The thirty-one poems in the first of his major writings are linked by a lyrical prose narrative celebrating and debating the subject of love. Composed upon Dante's meeting with Beatrice and the "Lord of Love," it is a love story set to the task of confirming the "new life" inspired by this meeting. With a critical introduction and explanatory notes, this is a new translation of a supreme work which has been read variously as biography, religious allegory, and a meditation on poetry itself.

    Based on interviews with Nobel Prize winner Czeslaw Milosz, My Century describes the artistic, sexual, and political experimentation --in which Wat was a major participant-- that followed the end of World War I: an explosion of talent and ideas which, he argues, in some ways helped to open the door to the destruction that the Nazis and Bolsheviks soon visited upon the world. But Wat's book is at heart a story of spiritual struggle and conversion. He tells of his separation during World War II from his wife and young son, of his confinement in the Soviet prison system, of the night when the sound of far-off laughter brought on a vision of "the devil in history." "It was then," Wat writes, "that I began to be a believer."

    It includes Emily's verse from Poems by Currer, Ellis and Acton Bell, as well as 200 works collected from various manuscript sources after her death in 1848.

    home body is a collection of raw, honest conversations with oneself – reminding readers to fill up on love, acceptance, community, family, and embrace change. Illustrated by the author, themes of nature and nurture, light and dark, rest here.i dive into the well of my bodyand end up in another worldeverything i needalready exists in methere’s no needto look anywhere else– home

    This collection, born out of the tumultuous social and political landscape of the late sixties, is as intense, sensual, and compelling as Jim Morrison's persona was during the Doors' peak. His fast life and mysterious death remain controversial more than forty years later.

    The intellectual emigrated for political reasons, the worker to find work ...

    

    It is a kingdom of phantoms and of a beauty afflicted by madness. In stark contrast, the crew of the spaceship Hermes represents a knowledge-seeking Earth. As they approach Quinta, a dark poetry takes over and leads them into a nightmare of misunderstanding. Translated by Michael Kandel.The novel was published in German translation (translated by H. Schumann) in 1986. The Polish text published in 1987, the English translation (by M. Kandel) the same year.

    "But there is wisdom/ in the hour in which a boy/ sits in his room listening," says the first poem, and Lee's silent willingness to step outside himself imbues Rose with a rare sensitivity. The images Lee finds, such as the rose and the apple, are repeated throughout the book, crossing over from his father's China to his own America. Every word becomes transformative, as even his father's blindness and death can become beautiful. There is a strong enough technique here to make these poems of interest to an academic audience and enough originality to stun readers who demand alternative style and subject matter. — Rochelle Ratner, formerly Poetry Editor, "Soho Weekly News," New York

    Shooting parties in great country houses, turbulent scenes in parliament, and the luxury of life in Budapest provide the backdrop for this gripping, prescient novel, forming a chilling indictment of upper-class frivolity and political folly, in which good manners cloak indifference and brutality. Abady becomes aware of the plight of a group of Romanian mountain peasants and champions their cause, while Gyeroffy dissipates his resources at the gaming tables, mirroring the decline of the Austro-Hungarian Empire itself. The first book in a trilogy published before World War II, it was rediscovered after the fall of Communism in Hungary and this edition contains a new foreword.

    Spanning five decades and comprising 868 poems (nearly 300 of which have never before appeared in book form), this magnificent volume is the definitive sampling of a writer who has been called the poet laureate of African America--and perhaps our greatest popular poet since Walt Whitman.  Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them and annotated by Arnold Rampersad and David Roessel.Alongside such famous works as "The Negro Speaks of Rivers" and Montage of a Dream Deferred, The Collected Poems includes the author's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as "Goodbye Christ" that were once suppressed.  Lyrical and pungent, passionate and polemical, the result is a treasure of a book, the essential collection of a poet whose words have entered our common language.

    It is a profound and powerful look at a totalitarian state which comes to inhabit every aspect of life; to the extent that everyone, even the most strongest, must either bend to the oppressors, or resist them and perish.

    The lyrical passages and poetic images, the wry humor, the tall-tale extravagance, and the homely realism of the 'Kalevala' come through with extraordinary effectiveness.

    and some chapters.Includes several color reproductions of landscape paintings by Isaac Levitan mounted on pages with captions, and other photos, including a portrait photo of Esenin and his wife Isadora Duncan, American dancer (v. 2, p. [7]).

    Schiller's work exemplifies the highest standards of ethics and the ideal of the truly educated, multilingual citizen of the world. Schiller devoted himself not only to self-determination and freedom but also to the brotherhood of all people. The French Revolution borrowed many of Schiller's ideas for its declarations of freedom. Schiller was then made an honorary citizen of France. His first drama, Die Rauber, was published in 1781. It was performed the next year and its revolutionary appeal gained immediate success. Among Schiller's best-known works is An Die Freude, (Ode to Joy), later set to music by Ludwig van Beethoven in his Choral Symphony. The dramatic trilogy Wallenstein (1796-99) was set in the tumultuous period of the Thirty Years War. The historical drama Maria Stuart (1800) was about Queen Elizabeth I of England and the last days of Mary Queen of Scots, when she was held captive in the Castle of Fothernghay. In Wilhelm Tell (1803), about the Swiss hero of that name, Schiller paid tribute the dignity of men living close to nature. - "The mountain cannot frighten one who was born on it." In 1791 he was forced to give up his professional duties because of illness. In the 1790s Schiller wrote philosophical poems and studies about philosophy and aesthetics. He assisted Goethe in Weimar in the direction of the Court Theater by adapting many plays for that stage. Schiller died on May 9, 1805, at the age of 46 in Weimar.