a mixed-race child of poverty, his flirtations with drugs and violence, and his eventual self-realization and professional success. The Color of Water touches readers of all colors as a vivid portrait of growing up, a haunting meditation on race and identity, and a lyrical valentine to a mother from her son.

    "I've already come to the conclusion that I will probably be parentless by the time I am thirty," Claire writes in her powerful debut.As her mother begins to succumb during Claire's first year of college, Claire hurtles towards loss. She throws herself into the arms of anything she thinks might hold her up: boys, alcohol, traveling, and the anonymity of cities like New York and Los Angeles. Her every choice carries the weight of a young woman's world, and it feels like a solitary place. Words -- books, diaries, letters, family stories -- become Claire's true companions, and provide a glimpse of the future, however foreign.In New York, she studies writing and learns the ways of the world, falling in and out of love with a troubled young man, all the while grappling not only with her own lonelieness and regret but that of her aging father. She joins him in Los Angeles as a novice journalist, and records one last thrilling entry in their nuclear family history in the fields of Eastern Europe in search of his World War II past. When it is time to say good-bye, once more the fragility of life astonishes.Defying a conventional framework, this memoir is told in nonlinear fashion, using the five stages of grief as a window into Claire's experience, at once heartbreaking and uplifting. "Why would anyone want to walk into pain?" Claire asks. "But when I did, I found that it didn't hurt as much as I thought it would."Each step brings her closer to finding the meaning of the rules of inheritance, and how they will shape her future -- as a woman, as a wife, as a mother. As in the very best personal writing, Claire's superbly resonant words render the personal universal.

    But this is not just another harrowing story about an excruciating childhood and the ravages on a life it produces. The difference is that Mez not only escaped from his 'trial by parent' but he discovered a hope that has transformed his life. He in turn has helped others find hope in their lives. Mez's story is told with a frankness and wit that hides much of the pain and despair that was his everyday experience. Nevertheless, although his story at times may sicken you, his first brushes with the faith that restored him will make you laugh out loud! Mez's life involved abuse, violence, drugs, thieving and prison - but you don't have to fall as far as him in order to climb out of the traps in your life. Do you like happy endings? Mez still suffers from his experiences but you'll be amazed at how far you can be restored from such a beginning.

    A collection of thoughts on the beauty and lore of Cape Cod, presented with pen-and-ink drawings, reflects upon the people, the weather, and the country.

    Having uprooted herself from a promising career in publishing in her adopted Brooklyn, Palmer embarks on a quest to determine the fate of her lost homes—and of a community that has been erased by unchecked Southern progress. Palmer's journey takes her from the ruins of kudzu-covered, airport-owned ghost towns to carefully preserved cemeteries wedged between the runways; into awkward confrontations with airport planners, developers, and even her own parents. Along the way, Palmer becomes an amateur detective, an urban historian, and a mother. Lyrically chronicling the overlooked devastation and beauty along the airport’s fringe communities in the tradition of John Jeremiah Sullivan and Leslie Jamison, Palmer unearths the startling narratives about race, power, and place that continue to shape American cities. Part memoir, part urban history, Flight Path: A Search for My Roots beneath the World's Busiest Airport is a riveting account of one young mother's attempt at making a home where there’s little home left.

     Boots in the Ashes is the memoir of Cynthia Beebe's groundbreaking career as one of the first women special agents for the Bureau of Alcohol, Tobacco, Firearms and Explosives, (ATF). A smart and independent girl growing up in suburban Chicago, she unexpectedly became one of the first women to hunt down violent criminals for the federal government.As a special agent for 27 years, Beebe gives the reader first-hand knowledge of the human capacity for evil. She tells the story of how, as a young woman, she overcame many obstacles on her journey through the treacherous world of illegal guns, gangs, and bombs. She battled conflicts both on the streets and within ATF. But Beebe learned how to thrive in the ultra-masculine world of violent crime and those whose job it is to stop it.Beebe tells her story through the lens of six major cases that read like crime fiction: four bombings, one arson fire and a massive roundup of the Hell's Angels on the West Coast. She also shares riveting never before revealed trial testimonies, including killers, bombers, arsonists, victims, witnesses and judges.

    Prince, coauthor of the highly regarded blog of the same name, examines how the life of the franchise mirrors the life of its fans, particularly his own. Unabashedly and unapologetically, Prince stands up for all Mets fans and, by proxy, sports fans everywhere in exploring how we root, why we take it so seriously, and what it all means. What was it like to enter a baseball world about to be ruled by the Mets in 1969? To understand intrinsically that You Gotta Believe? To overcome the trade of an idol and the dissolution of a roster? To hope hard for a comeback and then receive it in thrilling fashion in 1986? To experience the constant ups and downs the Mets would dispense for the next two decades? To put ups with the Yankees right next door? To make the psychic journey from Shea Stadium to Citi Field? To sort the myths from the realities? Greg Prince, as he has done for thousands of loyal Faith and Fear in Flushing readers daily since 2005, puts it all in perspective as only he can.

    Harry Stout draws on a number of sources, including the newspapers of Whitefield's day, to outline his subject's spectacular career as a public figure. Although Whitefield here emerges as very much a modern figures, given to shameless self-promotion and extravagant theatricality, Stout also shows that he was from first to last a Calvinist, earnest in his support of orthodox theological tenets and sincere in his concern for the spiritual welfare of the thousands to whom he preached.