He’s hoping to escape a violent past he would rather forget. But his solitude is broken when he finds himself drawn into a friendship with Tom Kristoll, publisher of the mystery magazine Gray Streets—and into an affair with Laura, Tom’s sleek blond wife. When Tom offers him a job as an editor, Loogan sees no harm in accepting. What he doesn’t realize is that the stories in Gray Streets tend to follow a simple formula: Plans go wrong. Bad things happen. People die.Elizabeth Waishkey is a single mother raising a fifteen-year-old daughter. She’s also the most talented detective in the Ann Arbor Police Department. But when Tom Kristoll turns up dead, she doesn’t quite know what to make of David Loogan. Is he a killer, or an ally who might help her find the truth? Loogan, for his part, would like to trust her, but he has his own agenda. He suspects his friend’s death is part of a much larger puzzle, and he’s not going to wait for someone else to put the pieces together. As Loogan and Elizabeth navigate their way through the Kristoll's world, they find no shortage of people with motives for murder, from a young graduate student obsessed with Laura Kristoll to a trio of bestselling writers, all of them with secrets they don’t want uncovered.As the deaths start mounting up—some of them echoing stories published in Gray Streets—Loogan begins to look more and more like the most promising suspect.Soon it becomes clear that only Elizabeth can find the path to solving both the murders and the mystery of Loogan himself. But by the time she unravels the twisted skein, Loogan May be indicted for murder—or more likely, become the next victim.

    Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing--not even murder--to get where he wants to go. For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder. Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

    Though it goes against his better judgment, Navajo Tribal Police Lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer. There is palpable evil in the air, and Leaphorn's pursuit of a Wolf-Witch is leading him where even the bravest men fear, on a chilling trail that winds perilously between mysticism and murder.

    Struggling to escape her kidnapper.Despite all her years determining the fates of families, veteran family court judge Hope Willis couldn't save her own. Now she's frantically grasping at any hope for Krissy's rescue. Her husband dead–set against it, she calls Casey Woods and her team of renegade investigators,Forensic Instincts.A behaviorist.A techno–wizard.An intuitive.A former Navy SEAL. Unconventional operatives.All with unique talents and personal reasons for being part of Casey's group, they'll do whatever it takes.Able to accurately read people after the briefest of encounters, Casey leads her crew to Krissy's home. There, she picks up the signs of a nervous spouse, a guilty conscience, a nanny that hides on her cell. She watches as secrets beg to creep into the open.Forensic Instincts will dig through each tiny clue and eliminate the clutter. But time is running out, and even working around the clock, the authorities are bound by the legal system. Not so Casey's team. For they know that the difference between Krissy coming back alive and disappearing forever could be as small as a suspect's rapid breathing, or as deep as Hope's dark family history.

    A day of dark impulses. A day to snatch a child from the streets ...The abduction of five-year-old Matthew Farraday provokes a national outcry and a desperate police hunt. And when a picture of his face is splashed over the newspapers, psychotherapist Frieda Klein is left troubled: one of her patients has been relating dreams in which he has a hunger for a child. A child he can describe in perfect detail, a child the spitting image of Matthew.Detective Chief Inspector Karlsson doesn't take Frieda's concerns seriously until a link emerges with an unsolved child abduction twenty years ago and he summons Frieda to interview the victim's sister, hoping she can stir hidden memories. Before long, Frieda is at the center of the race to track the kidnapper.But her race isn't physical. She must chase down the darkest paths of a psychopath's mind to find the answers to Matthew Farraday's whereabouts.And sometimes the mind is the deadliest place to lose yourself.

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    Her family was shattered, but managed to stick together, hoping against hope that Julie is still alive. And then one night: the doorbell rings. A young woman who appears to be Julie is finally, miraculously, home safe. The family is ecstatic—but Anna, Julie’s mother, has whispers of doubts.  She hates to face them. She cannot avoid them. When she is contacted by a former detective turned private eye, she begins a torturous search for the truth about the woman she desperately hopes is her daughter.

    All that will be left to identify the respected lawyer are her teeth and a fragment of clothing.In the concealed back room of a house in Edinburgh, the real Elaine Buxton screams into the darkness…Detective Inspector Luc Callanach has barely set foot in his new office when Elaine’s missing persons case is escalated to a murder investigation. Having left behind a promising career at Interpol, he’s eager to prove himself to his new team. But Edinburgh, he discovers, is a long way from Lyon, and Elaine’s killer has covered his tracks with meticulous care.It’s not long before another successful woman is abducted from her doorstep, and Callanach finds himself in a race against the clock. Or so he believes … The real fate of the women will prove more twisted than he could have ever imagined.Fans of Angela Marson, Mark Billingham and M. J. Aldridge will be gripped by this chilling journey into the mind of a troubled killer.

    He's acquired a wife, a daughter, and a brownstone in Brooklyn, and he's tried to leave his old life of secrets and lies behind. However, when the arrest of a long-sought assassin sets off an investigation into one of Milo's oldest colleagues and exposes new layers of intrigue in his old cases, he has no choice but to go back undercover and find out who's holding the strings once and for all.In The Tourist, Olen Steinhauer---twice nominated for an Edgar Award---tackles an intricate story of betrayal and manipulation, loyalty and risk in an utterly compelling novel that is both thoroughly modern and yet also reminiscent of the espionage genre's luminaries: Len Deighton, Graham Greene, and John LeCarré.

    Only fifteen years old, Amy disappeared walking home from school one day and was found in a coma three days later. Her attacker was never identified and her angelic face was plastered across every paper and nightly news segment.Fifteen years later, Amy lies in the hospital, surrounded by 90’s Britpop posters, forgotten by the world until reporter Alex Dale stumbles across her while researching a routine story on vegetative patients.Remembering Amy’s story like it was yesterday, she feels compelled to solve the long-cold case.The only problem is, Alex is just as lost as Amy—her alcoholism has cost her everything including her marriage and her professional reputation.In the hopes that finding Amy’s attacker will be her own salvation as well, Alex embarks on a dangerous investigation, suspecting someone close to Amy.Told in the present by an increasingly fragile Alex and in dream-like flashbacks by Amy as she floats in a fog of memories, dreams, and music from 1995, Try Not to Breathe unfolds layer by layer to a breathtaking conclusion.

    Gamache cannot understand why anyone would want to deliberately kill well-loved artist Jane Neal, especially any of the residents of Three Pines - a place so free from crime it doesn't even have its own police force. But Gamache knows that evil is lurking somewhere behind the white picket fences and that, if he watches closely enough, Three Pines will start to give up its dark secrets...

    But for Harper McClain, the timeless beauty and culture that distinguishes her home’s Southern heritage vanishes during the dark and dangerous nights. She wouldn’t have it any other way. Not even finding her mother brutally murdered in their home when she was twelve has made her love Savannah any less.Her mother’s killer was never found, and that unsolved murder left Harper with an obsession that drove her to become one of the best crime reporters in the state of Georgia. She spends her nights with the police, searching for criminals. Her latest investigation takes her to the scene of a homicide where the details are hauntingly familiar: a young girl being led from the scene by a detective, a female victim naked and stabbed multiple times in the kitchen, and no traces of any evidence pointing towards a suspect.Harper has seen all of this before in her own life. The similarities between the murder of Marie Whitney and her own mother’s death lead her to believe they’re both victims of the same killer. At last, she has the chance to find the murderer who’s eluded justice for fifteen years and make sure another little girl isn’t forever haunted by a senseless act of violence―even if it puts Harper in the killer’s cross-hairs…

    Simple orders for Inspector O, until he realizes they have led him far, far off his department's turf and into a maelstrom of betrayal and death. North Korea's leaders are desperate to hunt down and eliminate anyone who knows too much about a series of decades-old kidnappings and murders--and Inspector O discovers too late he has been sent into the chaos. This is a world where nothing works as it should, where the crimes of the past haunt the present, and where even the shadows are real. A corpse in Pyongyang's main hotel---the Koryo---pulls Inspector O into a confrontation of bad choices between the devils he knows and those he doesn't want to meet. A blue button on the floor of a hotel closet, an ice blue Finnish lake, and desperate efforts by the North Korean leadership set Inspector O on a journey to the edge of a reality he almost can't survive. Like Philip Kerr's Berlin Noir trilogy and the Inspector Arkady Renko novels, A Corpse in the Koryo introduces another unfamiliar world, a perplexing universe seemingly so alien that the rules are an enigma to the reader and even, sometimes, to Inspector O. Author James Church weaves a story with beautifully spare prose and layered descriptions of a country and a people he knows by heart after decades as an intelligence officer. This is a chilling portrayal that, in the end, leaves us wondering if what at first seemed unknowable may simply be too familiar for comfort.   Critical Acclaim for The Corpse in the Koryo "This is a fine, intelligent, and exciting story that takes us into the netherworld of contemporary North Korean communism. It evokes the gray milieu without ever overstepping its mark, allowing us to see it from the inside rather than the outside, wherein the humanity of all the characters, both good and evil, is apparent. Inspector O is a particularly wonderful creation, a true mensch attempting to hold on to his humanity in a world where humanism is under constant attack. Subtlety is the method, and the result is fantastic work that should mark the beginning of a brilliant career for James Church." ---Olen Steinhauer, author of Liberation Movements "For over fifty years Americans have tried to understand the world of North Korea. James Church does a better job of describing the isolated, impoverished, corrupt, and out- of-touch life in the North than anything I have seen. This novel is a must-read for anyone who would understand how precarious the dictatorship is."---Newt Gingrich, author of Winning Back the Future and Never Call Retreat "A gripping story of mystery and intrigue. The laconic Inspector O follows in the traditions of Inspector Arkady Renko, operating in a world of complexity and danger we're meeting here for the first time." ---Don Oberdorfer, author of Tet! "Church's debut thriller breaks new ground. O is an original. This is an expert take on a complex, brutal, and mystifying society. Immerse yourself in it." ---Marshall Browne, author of Eye of the Abyss and the Inspector Anders series  "The Corpse in the Koryo is a spellbinder. Bloody and chilling, yet subtle in its psychological detail, with an amazing understanding of North Korea." ---Ezra F. Vogel, Henry Ford II Professor of the Social Sciences, Harvard University Asia Center "The (pseudonymous) author, a veteran intelligence officer, has intimate knowledge of Asian life and politics, and it shows: He gives the North Korea setting a feeling of palpable reality, depicting the nature of daily life under a totalitarian government not just with broad sociopolitical descriptions but also with specific everyday details. . . . There is also a little of Martin Cruz Smith's early Arkady Renko novels here. The writing is superb, too, well above the level usually associated with a first novel, richly layered and visually evocative." ---Booklist (starred review)

    Her alleged murderer—a minister's son—hanged himself in his jail cell. The case is closed. But the dead girl's father has come to Matthew Scudder for answers, sending the unlicensed private investigator in search of terrible truths about a life that was lived and lost in a sordid world of perversion and pleasures.

    Not a word, actually. A name… Everyone in the small American town of Denton is searching for Isabelle Coleman, a missing seventeen-year-old girl. All they’ve found so far is her phone and another girl they didn’t even know was missing. Mute and completely unresponsive to the world around her, it’s clear this mysterious girl has been damaged beyond repair. All Detective Josie Quinn can get from her is a name: Ramona. Currently suspended from the force for misconduct, Josie takes matters into her own hands as the name leads her to evidence linking the two girls. She knows the race is on to find Isabelle alive, and she fears there may be others… The trail leads Josie to another victim, a girl who escaped but whose case was labelled a hoax by authorities. To catch this monster, Josie must confront her own nightmares and follow her instinct to the darkest of places. But can she make it out alive? Fans of Angela Marsons, Helen Fields and Robert Dugoni will be utterly gripped and sleeping with the lights on once they discover the first in this unputdownable new crime thriller series.