Divan of Shah represents an unconscious longing for union within. It is beautifully illustrated and a wonderful amalgamation of some of Shah’s brilliant work filled with the raw emotion of love as if he himself has spilled his heart onto a canvas and has painted love itself. Shah has tapped into the collective unexplored and perhaps his own realm of dreams.The book meticulously presents so many aspects of love in specific detail which harkens one’s appreciation for love even more than before and some examples of love we may have taken for granted. It shows the limitless power and ways love presents itself and how it can change one’s life for the better or worse.This one is a thoughtful collection of poetic lines that invites the reader into the dimension of love, which happens to be the idea of a reflective mirror having no color yet for all colors of the embodiment are reflected back.never make a lady crypearls are not meant to flowlet them reside within celestial eyesfor even paradise unveils its reflectionthrough the radiance of their glow

    Table of Contents: List of Works by Collection and TitleList of Works in Alphabetical OrderRobert Frost BiographyA Boy's Will :: North of Boston :: Mountain Interval :: Miscellaneous PoemsA Boy's Will (1913)Into My OwnGhost HouseMy November GuestLove and a QuestionA Late WalkStarsStorm FearWind and Window FlowerTo the Thawing WindA Prayer in SpringFlower-gatheringRose PogoniaAsking for RosesWaiting--Afield at DuskIn a ValeA Dream PangIn NeglectThe Vantage PointMowingGoing for WaterRevelationThe Trial by ExistenceIn Equal SacrificeThe Tuft of FlowersSpoils of the DeadPan with UsThe Demiurge's LaughNow Close the WindowsA Line-storm SongOctoberMy ButterflyReluctanceNorth of Boston (1914)The Pasture Mending WallThe Death of the Hired ManThe MountainA Hundred CollarsHome BurialThe Black CottageBlueberriesA Servant to ServantsAfter Apple-pickingThe CodeThe Generations of MenThe HousekeeperThe FearThe Self-seekerThe Wood-pileGood HoursMountain Interval (1916; revised 1920)The Road Not Taken Christmas Trees An Old Man's Winter Night The Exposed Nest A Patch of Old Snow In the Home Stretch The Telephone Meeting and Passing Hyla Brook The Oven Bird Bond and Free Birches Pea BrushPutting in the Seed A Time to Talk The Cow in Apple Time An Encounter Range-finding The Hill Wife The Bonfire A Girl's Garden Locked Out The Last Word of a Bluebird "Out, Out—" Brown's Descent, or the Willy-nilly Slide The Gum-gatherer The Line-gang The Vanishing Red Snow The Sound of the Trees Miscellaneous Poems to 1920 "The Ax-Helve" "Fire and Ice" "The Flower Boat" "For Once, Then, Something" "Fragmentary Blue""Good-by and Keep Cold" "The Lockless Door""The Need of Being Versed in Country Things" "Not to Keep""Place for a Third" "Plowmen""The Runaway""To E.T.""The Valley's Singing Day""Wild Grapes"

    Ephemeral, vivid and therapeutic poems infused with mysticism and female sexuality are accompanied by intimate self-portraits and nude photographs of the artist's closest friends. Taken on black and white film, these pictures were created especially for this book of poetry making it both a visual and written account of the author's personal journey through a difficult time in her life. By diving deep into her individual and intimate experiences, Neringa creates a work of art where everyone can find themselves by immersing themselves in her honest storytelling.

    From her first book, AWE, Lasky has been crafting her hallmark voice, a mixture of language that is "boldly colored, unabashed, and wildly human" (Timothy Donnelly), presenting her readers with poetry full of "blood-red realness" (Boston Globe) and haunting lines that "recall Frank O’Hara and Allen Ginsberg" (Chicago Tribune). With each new book, from the grand religiosity of AWE to the flat sadness and nihilism of Black Life to the witchery of Thunderbird, her poems have kept gaining an increasingly robust readership and have influenced an entire generation of new poets, fusing the transcendent vision of the New York School with a kind of performative confessionalism, bringing the force and power of the classical world into the everyday.ROME, her fourth collection, marks the arrival of this seminal American poet to the classic Liveright imprint. This work finds her in the arena of eternal longing and heartsick desire, confronting her ghosts and demons, savaged by grief and lust. ROME is a book populated with love's proxies, its wounded animals and desiccated bodies, in league with her chosen poetic company: Catullus and Anne Sexton, Nicki Minaj and Drake. Pulitzer Prize winner Tracy K. Smith writes, "Dorothea Lasky's ROME is dark, fearlessly frank, unabashedly vulnerable, and full of real live heart." In these poems of high lyricism, Lasky fuses the ancient world, with all its grandiosity and power, with the fierceness and heartbreak of our everyday world, where sometimes all a poet can do is to carry her line like a weapon in an awful blood sport––the blood jet––taking no prisoners as she slashes across a landscape of language, strange fascinations, real people, and the imagination.

    During this period Harrison wrote Legends of the Fall--a collection of novellas--and two novels: Farmer and Warlock. He evolved a new approach to his poetry, hoping to avoid both academic formalism and the vogue of hygienic confessions. The voice of the selected poems speaks with the courage, intelligence, and wit that is Harrison's alone."Jim Harrison grew up in northern Michigan and shares with that other Michigan poet, Theodore Roethke, not only the longing to be part of the instinctual world, but also the remarkable knowledge of plant and animal life that comes only with long familiarity and close observation. This raises an incidental question: How many more poets of this kind will we see in the United States? It is a melancholy thought that Mr. Harrison may be the last of the species."--Poetry

    It is an acquired taste, for those who do not mind profanity and dishevelled emotions.

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.

    With Drinking from the River of Light, this bestselling poet and philosopher will lead you on a journey to discover just how art and authentic expression can bring our deepest truths to bear in the world.In this collection of interconnected essays and poetry—covering subjects ranging from the importance of staying in conversation with other forms of life to a consideration of how innovators such as Matisse, Rodin, and Beethoven saw the world—Nepo presents a lyrical ode to the creative urge that stirs in each of us. Whether it’s the search for a metaphor to reveal life’s beauty or the brushstroke that will thoroughly capture the moment, Drinking from the River of Light examines what it means to go “. . . beyond the boundaries of art, where the viewer and participant are one.”Here you will discover:· The importance of openly embracing the full scope of your emotions· The need for raw honesty and self-exploration in education· Why a new perspective always waits only a “quarter turn” away· The importance of staying in constant conversation with other creative voices· The crucial difference between giving and getting attention· Concrete guidelines for respectful peer review· What it means to channel the sound of your innermost being—and the universeIn Nepo’s words, “This book is meant to be experienced and journeyed with.” Including dozens of journaling prompts and personal exercises meant to enliven the reader’s creative instincts, Drinking from the River of Light traces the search for our most essential selves and the importance of the life of expression to bear witness to the sorrow, depth, and joy of life.

    Clare was an impoverished agricultural laborer, whose genius was generally not appreciated by his contemporaries, and his later mental instability further contributed to his loss of critical esteem. But the extraordinary range of his poetical gifts has restored him to the company of contemporaries like Lord Byron, John Keats, and Percy Bysshe Shelley.This authoritative edition brings together a generous selection of Clare's poetry and prose, including autobiographical writings and letters and illustrates all aspects of his talent. It contains poems from all stages of his career, including love poetry and bird and nature poems. Written in his native Northamptonshire, Clare's work provides a fascinating reflection of rural society, often underscored by his own sense of isolation and despair. Clare's writings are presented with the minimum of editorial interference, and with a new introduction by the poet and scholar Tom Paulin.

    This latest edition includes new notes and exercises, and has a freshly designed, learning-friendly format that makes it more relevant and accessible to students of poetry in Southern Africa.

    When her beloved sister Julie marries his brother Joseph, Desiree and Napoleon’s futures become irrevocably linked. Quickly entering into their own passionate, dizzying courtship that leads to a secret engagement, they vow to meet in the capital once his career has been secured. But her newly laid plans with Napoleon turn to sudden heartbreak, thanks to the rising star of Parisian society, Josephine de Beauharnais. Once again, Desiree’s life is turned on its head.Swept to the glittering halls of the French capital, Desiree is plunged into the inner circle of the new ruling class, becoming further entangled with Napoleon, his family, and the new Empress. But her fortunes shift once again when she meets Napoleon's confidant and star general, the indomitable Jean-Baptiste Bernadotte. As the two men in Desiree’s life become political rivals and military foes, the question that arises is: must she choose between the love of her new husband and the love of her nation and its Emperor?From the lavish estates of the French Riviera to the raucous streets of Paris and Stockholm, Desiree finds herself at the epicenter of the rise and fall of an empire, navigating a constellation of political giants and dangerous, shifting alliances. Emerging from an impressionable girl into a fierce young woman, she discovers that to survive in this world she must learn to rely upon her instincts and her heart.Allison Pataki’s meticulously researched and brilliantly imagined novel sweeps readers into the unbelievable life of a woman almost lost to history—a woman who, despite the swells of a stunning life and a tumultuous time, not only adapts and survives but, ultimately, reigns at the helm of a dynasty that outlasts an empire.

    Due to the incompetence of Edward II's government, the north is virtually overrun by the Scots, while an invasion fleet is massing across the channel, led by Edward's estranged queen, Isabella, the 'She-Wolf of France'. The first book in the Folville's Law series follows the adventures of Sir John Swale, knight of Cumberland, as he investigates a murder that threatens to bring disaster to Edward's failing kingdom. Along the way he clashes with Eustace Folville and James Coterel, two of the most notorious and brutal outlaws in England. As the death toll mounts, it remains to be seen who will survive and who will perish in the savage game of war and politics. 'Folville's Law (I): Invasion' is a new edition of the first part of the John Swale Chronicles.

    But from within their strongly defined unity of ideals, an astonishingly varied body of poetry emerged.Robin Skelton has arranged the poetry to make an illuminating ‘critical essay’ of the period, and in his introduction he brilliantly probes the moods and mores of an intensely troubled and creative decade.

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015