De Waal also looks at their understanding of core Christian concepts, such as sin, sorrow, salvation, and the cross. Written accessibly, this book is excellent for parish study as well as individual reading.

    Packed with wonderfully entertaining and often outrageous speculations about the nature of art, truth, and value, the world-renowned art forger--who died mysteriously before this book was published--details secrets of his techniques.

    Even today remembered primarily as the mentor and lover of Robert Mapplethorpe, the once infamous photographer, Wagstaff, in fact, had an incalculable—and largely overlooked—influence on the world of contemporary art and photography, and on the evolution of gay identity in the latter part of the twentieth century.  Born in New York City in 1921 into a notable family, Wagstaff followed an arc that was typical of a young man of his class. He attended both Hotchkiss and Yale, served in the navy, and would follow in step with his Ivy League classmates to the "gentleman's profession," as an ad executive on Madison Avenue. With his unmistakably good looks, he projected an aura of glamour and was cited by newspapers as one of the most eligible bachelors of the late 1940s. Such accounts proved deceiving, for Wagstaff was forced to live in the closet, his homosexuality only revealed to a small circle of friends. Increasingly uncomfortable with his career and this double life, he abandoned advertising, turned to the formal study of art history, and embarked on a radical personal transformation that was in perfect harmony with the tumultuous social, cultural, and sexual upheavals of the 1960s.Accordingly, Wagstaff became a curator, in 1961, at Hartford's Wadsworth Atheneum, where he mounted both "Black, White, and Gray"—the first museum show of minimal art—and the sculptor Tony Smith's first museum show, while lending his early support to artists Andy Warhol, Ray Johnson, and Richard Tuttle, among many others. Later, as a curator at the Detroit Institute of Arts, he brought the avant-garde to a regional museum, offending its more staid trustees in the process.After returning to New York City in 1972, the fifty-year-old Wagstaff met the twenty-five-year-old Queens-born Robert Mapplethorpe, then living with Patti Smith. What at first appeared to be a sexual dalliance became their now historic lifelong romance, in which Mapplethorpe would foster Wagstaff's own burgeoning interest in contemporary photography and Wagstaff would help secure Mapplethorpe's reputation in the art world. In spite of their profound class differences, the artistic union between the philanthropically inclined Wagstaff and the prodigiously talented Mapplethorpe would rival that of Stieglitz and O’Keefe, or Rivera and Kahlo, in their ability to help reshape contemporary art history.Positioning Wagstaff's personal life against the rise of photography as a major art form and the simultaneous formation of the gay rights movement, Philip Gefter's absorbing biography provides a searing portrait of New York just before and during the age of AIDS. The result is a definitive and memorable portrait of a man and an era.

    When he became involved in a conspiracy and was imprisoned in Pavia, it was to the Greek philosophers that he turned. THE CONSOLATION was written in the period leading up to his brutal execution. It is a dialogue of alternating prose and verse between the ailing prisoner and his 'nurse' Philosophy. Her instruction on the nature of fortune and happiness, good and evil, fate and free will, restore his health and bring him to enlightenment. THE CONSOLATION was extremely popular throughout medieval Europe and his ideas were influential on the thought of Chaucer and Dante.

    Louis de Montfort's Act of Total Consecration give a beautiful expression to the fundamental thrust of his spirituality: Christianity that is fully alive is nothing less than a radical act of total self-surrender and self-gift to the Lord Jesus Christ who, in his redemptive Incarnation, has first given himself totally over to us, and for us.Recognizing that the Lord has first consecrated, completely given, himself to us, Fr. de Montfort rightly recognizes that one truly receives this gift in its fullness only by fully giving, that is consecrating, himself to its saving power. The great Apostle of Our Lady proposed on his masterwork, True Devotion to the Blessed Virgin Mary, an outline of a process by means of which one might prepare himself to make just such a total self-gift to Jesus through Mary.This book, which has been prepared by the Company of Mary, the religious community founded by Fr. de Montfort himself, is both an introduction to his spirituality of total consecration and a guide for those who would prepare themselves to make his Act of Total Consecration to Jesus Christ through Mary. It is also the fruit of this same Act of Total Consecration lived out in years of missionary service of Our Lord and Our Lady in the Roman Catholic Church which we joyfully make available to the people of God.

    This essay is an attempt to contribute effective strategies to engage our own time and culture once more with the Gospel of Jesus Christ and – for a weary world – to awaken the Catholic imaginative vision.

    It is literally the word of God, and, along with Sacred Tradition, is one of the two pillars upon which all our beliefs and practices rest. The Bible Compass provides readers with the tools to study the Word of God with confidence and purpose. This book demonstrates how to read the Bible within the living Tradition of the Catholic Church, and it addresses all the common questions about the Bible.

    What he did not expect was a response and the result was Conversations with God Book 1. In Book 2, the dialogue expands to deal with the more global topics of geopolitical and metaphysical life on the planet, and the challenges now facing the world. This incredible series contains answers that will change you, your life, and the way you view other beings.

    

    Joseph, yet his life is full of spiritual treasures. Michel Gasnier O.P., here shows you where to find them and how they can enrich your own relationship with God. In this series of brief meditations he explores St. Joseph's work as a carpenter, his marriage, his character, the flight into Egypt, his return to Nazareth, Simeon's prophecy, and more. He gives you an enlightening portrait of this man who remains one of the Church's most extraordinary saints and intercessors.

    Like the parables of Jesus, these tales repeatedly unfold new levels of meaning if we are willing to sit with them.

    What's Yours?"Is it time to change jobs?" "Should I marry?""Am I called to religious life?"Sooner or later, every thoughtful Christian asks such questions. For everyone ready to make the shift from "What do I want for my life?" to "what does God want for my life?" Fr. Gallagher offers this new book to help you make sense of your major life decisions.Drawing from the timeless methods of Ignatius Loyola and richly illustrated with examples and stories, this book offers practical wisdom for aligning your will to God's will. Fr. Gallagher takes you through each step of the process, including opening your heart to whatever God wants; making use of silence, the Eucharist, Scripture, and spiritual direction; and finding clarity (and what to do when you lack clarity).While this book focuses on the major decisions such as marriage and career and vocation choices, the insights gained here can be adapted to other significant life decisions as well. Fr. Gallagher's clear style makes this book an important resource for all who want to discover where God is leading them, as well as for spiritual directors, retreat directors, and counselors

    The illicit liaison triggers a chain of events that will destroy two kingdoms and bring down a dynasty.Set against the backdrop of the pagan-Christian conflict between kings Penda and Oswiu The Song of Heledd sweeps the reader from the ancient kingdom of Pengwern to the lofty summits of Gwynedd where Heledd battles to control both her own destiny and that of those around her. Judith Arnopp has carried out lengthy research into the fragmented ninth century poems, Canu Llywarch Hen and Canu Heledd, and the history surrounding them to produce a fiction of what might have been.

    NOW HE WANTS TO FIX IT--STARTING WITH POPE FRANCIS.In DIABOLICAL, Milo Yiannopoulos levels his critical eye and legendarily caustic wit at the Catholic Church, an institution he reveres but which, under the leadership of a "Lavender Mafia" of left-wing gay bishops, has become shambolic and depraved. Yes, there really is a gay mafia. And yes, their outfits are fabulous. Who is the real Pope Francis? And can the Church survive him? Milo Yiannopoulos traces the origins of the Church's descent into sin and shame, pointing the finger at left-wing reformers, trendy progressive bishops, gay clergy, and ultimately, Francis himself. The Catholic Church hasn't had a crisis like this since the Reformation. It won't survive unless it learns how to talk to men again, sets aside transitory political nostrums like environmentalism and identity politics, and gets back to worshiping Almighty God.

    *Includes Cagney's own quotes about his life and career. *Includes a bibliography for further reading. *Includes a table of contents. "You don't psych yourself up for these things, you do them...I'm acting for the audience, not for myself, and I do it as directly as I can." – James Cagney A lot of ink has been spilled covering the lives of history’s most influential figures, but how much of the forest is lost for the trees? In Charles River Editors’ American Legends series, readers can get caught up to speed on the lives of America’s most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, one of the Top 10 was James Cagney, an actor whose acting and dancing talents spawned a stage and film career that spanned over 5 decades and once compelled Orson Welles to call him "maybe the greatest actor to ever appear in front of a camera." Indeed, his portrayal of “The Man Who Owns Broadway”, George M. Cohan, earned him an Academy Award in the musical Yankee Doodle Dandy, and as famed director Milos Forman once put it, "I think he's some kind of genius. His instinct, it's just unbelievable. I could just stay at home. One of the qualities of a brilliant actor is that things look better on the screen than the set. Jimmy has that quality." Ultimately, it was portraying tough guys and gangsters in the 1930s that turned Cagney into a massive Hollywood star, and they were the kind of roles he was literally born to play after growing up rough in Manhattan at the turn of the 20th century. In movies like The Public Enemy (which included the infamous “grapefruit scene”) and White Heat, Cagney convincingly played criminals that brought Warner to the forefront of Hollywood and the gangster genre. Cagney also helped pave the way for younger actors in the genre, like Humphrey Bogart, and he was so good that he found himself in danger of being typecast. While Cagney is no longer remembered as fondly or as well as Bogart, he was also crucial in helping establish the system in which actors worked as independent workers free from the constraints of studios. Refusing to be pushed around, Cagney was constantly involved in contract squabbles with Warner, and he often came out on top, bucking the conventional system that saw studios treat their stars as indentured servants who had to make several films a year. American Legends: The Life of James Cagney examines the life and career of one of Hollywood’s most iconic actors. Along with pictures of important people, places, and events, you will learn about Cagney like never before, in no time at all.