She is the one that everyone counts on but no one goes out of their way to accommodate. This Cinderella-like story remains a much-loved favorite among many. This book is followed by a sequel, The Methods of Lady Walderhurst. Later, the two novels were combined into Emily Fox-Seton.

    Merwin --Magic barrel / Bernard Malamud --About marriage / Denise Levertov --from Jane Austen / Virginia Woolf --Princess and the tin box / James Thurber.

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    His two earliest, and perhaps most accessible, successes—A Portrait of the Artist as a Young Man and Dubliners—are here brought together in one volume. Both works reflect Joyce’s lifelong love-hate relationship with Dublin and the Irish culture that formed him.In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book’s inventive style is apparent from its opening pages, a record of an infant’s impressions of the world around him—and one of the first examples of the “stream of consciousness” technique.Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting characters—a group portrait. The interactions among them form one long meditation on the human condition, culminating with “The Dead,” one of Joyce’s most graceful compositions centering around a character’s epiphany. A carefully woven tapestry of Dublin life at the turn of the last century, Dubliners realizes Joyce’s ambition to give his countrymen “one good look at themselves.” Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.--back cover

    Strange characters and mysterious threats will keep readers enraptured in this tale of a man who revisits his childhood home and recalls a youthful adventure "under the garden".

    In "The Frogs", written during the Peloponnesian War, Dionysus descends to the Underworld to bring back a poet who can help Athens in its darkest hour, and stages a great debate to help him decide between the traditional wisdom of Aeschylus and the brilliant modernity of Euripides. The clash of generations and values is also the object of Aristophanes' satire in "The Wasps", in which an old-fashioned father and his loose-living son come to blows and end up in court. And in "The Poet and the Women", Euripides, accused of misogyny persuades a relative to infiltrate an all-women festival to find out whether revenge is being plotted against him. In his introduction, David Barrett discusses the Athenian dramatic contests in which these plays first appeared, and conventions of Greek comedy - from its poetic language and the role of the Chorus to casting and costumes.

    A new bell, legendary symbol of religion and magic, is rediscovered. Dora Greenfield, erring wife, returns to her husband. Michael Mead, leader of the community, is confronted by Nick Fawley, with whom he had disastrous homosexual relations, while the wise old Abbess watches and prays and exercises discreet authority. And everyone, or almost everyone, hopes to be saved, whatever that may mean....Iris Murdoch's funny and sad novel has themes of religion, the fight between good and evil, and the terrible accidents of human frailty.

    A lyrical, moving valedictory.

    "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories. The Innocence of Father Brown was the first collection of them, and it's a great lot of fun.

    Ki. Rangarajan. The Tamil actor Kamal Hassan suggested that Ra. Ki. translate I, Claudius by Robert Graves into Tamil. Instead, Ra. Ki. decided to present a first-person narrative of the story of Krishnadevaraya, the emperor of Vijayanagar.Ra. Ki.’s hero is like any other young man his age—his romantic attachments overshadowing everything else in his life—until his minister and mentor, Appaji, reminds him that his duty ought to take precedence over his love life.Coming to the throne under difficult circumstances, Krishnadevaraya had to wage a relentless battle to preserve the Vijayanagar empire. Circumstances prevented him from marrying the woman he loved or pursuing literature, his true passion. Overcoming all of this, Krishnadevaraya went on to become the greatest emperor of the Vijayanagar empire.I, Krishnadevaraya takes you into the inner world of the emperor, providing a vivid picture of his thinking, his insecurities and his decision-making. Ably translated by Suganthy Krishnamachari, I, Krishnadevaraya is a fascinating look at one of India’s greatest kings.

    and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather-forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and proved so popular that Jerome reunited his now older - but not necessarily wiser - heroes in Three Men on the Bummel, for a picaresque bicycle tour of Germany. With their benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', both novels hilariously capture the spirit of their age.

    . . .Ireland, 1912 . . .Fourteen members of a small village set sail on RMS Titanic, hoping to find a better life in America. For seventeen-year-old Maggie Murphy, the journey is bittersweet. Though her future lies in an unknown new place, her heart remains in Ireland with Séamus, the sweetheart she left behind. When disaster strikes, Maggie is one of the few passengers in steerage to survive. Waking up alone in a New York hospital, she vows never to speak of the terror and panic of that fateful night again.Chicago, 1982 . . .Adrift after the death of her father, Grace Butler struggles to decide what comes next. When her great-grandmother Maggie shares the painful secret about the Titanic that she's harbored for almost a lifetime, the revelation gives Grace new direction—and leads both her and Maggie to unexpected reunions with those they thought lost long ago.Inspired by true events, The Girl Who Came Home poignantly blends fact and fiction to explore the Titanic tragedy's impact and its lasting repercussions on survivors and their descendants.

    Barker uses unpredictable rhythms that draw less from theatrical convention and more from life itself, with apocalyptic spectacle and intimate reality sharing the stage as equal and sometimes indistinguishable partners.The three works that make up Incarnations - Colossus; Frankenstein in Love, or the Life of Death; and The History of the Devil, or Scenes from a Pretended Life -- combine the shock and magic and heartbreak that has made Barker's unique vision a compelling force in all the media he has touched.

    

    Lloyd, our permanently pilled-up protagonist, pushes his weekends to breaking point and beyond in this frazzled trip through Scottish clubland. He experiences the vertiginous uppers and downers of the Second Summer of Love, dabbles in a spot of disc jockeying and closes in, gradually, on some kind of redemption…Selected from Irvine Welsh's novel Ecstasy.VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world’s greatest writers on the experiences that make us humanAlso in the Vintage Minis series:Home by Salman RushdieDreams by Sigmund FreudEating by Nigella LawsonWork by Joseph Heller