It had come time to leave Los Angeles. Thus begins the pre-apocalyptic, cross-country race with death to bury the murdered past in Joseph Mattson's EMPTY THE SUN, an urgent, beautifully reckless novel of transgressive loss and hunted redemption culminating in a shotgun fight with God. Includes an open-road, open-whiskey soundtrack by enigmatic and stunning Drag City recording artist Six Organs of Admittance.

    Dr. Newman is at the leading edge of creating the perfect educational environment for children, and all he requires is a hefty tuition—and your child at the age of six months.Christopher Carson is one of the “Newman Residents” who live at the Newman Home year-round. His parents, Richard and Carol, both Manhattan attorneys, may disagree about the specifics, but each wants what’s best for their son. For Richard, this means bringing Christopher, now six years old, home for one last summer vacation before the visits become brief and infrequent.Carol agrees with the staff: Christopher should stay at the school. And Christopher is confused, not sure where his real home is anymore. But Richard would like for their house to be Christopher’s home, at least for one summer.As Richard and Christopher spend more time together they become closer. Not long into Christopher’s visit, Richard begins to suspect that the Newman Home’s methods for developing their children into future leaders are too experimental, if not outright dangerous. His suspicions are confirmed when a secretive support group of Newman parents reaches out to him about their frightening experiences with the school.Richard’s investigations into the Newman Home quickly spiral out of control; he has underestimated the extent of the school’s power and connections—and Dr. Newman’s incessant drive to achieve a new level of success for the students. But what Dr. Newman underestimates may be even more powerful: one father’s determination to fight for his son against the odds.What follows in The Newman Resident is a whirlwind battle between a devoted father and an education system more terrifyingly powerful than he ever could have imagined. It’s a battle that forces him to confront how some will cross any line in order to create the “perfect” child.

    

    THEN HER LIFE TURNED COMPLICATED. Befriended by a truck driver who takes her under his wing, she sets about to rediscover--and reclaim--the life she's lost. But despite appearances, she's not really alone. Two men--one, a hardened killer; the other; a methodical, high-tech tracker--stalk her every move. Even Nick--the good Samaritan truck driver helping her--may not be all that he appears.LOCKED IN HER MIND IS A SECRET WORTH KILLING FOR--AND WORTH LIVING FOR.More than anything, she wants her memory--and life--back. Others will stop at nothing to make sure she never remembers anything again. For though she does not know it, deep in her mind is buried a secret that threatens to bring down one of the richest men in the world. A secret that can shake governments to their very foundations. A secret that could lead to her destruction--or her salvation.

    Art and arson, the poetry of D. H. Lawrence and pulp pornography, hero-worship and sexual debasement, totems and taboos mix and mutate into a startling, suspenseful tale of how a sunny New England college campus descends into a lurid nightmare. "A small gem.... Oates does not disappoint, nor does she waste a word."—The Washington Post Book World Oates often takes on sensational subject matter ... yet rarely has she done so with the churningly quiet understatement of ... Beasts."—Los Angeles Times "A cunning fusion of Gothic romance and psychological horror story, and one of her best recent books."—Kirkus Reviews "Oates's new novel is a slim one, but it packs a serious punch."—Associated Press "Delicious ... Beasts is something of a jeu d'esprit noir.... The novella length is exactly right for it."—The New York Review of Books

    A serial killer is on the loose in Detroit, murdering men and leaving her mark, and each of these women has a motive to kill. Simone, a sexual abuse survivor and advocate for young girls, has begun to heal her wounds over the past ten years, but she is still trying to reclaim her life. Her mother, Jessica, thinks it’s unhealthy for Simone to immerse herself into a world of pain and jaded love when she has yet to fully heal herself. A new, unexpected love interest only complicates things further. Ryan is willing to do whatever it takes to become a mother, even if it means betrayal. With her biological clock screaming and a shameful ten-year secret bubbling to the surface, Ryan is determined to get what she wants, but she may lose her husband—and her mind—in the process. Lauren, one of Detroit’s most prominent defense attorneys, redefines justice and seeks a way out of the career that has left her feeling trapped and torn. She can’t set her moral standards aside for a $400,000 salary, winning acquittal after acquittal for the demonstratively guilty. But how far will she go to rid Detroit of its criminal filth? As Lauren, Ryan, and Simone’s lives collide yet again, forcing them to deal with the tragedies of their pasts, the three women regretfully learn that no one is safe behind the thin shield of a Smoke Screen.

    Her fifteen year old son, Aiden, is missing. Jan draws together the threads of missing person cases spanning fifty years and finds tragic connections and unsolved questions.Bessy Swain, an elderly woman that Jan finds dead on her search for Aiden, and whose own son, Thomas, was also missing, may have the answers.Jan uses Bessy's information and her own skills and instinct to track down the missing boys. But is it too late for Aiden?Set in the North West of England, with the notorious Saddleworth Moor as a backdrop, Random Acts of Unkindness is a story about motherhood, love and loss and how families of missing people suffer the consequences of major crimes involving their loved ones.Random Acts of Unkindness is the first in the DS Jan Pearce series of novels.

    Full of sweet moments, emotional time bombs, unexpected humor, and blunt sexuality, the daily life of this man and woman, both recently divorced, with children and baggage in tow, emerges in all of its complexity. In this utterly engrossing debut novel, Kevin Sampsell delivers a confessional tale of love between two resilient people who have staked their hearts on each other."This Is Between Us is an imperturbable, strange, melancholy (but never maudlin) piece of work. Kevin Sampsell straddles the line between candor and oversharing with an artful grace I found infectious."—Patrick deWitt, author of Ablutions and The Sisters Brothers"This Is Between Us is an utterly unsentimental and deeply nuanced portrait of a relationship. With great delicacy and compassion, Kevin Sampsell unflinchingly examines love from every angle-- sacred and profane, transcendent and mundane. This is Between Us asserts that messy, terrifying, imperfect love is worth it, after all. After reading it, you'll be a believer. —Jillian Lauren, author of NY Times bestselling memoir Some Girls and Pretty"Here is the quiet, funny, heartbreak truth of Real Love. Read it and weep."—Amelia Gray, author of THREATS"In This Is Between Us Kevin Sampsell writes with grace and intimacy about the toughest subject of all—love—and manages to capture a relationship in its natural state: wry and wistful, strange and sexy, humming with desire, quaking with vulnerability."—Jess Walter, Beautiful Ruins "This Is Between Us lets the reader under the covers of what it means to be in human relationships—not the lame-o story everyone so desperately wants to smoothly fit within, but the crumpled and stained and yet still beautiful version we actually live. Kevin Sampsell has written the pieces of our glorious failures and fleeting victories with such poignancy my head and my heart are laughing, bleeding, and above all, dreaming onward. You want this book more than facebook and chocolate. I love it with my whole body."—Lidia Yuknavitch, The Chronology of Water

    She's breathing gently, long slow breaths. I imagine her soul going in and out: wanting to leave, wanting to come back, wanting to leave, wanting to come back. The day will soon harden into what we need to do. But for now we have each other. . . ."He met Candy amid a lush Sydney summer. Gorgeous, sexy, free-spirited Candy. They fell in love fast, lots of laughter and lust, the days melting warmly into each other. He never planned to give her a habit. But she wanted a taste. And wasn't love, after all, about sharing lives? Candy had a bit of money and in the beginning, everything was beautiful. Heady, heroin-hazed days, the world open and inviting. But when the money ran out, the craving remained, and the days ceased their luxurious stretch.But there was still love. Only now, it was a threesome. Heroin had its own demands, its own timetable, and thoughts of nabbing the next fix hurled them into each day. Then, when desperation sets in, Candy will stop at nothing to secure a blast, as she and her lover become hostage to the nightmarish world of addiction. Painful, sexy, tender, and charged with dark humor, Candy provocatively charts the daily rituals of two lovers maintaining a long-term junk habit. Told in stunningly vivid prose and set against the backdrop of suburban and urban Australia, Candy is both an electrifying and frightening glimpse of contemporary life and love.

    Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography

    . .but he was also manipulative and controlling, especially to those he loved.  His death begins to unravel deep secrets and shocking desires among the people he cared about the most. . . His daughter, Kristine, feels that with her father’s death she is finally free.  His best friend and business partner, Lamar, feels that now can finally have what he has longed for all these years: Kristine.  His protégé, Cole, the boxing champion and rising star, married a woman Bishop never approved of and may have been right about.  Rayne, the blues singer and ex-junkie relied on Bishop to keep her clean and is now slipping down a dark path without him.  And Rhonda, Lamar’s wife, is determined to ignore what has been unfolding in front of her if it means that her predictable life will go unchanged.  And then a newcomer steps onto the scene and threatens to turn everything upside down. Five very different people whose lives are only connected by Bishop suddenly find themselves up close and personal as desires, dreams and passions collide.

    Ships That Pass tells the story of Tara and Shaan, near strangers to each other after fourteen years of being married, and Tara's sister, Radhika, recently engaged, almost on a whim, to someone she barely knows. Even as Radhika tries to understand how a once ideal marriage has come undone, and struggles with her own feelings for an older man, tragedy strikes: Tara dies in mysterious circumstances and Shaan is arrested for murder. In the aftermath, Radhika realizes that while life may seldom turn out as expected, the only hope lies in finding the courage to take one's chances. A meditation on the nature of love and marriage, this subtle novella is vintage Shashi Deshpande. '[A] mesmerizing writer. . .you can never walk away from her stories.' About the AuthorShashi Deshpande, daughter of the renowned Kannada dramatist and Sanskrit scholar Shriranga, was born in Dharwad. She studied economics in Mumbai, then moved to Bangalore, where she gained a degree in law. Her writing career began in 1970, initially with short stories, of which several volumes have been published. She is also the author of eight novels, the best known of which are That Long Silence, which won the Sahitya Akademi award and is considered a landmark in Indian writing in English; The Dark Holds No Terror; Small Remedies; Moving On; and The Country of Deceit.

    Traveling from Portsmouth to the south of France, Tarquin Winot, the book's snobbish narrator, instructs us in his philosophy on everything from the erotics of dislike to the psychology of the menu. Under the guise of completing a cookbook, Winot is in fact on a much more sinister mission that only gradually comes to light.

    It is a totally fresh, savvy and supremely honest take on being young, naive and hopeful, and the pains of living life at hyperspeed in a mad pop-culture world. It is fast, pacy and funny - an exhilarating joyride through the formative years of four Falkirk teenagers.'A terrific yarn... superb from start to finish' - FHM 'There is real emotion here, and gutsiness... a feeling for language so passionate it shames the dullness of so many sentences that make it into print' - Sunday Herald 'Required reading for those who understand and live its message' - The Herald

    His girlfriend’s father hates him and his own parents’ opinion of him isn’t much better.Broke and down on his luck, Sebastien robs a grocery store, making off with nearly $4,000. His image is all over the television within hours, but before Sebastien can be arrested, a drunk driver smashes into his Jeep in the middle of town. Things couldn’t get much worse until a Marine recruiter who witnesses the accident gives Sebastien a ride home…and a way out.Embarking on an unexpected journey, the Marine Corps shows Sebastien another world—of abuse and authority, of war and compassion, of lust and consequences—and by the time he returns home, he’ll be forever changed.