Laetitia Rodd, aged fifty-two, is the widow of an archdeacon. Living in Hampstead with her confidante and landlady, Mrs. Benson, who once let rooms to John Keats, Laetitia makes her living as a highly discreet private investigator.Her brother, Frederick Tyson, is a criminal barrister living in the neighboring village of Highgate with his wife and ten children. Frederick finds the cases, and Laetitia solves them using her arch intelligence, her iron discretion, and her immaculate cover as an unsuspecting widow. When Frederick brings to her attention a case involving the son of the well-respected, highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire to take up a position as the family’s new governess—quickly making herself indispensable. But the seemingly simple case—looking into young Charles Calderstone’s “inappropriate” love interest—soon takes a rather unpleasant turn. And as the family’s secrets begin to unfold, Laetitia discovers the Calderstones have more to hide than most.

    It has been twenty years since the death of Rebecca, the hauntingly beautiful first wife of Maxim de Winter, and twenty years since Manderley, the de Winter family's estate, was destroyed by fire. But Rebecca's tale is just beginning.Colonel Julyan, an old family friend, receives an anonymous package concerning Rebecca. An inquisitive young scholar named Terence Gray appears and stirs up the quiet seaside hamlet with questions about the past and the close ties he soon forges with the Colonel and his eligible daughter, Ellie. Amid bitter gossip and murky intrigue, the trio begins a search for the real Rebecca and the truth behind her mysterious death.

    Its walls hold stories. Births and deaths, comings and goings, people and events passing through... For now, however, it lies suspended in a kind of emptiness, as if it has fallen asleep or someone has put it under a spell. This silence won't last: can't last. Something will have to be done."When brother and sister Charlie and Ros discover that they have inherited their aunt's grand English country house, they must decide if they should sell it. As they survey the effects of time on the the estate's architectural treasures, a narrative spanning two and a half centuries unfolds. We meet those who built the house, lived in it and loved it, worked in it, and those who would subvert it for their own ends. Each chapter is skillfully woven into the others so that the story lines of the upstairs and downstairs characters and their relatives and descendants intertwine to make a rich tapestry. A beautifully written novel full of humor, heart, and poignancy, Ashenden is an evocative portrait of a house that becomes a character as compelling as the people who inhabit it.

    Jekyll's dutiful and intelligent housemaid.Faithfully weaving in details from Robert Louis Stevenson's classic, Martin introduces an original and captivating character: Mary is a survivor-scarred but still strong-familiar with evil, yet brimming with devotion and love. As a bond grows between Mary and her tortured employer, she is sent on errands to unsavory districts of London and entrusted with secrets she would rather not know. Unable to confront her hideous suspicions about Dr. Jekyll, Mary ultimately proves the lengths to which she'll go to protect him. Through her astute reflections, we hear the rest of the classic Jekyll and Hyde story, and this familiar tale is made more terrifying than we remember it, more complex than we imagined possible.

    Hiding the shame of their mental instability in what was once a magnificent private estate, the patients suffer from nervous attacks and tormenting dreams. But something more is going on at Portis House—its plaster is crumbling, its plumbing makes eerie noises, and strange breaths of cold waft through the empty rooms. It’s known that the former occupants left abruptly, but where did they go? And why do the patients all seem to share the same nightmare, one so horrific that they dare not speak of it?Kitty finds a dangerous ally in Jack Yates, an inmate who may be a war hero, a madman… or maybe both. But even as Kitty and Jack create a secret, intimate alliance to uncover the truth, disturbing revelations suggest the presence of powerful spectral forces. And when a medical catastrophe leaves them even more isolated, they must battle the menace on their own, caught in the heart of a mystery that could destroy them both.

    A potter's assistant by day and dress lodger by night, Gustine sells herself for necessity in a rented gown, scrimping to feed and protect her only love: her fragile baby boy. She holds a glimmer of hope after meeting Dr. Henry Chiver, a prisoner of his own dark past. But in a world where suspicion of medicine runs rampant like a fever, these two lost souls will become irrevocably linked, as each crosses lines between rich and destitute, decorum and abandon, damnation and salvation. By turns tender and horrifying, The Dress Lodger is a captivating historical thriller charged with a distinctly modern voice. . . .

    And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    All of the first-class carriages except the one carrying Dickens are smashed to bits in the valley below. When Dickens descends into that valley to confront the dead and dying, his life will be changed forever. And at the core of that ensuing five-year nightmare is…Drood… the name that Dickens whispers to his friend Wilkie Collins. A laudanum addict and lesser novelist, Collins flouts Victorian sensibilities by living with one mistress while having a child with another, but he may be the only man on Earth with whom Dickens can share the secret of…Drood. Increasingly obsessed with crypts, cemeteries, and the precise length of time it would take for a corpse to dissolve in a lime pit, Dickens ceases writing for four years and wanders the worst slums and catacombs of London at night while staging public readings during the day, gruesome readings that leave his audiences horrified. Finally he begins writing what would have been the world’s first great mystery masterpiece, The Mystery of Edwin Drood, only to be interrupted forever by…Drood.Based on actual biographical events, Drood explores the still-unresolved mysteries of one of our greatest writer’s dark final days in a profoundly original tale that confirms Lincoln Child’s assessment of New York Times bestselling author Dan Simmons as “a giant among novelists.”

    The two men are sucked into the perilous depths of this moral and ethical vacuum when Lord Palmerston commissions Burton to investigate assaults on young women committed by a weird apparition known as Spring Heeled Jack, and to find out why werewolves are terrorizing London's East End.Their investigations lead them to one of the defining events of the age, and the terrifying possibility that the world they inhabit shouldn't exist at all!

    In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town's Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry II is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt. Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest "master of the art of death," an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a "mistress" of the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king. In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king's tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia's investigation takes her into Cambridge's shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again . .

    a literary pirate; an individual capable of doing all that must be done in the universe of books that publishers, authors, and readers must not have a part inLondon, 1890—Pen Davenport is the most infamous bookaneer in Europe. A master of disguise, he makes his living stalking harbors, coffeehouses, and print shops for the latest manuscript to steal. But this golden age of publishing is on the verge of collapse. For a hundred years, loose copyright laws and a hungry reading public created a unique opportunity: books could easily be published without an author’s permission. Authors gained fame but suffered financially—Charles Dickens, Mark Twain, Robert Louis Stevenson, to name a few—but publishers reaped enormous profits while readers bought books inexpensively. Yet on the eve of the twentieth century, a new international treaty is signed to grind this literary underground to a sharp halt. The bookaneers are on the verge of extinction.From the author of The Dante Club, Matthew Pearl, The Last Bookaneer is the astonishing story of these literary thieves’ epic final heist. On the island of Samoa, a dying Robert Louis Stevenson labors over a new novel. The thought of one last book from the great author fires the imaginations of the bookaneers, and soon Davenport sets out for the South Pacific island. As always, Davenport is reluctantly accompanied by his assistant Fergins, who is whisked across the world for one final caper. Fergins soon discovers the supreme thrill of aiding Davenport in his quest to steal Stevenson’s manuscript and make a fortune before the new treaty ends the bookaneers’ trade forever. But Davenport is hardly the only bookaneer with a mind to pirate Stevenson’s last novel. His longtime adversary, the monstrous Belial, appears on the island, and soon Davenport, Fergins, and Belial find themselves embroiled in a conflict larger, perhaps, than literature itself.In The Last Bookaneer, Pearl crafts a finely wrought tale about a showdown between brilliant men in the last great act of their professions. It is nothing short of a page-turning journey to the heart of a lost era.

    As the First World War enters its most brutal phase, back home in England, everyone is seeking answers to the darkness that has seeped into their lives. At Blackwater Abbey, on an island off the Devon coast, Lord Highmount has arranged a spiritualist gathering to contact his two sons who were lost in the conflict. But as his guests begin to arrive, it gradually becomes clear that each has something they would rather keep hidden. Then, when a storm descends on the island, the guests will find themselves trapped. Soon one of their number will die. For Blackwater Abbey is haunted in more ways than one...

    The nation, seething with religious and political discontent, has erupted into violence and terror. Jacob Cullen and his fellow soldiers dream of rebuilding their lives when the fighting is over. But the shattering events of war will overtake them. A darkly erotic tale of passion and obsession, As Meat Loves Salt is a gripping portrait of England beset by war. It is also a moving portrait of a man on the brink of madness. Hailed as a masterpiece, this is a novel by a most original new voice in fiction.

       Calista Langley operates an exclusive “introduction” agency in Victorian London, catering to respectable ladies and gentlemen who find themselves alone in the world. But now, a dangerously obsessed individual has begun sending her trinkets and gifts suitable only for those in deepest mourning—a black mirror, a funeral wreath, a ring set with black jet stone. Each is engraved with her initials.   Desperate for help and fearing that the police will be of no assistance, Calista turns to Trent Hastings, a reclusive author of popular crime novels. Believing that Calista may be taking advantage of his lonely sister, who has become one of her clients, Trent doesn’t trust her. Scarred by his past, he’s learned to keep his emotions at bay, even as an instant attraction threatens his resolve.   But as Trent and Calista comb through files of rejected clients in hopes of identifying her tormentor, it becomes clear that the danger may be coming from Calista’s own secret past—and that only her death will satisfy the stalker...

    Growing up sheltered and confined, removed from sunshine and fresh air, the pale and overly slender Anne grew up with few companions except her cousins, including Fitzwilliam Darcy. Throughout their childhoods, it was understood that Darcy and Anne would marry and combine their vast estates of Pemberley and Rosings. But Darcy does not love Anne or want her.After her father dies unexpectedly, leaving her his vast fortune, Anne has a moment of clarity: what if her life of fragility and illness isn’t truly real? What if she could free herself from the medicine that clouds her sharp mind and leaves her body weak and lethargic? Might there be a better life without the medicine she has been told she cannot live without?In a frenzy of desperation, Anne discards her laudanum and flees to the London home of her cousin, Colonel John Fitzwilliam, who helps her through her painful recovery. Yet once she returns to health, new challenges await. Shy and utterly inexperienced, the wealthy heiress must forge a new identity for herself, learning to navigate a “season” in society and the complexities of love and passion. The once wan, passive Anne gives way to a braver woman with a keen edge—leading to a powerful reckoning with the domineering mother determined to control Anne’s fortune . . . and her life.An extraordinary tale of one woman’s liberation, The Heiress reveals both the darkness and light in Austen’s world, with wit, sensuality, and a deeply compassionate understanding of the human heart.