In this collection of mostly nineteenth-century folk and fairy tales, Ethel Johnston Phelps's heroines successfully portray women as being spirited, courageous and smart. This type of heroine is not easily found in most collections; in most traditional folk and fairy tales we encounter women are portrayed as being good, obedient, submissive, and, of course, beautiful. These women—and girls—are resourceful; they take action to solve a problem and use cleverness or shrewd common sense to solve the dilemmas they face.The tales themselves are part of an oral tradition that document a generation according to the values of the time. Phelps has given these older tales a fresh, contemporary retelling for a new generation of readers, young and old. She shapes each story—adding or omitting details—to reflect her sense of a feminist folk or fairy tale. The twenty-one tales collected represent a wide variety of countries; approximately seventeen ethnic cultures from North America to Europe to Asia tell a story in which women play a leading or crucial role in the story.

    But one morning, he hears a rumor that Cucullin, the strongest giant in the land, is coming to find and fight him.Fleeing home, Fin tells his wife of his worries. But clever Oonagh the giantess has a plan-- with her wits and her skills and her magic charms, she sets out to trick Cucullin and save her husband.Full of humor and charm, Tomie dePaola's retelling of this classic fable is boldly illustrated, with detailed borders based on ancient Irish metalwork.

    Nobody knows why.And Odd has run away from home, even though he can barely walk and has to use a crutch.Out in the forest he encounters a bear, a fox, and an eagle - three creatures with a strange story to tell.Now Odd is faced with a stranger journey than he had ever imagined.A journey to save Asgard, City of the Norse Gods, from the Frost Giants who have invaded it.It's going to take a very special kind of boy to defeat the most dangerous of all the Frost Giants and rescue the mighty Gods. Someone cheerful and infuriating and clever.Someone just like Odd...

    It had fountains of cool, refreshing water to quench the thirst of the desert, and storytellers to bring the people together. But as the kingdom grew, the people forgot the dangers of the desert, and they forgot about the storytellers, too. All but one young boy, who came to the Great Square for a drink and found something that quenched his thirst even better: wonderful stories. As he listened to the last storyteller recount the Endless Drought, and the Glorious Blue Water Bird, he discovered the power of a tale well told. Acclaimed illustrator Evan Turk has created a stunning multidimensional story within a story that will captivate the imagination and inspire a new generation of young storytellers.

    These are ten tales, much neglected. Editor of Enchanted Conversation: A Fairy Tale Magazine, Kate Wolford, introduces and annotates each tale in a manner that won't leave novices of fairy tale studies lost in the woods to grandmother's house, yet with a depth of research and a delight in posing intriguing puzzles that will cause folklorists and savvy readers to find this collection a delicious new delicacy.Beyond the Glass Slipper is about more than just reading fairy tales—it's about connecting to them. It's about thinking of the fairy tale as a precursor to Saturday Night Live as much as it is to any princess-movie franchise: the tales within these pages abound with outrageous spectacle and absurdist vignettes, ripe with humor that pokes fun at ourselves and our society.Never stuffy or pedantic, Kate Wolford proves she's the college professor you always wish you had: smart, nurturing, and plugged into pop culture. Wolford invites us into a discussion of how these tales fit into our modern cinematic lives and connect the larger body of fairy tales, then asks—no, insists—that we create our own theories and connections. A thinking man's first step into an ocean of little known folklore.

    But after he awakens one day to find a werefox sitting on his chest, Ethan learns he's ripe for a "fantastic destiny" in the Summerlands -- part of a connected, hidden world, where small American Indian-like ferishers play ball, and evil Coyote is thirsty to destroy the universe. Ethan agrees to the job, but when his father is kidnapped, his mission becomes more personal than he bargained for. With a team of ragtag players called Big Chief Cinquefoil's Traveling Shadowtails All-Star Baseball Club -- including the feisty pitcher Jennifer T., Thor Wignutt (a boy who's not quite a boy), a she-Sasquatch named Taffy, and the Anaheim Angels' Rodrigo Buendía -- Ethan treks through the Summerlands playing against incredible creatures and an impending time limit, hoping to reach his dad. Little does he know, however, that his abilities will be tested in the biggest baseball showdown of all time.Chabon successfully weaves an American-made fantasy, incorporating Native American lore, tall tales, and our nation's greatest pastime to make a modern-day tale of good versus evil.

    Have you ever wondered what it would be like to be a fly on the wall of a creative agency? No? Well, that’s fine as well. You wouldn’t know you were in an agency anyway; flies have no concept of that kind of thing. All they’re interested in is standing in poo then walking around the rim of your coffee mug.

    Santore'sanimals leap off the page in explosions of color, giving messages to ponder andphysical beauty to savor. "School Library Journal" called thisinterpretation of the classic morality tales" a delight to the eye and ear."

    Each story focuses on the role of women--both real and fantastic--and their particular strengths, joys and sorrows. Full-color illustrations.

    Three little gators strike out on their own in an east Texas swamp. Their mother warns them to build strong houses that can protect them from Big-bottomed Boar, who likes to eat tasty, tender gators for his snack. Soon, First Gator builds himself a nice house out of rocks. Second Gator reckons rocks are too much work, so he builds his house with sticks. And Third Gator’s house of sand is the easiest one to build! But soon Big-bottomed Boar shows up. With a bump, bump, bump of the fierce boar's rump, he knocks over Third Gator's house of sand. It doesn't take long for that rump to bump Second Gator's house of sticks. But he can't knock over Third Gator's house of stones, so he tries another way in - through the chimney! Guess what happens to the Boar's rump after that?!

    Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.