The wealthy residents of New Town live in comfort, while Old Town’s cobblestone streets are clotted with criminals, prostitution, and poverty.Detective Inspector Ian Hamilton is no stranger to Edinburgh’s darkest crimes. Scarred by the mysterious fire that killed his parents, he faces his toughest case yet when a young man is found strangled in Holyrood Park.With little evidence aside from a strange playing card found on the body, Hamilton engages the help of his aunt, a gifted photographer, and George Pearson, a librarian with a shared interest in the criminal mind. But the body count is rising. As newspapers spin tales of the “Holyrood Strangler,” panic sets in across the city. And with each victim, the murderer is getting closer to Hamilton, the one man who dares to stop him.

    He arrests whomever he is told to arrest. He dismisses the horrific death of a young boy because he is told to, because he believes the Party stance that there can be no murder in Communist Russia. Leo is the perfect soldier of the regime. But suddenly his confidence that everything he does serves a great good is shaken. He is forced to watch a man he knows to be innocent be brutally tortured. And then he is told to arrest his own wife. Leo understands how the State works: Trust and check, but check particularly on those we trust. He faces a stark choice: his wife or his life. And still the killings of children continue...

    Miss Scrimshaw’s Academy for Girls is a cover for an all-female investigative unit called The Agency, and at seventeen, Mary is about to put her training to the test. Assuming the guise of a lady’s companion, she must infiltrate a rich merchant’s home in hopes of tracing his missing cargo ships. But the household is full of dangerous deceptions, and there is no one to trust — or is there? Packed with action and suspense, banter and romance, and evoking the gritty backstreets of Victorian London, this breezy mystery debuts a daring young detective who lives by her wits while uncovering secrets — including those of her own past.

    But the next morning the body of a murdered teenage girl is discovered nearby, and suspicion falls on Magnus. Inspector Jimmy Perez enters an investigative maze that leads deeper into the past of the Shetland Islands than anyone wants to go.

    Rich widow Luty Bell Crookshank, experienced nurse, knows stingy incompetent blackmailer Dr Slocum did not succumb to mushroom soup at neighborhood luncheon. (Same isbns for pb 184 pg)

    Prison visitor and prisoner. Powerful and powerless. Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.When Dorothea's charitable work leads her to Oakgate Prison, she is delighted with the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets teenage seamstress Ruth, she is faced with another theory: that it is possible to kill with a needle and thread. For Ruth attributes her crimes to a supernatural power inherent in her stitches.The story Ruth has to tell of her deadly creations – of bitterness and betrayal, of death and dresses – will shake Dorothea's belief in rationality and the power of redemption.Can Ruth be trusted? Is she mad, or a murderer?

    Cambridge student Serena Frome's beauty and intelligence make her the ideal recruit for MI5. The year is 1972. The Cold War is far from over. England's legendary intelligence agency is determined to manipulate the cultural conversation by funding writers whose politics align with those of the government. The operation is code named "Sweet Tooth." Serena, a compulsive reader of novels, is the perfect candidate to infiltrate the literary circle of a promising young writer named Tom Haley. At first, she loves his stories. Then she begins to love the man. How long can she conceal her undercover life? To answer that question, Serena must abandon the first rule of espionage: trust no one. Once again, Ian McEwan's mastery dazzles us in this superbly deft and witty story of betrayal and intrigue, love and the invented self.

    In Full Dark House, Christopher Fowler tells the story of both their first and last case--and how along the way the unlikely pair of crime fighters changed the face of detection.A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer's identity, May finds his old friend's notes of their very first case and becomes convinced that the past has returned...with a killing vengeance.It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits--and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant's unorthodox techniques and John May's dogged police work to catch a criminal whose ability to escape detection seems almost supernatural--a murderer who even decades later seems to have claimed the life of one of them...and is ready to claim the other.Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.

    Peter Byerly isn't sure what drew him into this particular bookshop. Nine months earlier, the death of his beloved wife, Amanda, had left him shattered. The young antiquarian bookseller relocated from North Carolina to the English countryside, hoping to rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, Peter is shocked when a portrait of Amanda tumbles out of its pages. Of course, it isn't really her. The watercolor is clearly Victorian. Yet the resemblance is uncanny, and Peter becomes obsessed with learning the picture's origins. As he follows the trail back first to the Victorian era and then to Shakespeare's time, Peter communes with Amanda's spirit, learns the truth about his own past, and discovers a book that might definitively prove Shakespeare was, indeed, the author of all his plays.

    In 1966, Baltimore is a city of secrets that everyone seems to know--everyone, that is, except Madeline "Maddie" Schwartz. Last year, she was a happy, even pampered housewife. This year, she's bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life. Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl--assistance that leads to a job at the city's afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in the fountain of a city park lake. Cleo Sherwood was a young African-American woman who liked to have a good time. No one seems to know or care why she was killed except Maddie--and the dead woman herself. Maddie's going to find the truth about Cleo's life and death. Cleo's ghost, privy to Maddie's poking and prying, wants to be left alone. Maddie's investigation brings her into contact with people that used to be on the periphery of her life--a jewelery store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people--including the man who shares her bed, a black police officer who cares for Maddie more than she knows.'

    There was Michael Chabon's The Final Solution in which "the old man," an 89-year-old beekeeper in Sussex is undoubtedly Holmes. Laurie King, a fine mystery writer, has appropriated Holmes and created a romance between him and young Mary Russell which has lasted through several enjoyable books. And now, nonagenarian Holmes reappears, most appealingly, in Mitch Cullin's A Slight Trick of the Mind. He is frail and forgetful but still observant and capable of shining the bright light of his insight and brilliance on events both past and present.Cullin has carefully woven three stories together and managed it so neatly that no threads show--worthy of Holmes himself. The first is the story of Holmes's recent return from a trip to Japan, ostensibly in search of prickly ash, a bush that he believes contributes to healthy longevity, as does his beloved and trusted royal jelly. While there, he is met by his correspondent, Mr. Umezaki, who isn't as interested in prickly ash as in gleaning information from Holmes about his long-gone father. Supposedly, they met many years before, in London, and Holmes advised him not to return home. Of course, Holmes has no recollection of the meeting but finesses it nicely.It is 1947 when they visit Hiroshima, post-atomic bomb, and Holmes marvels at what he sees. He compares it, most poignantly, to the loss of the queen in a hive, "when no resources were available to raise a new one. Yet how could he explain the deeper illness of unexpressed desolation, that imprecise pall harbored en masse by ordinary Japanese?" That is what he tells Roger, the 14-year-old son of his housekeeper. Roger is the second thread of the novel. Holmes is introducing him to beekeeping and Roger proves an apt student. His hero-worship of Holmes and his need for a father form an integral part of Cullin's intention of "humanizing" the great Sherlock Holmes.The final thread is revealed in a journal that Holmes kept, in which he entered an encounter with a married woman, many years ago. He is infatuated with her, and hardly knows what to call it or what to make of his feelings. This is unfamiliar territory for the man who is rational above all else. The man we know at the end of the book makes the reader want another installment, showing a new Sherlock with a heart as well as a brain.(Amazon Review)

    After burying her spinster aunt, orphaned Veronica Speedwell is free to resume her world travels in pursuit of scientific inquiry—and the occasional romantic dalliance. As familiar with hunting butterflies as with fending off admirers, Veronica intends to embark upon the journey of a lifetime.But fate has other plans when Veronica thwarts her own attempted abduction with the help of an enigmatic German baron, who offers her sanctuary in the care of his friend Stoker, a reclusive and bad-tempered natural historian. But before the baron can reveal what he knows of the plot against her, he is found murdered—leaving Veronica and Stoker on the run from an elusive assailant as wary partners in search of the villainous truth.

    Everyone else goes to Arrowood.The Afghan War is over and a deal with the Irish appears to have brought an end to sectarian violence, but Britain's position in the world is uncertain and the gap between rich and poor is widening. London is a place where the wealthy party while the underclass are tempted into lives of crime, drugs and prostitution. A serial killer stalks the streets. Politicians are embroiled in financial and sexual scandals. The year is 1895.The police don't have the resources to deal with everything that goes on in the capital. The rich turn to a celebrated private detective when they need help: Sherlock Holmes. But in densely populated south London, where the crimes are sleazier and Holmes rarely visits, people turn to Arrowood, a private investigator who despises Holmes, his wealthy clientele and his showy forensic approach to crime. Arrowood understands people, not clues.

    Alistair Gellis—rich, handsome, scarred by World War I, and obsessed with ghosts—has been summoned to investigate the spirit of nineteen-year-old maid Maddy Clare, who is haunting the barn where she committed suicide. Since Maddy hated men in life, it is Sarah's task to confront her in death. Soon Sarah is caught up in a deperate struggle. For Maddy's ghost is real, she's angry, and she has powers that defy all reason. Can Sarah and Alistair's assistant, the rough, unsettling Matthew Ryder, discover who Maddy was, where she came from, and what is driving her desire for vengeance—before she destroys them all?

    . . until the Inquisition, when they were wiped from the face of the earth, their hidden riches lost. But now two forces vying for the treasure have learned that it is not at all what they thought it was–and its true nature could change the modern world.Cotton Malone, one-time top operative for the U.S. Justice Department, is enjoying his quiet new life as an antiquarian book dealer in Copenhagen when an unexpected call to action reawakens his hair-trigger instincts–and plunges him back into the cloak-and-dagger world he thought he’d left behind.It begins with a violent robbery attempt on Cotton’s former supervisor, Stephanie Nelle, who’s far from home on a mission that has nothing to do with national security. Armed with vital clues to a series of centuries-old puzzles scattered across Europe, she means to crack a mystery that has tantalized scholars and fortune-hunters through the ages by finding the legendary cache of wealth and forbidden knowledge thought to have been lost forever when the order of the Knights Templar was exterminated in the fourteenth century. But she’s not alone. Competing for the historic prize–and desperate for the crucial information Stephanie possesses–is Raymond de Roquefort, a shadowy zealot with an army of assassins at his command.Welcome or not, Cotton seeks to even the odds in the perilous race. But the more he learns about the ancient conspiracy surrounding the Knights Templar, the more he realizes that even more than lives are at stake. At the end of a lethal game of conquest, rife with intrigue, treachery, and craven lust for power, lies a shattering discovery that could rock the civilized world–and, in the wrong hands, bring it to its knees.