These encounters and many more make up a tale of comic and cosmic proportions that has Difool fighting for not only his very survival, but also the survival of the entire universe.

    Expert practitioner Christophe Andre invites us to consider paintings while practicing mindfulness techniques. With stunning simplicity and clarity, he sets out 25 lessons that could change your life - from understanding what it means to live mindfully, to useful tips for everyday situations.

    There is a new clarity to her work, a disquieting transparency, even in the midst of the wild thickets of language for which she is known. A poet “at the border of her own allegory,” Brock-Broido searches for a lexicon adequate to the extremities of experience–a quest that is as capricious as it is uncompromising. In the process, she reveals, unsparingly, things as they are. In “Pamphlet on Ravening” she recalls, “I was a hunger artist once, as well. / My bones had shone. / I had had rapture on my side.” The book is laced with sequences: haunted, odd self-portraits; a succession of poems provoked by discarded titles by Wallace Stevens; an intermittent series of fractured and beguiling lyrics that she variously refers to as fragments, leaflets, and apologues.Trouble in Mind is a book that astonishes us afresh at the agility and the uncanny will of language, which Brock-Broido is not afraid to follow where it may lead her: “That the name of bliss is only in the diminishing / (As far as possible) of pain. That I had quit / The quiet velvet cult of it, / Yet trouble came.” Even trouble, in Brock-Broido’s idiom, becomes something resplendent.From the Hardcover edition.

    He thought she was a boy. In spite of Alex's reluctance, their letters continue to fly across the Atlantic--and along with them the shared hopes and dreams of friendship. Until the Japanese attack on Pearl Harbor and the growing Nazi persecution of Jews force them to confront the darkest aspects of human nature.From the desolation of an internment camp on the plains of Manzanar to the horrors of Auschwitz and the devastation of European battlefields, the only thing they can hold onto are the memories of their letters. But nothing can dispel the light between them.

    The dogs are the comfortable, assimilated rich Jews up on the hill, while the wolves, their distant cousins, struggle below in the ghetto. Ada grows up motherless, looked after first by her father, then by an indomitable, social-climbing aunt, and eventually moves to Paris with her aunt's family, all of them looking for a brighter future. Ada makes a living in Paris as an artist, painting scenes from the world she has left behind. Her cousin Ben, intense and ferociously intelligent, has loved her for years; they share memories - together they survived the terrible pogroms of their childhood - and he presses her to marry him. But Harry Sinner is also in Paris, moving in exclusive circles, and infatuated with the daughter of a wealthy gentile banker. One day he buys two paintings which remind him of his past... and the course of Ada's life changes once more.But as recession and revolutions shake previously rich regimes, even a solid international bank can find itself over-extended and vulnerable to greed. Ben, now working for the Sinner family bank in Paris, is well-placed to take the kind of risks he could only dream of in the past. And as summer draws to a close, Ada's world is disintegrating and she is faced with a fateful decision.The Dogs and the Wolves, painted on a broad, vibrant canvas, with Némirovsky's acute eye for small cruelties and everyday sacrifice, is an achingly poignant novel about blood and belonging, dreams and desire.

    Taking place over a single unforgettable night, the novel documents everything from the pit-bull bouncer on the door, to the drugs, cocktails and wannabes who frequent the club, and Marc’s attempts to seduce a catwalk model – any one will do. A catalogue of degeneracy, drugs, sex and decibels, ‘Holiday in a Coma’ is written with a fury and passion that reflect the author's own relationship with a world and he both loves and loathes.In ‘Love Lasts Three Years’, Marc Marronnier has just been divorced and – shallow opportunist that he is – has decided to write a book about it. He has a theory that love lasts no more than three years, and here – recounting the highs and lows of his marriage and taking us through brash nightclubs, vainglorious offices and soulless designer apartments – he brings to bear the theoretical and the empirical to prove his point. Both frightening and funny, the book reads like a diary: sometimes tender and real, sometimes fantastical and cruel, peppered with Beigbeder’s acerbic one-liners and trademark wit.

    Originally published: London: Cassell, 1954.

    What is day to day life like for a perfume-maker? How does the creation of a new scent begin? How do you capture the essence of a smell on the skin?For one year, Jean-Claude Ellena kept a diary of his life as 'parfumeur exclusif' ('le nez' or 'the nose') for Hermès. Believing that creating a scent is like creating a work of art, and describing himself as a writer using 'olfactory colours', he explains how all of the five senses come into play when creating a perfume. He also reveals how inspiration can come from a market stall, a landscape, or even the movement of calligraphy, and concludes this charming, perceptive diary with recipes for natural fragrances, each made up of three synthetic ingredients, to create the illusion of smells like freesia, orange blossom, grapefruit, pear, chocolate, cashew and cotton candy.This is the story of a quest to capture what is most elusive. Jean-Claude Ellena offer readers a rare insight into the secrets of his business, his art, and his life as one of the world's most important and admired perfumers.

    It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres.Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures.As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.