2,000 to 10,000: How to Write Faster, Write Better, and Write More of What You Love


Rachel Aaron - 2012
    This is the book explaining how, with a few simple changes, I boosted my daily writing from 2000 words to over 10k a day, and how you can too."Expanding on her highly successful process for doubling daily word counts, this book, a combination of reworked blog posts and new material, offers practical writing advice for anyone who's ever longed to increase their daily writing output. In addition to updated information for Rachel's popular 2k to 10k writing efficiency process, 5 step plotting method, and easy editing tips, this new book includes chapters on creating characters that write their own stories, practical plot structure, and learning to love your daily writing. Full of easy to follow, practical advice from a commercial author who doesn't eat if she doesn't produce good books on a regular basis, 2k to 10k focuses not just on writing faster, but writing better, and having more fun while you do it.

Story Structure: The Key to Successful Fiction


William Bernhardt - 2003
    Story structure is one of the most important concepts for a writer to understand—and ironically, one of the least frequently taught. In this book, New York Times-bestselling author William Bernhardt explains the elements that make stories work, using examples spanning from Gilgamesh to The Hunger Games. In each chapter, he introduces essential concepts in a direct and easily comprehended manner. Most importantly, Bernhardt demonstrates how you can apply these ideas to improve your own writing. William Bernhardt is the author of more than thirty books, including the blockbuster Ben Kincaid series of legal thrillers. Bernhardt is also one of the most sought-after writing instructors in the nation. His programs have educated many authors now published by major houses. He is the only person to have received the Southern Writers Gold Medal Award, the Royden B. Davis Distinguished Author Award (U Penn), and the H. Louise Cobb Distinguished Author Award (OSU), which is given "in recognition of an outstanding body of work that has profoundly influenced the way in which we understand ourselves and American society at large." The Red Sneaker Writing Center is dedicated to helping writers achieve their literary goals. What is a red sneaker writer? A committed writer seeking useful instruction and guidance rather than obfuscation and attitude. Red sneakers get the job done, and so do red sneaker writers, by paying close attention to their art and craft, committing to hard work, and never quitting. Are you a red sneaker writer? If so, this book is for you.

On Writing Horror: A Handbook by the Horror Writers Association


Mort Castle - 2006
    You'll discover comprehensive instruction such as:The art of crafting visceral violence, from Jack KetchumWhy horror classics like Dracula, The Exorcist, and Hell House are as scary as ever, from Robert WeinbergTips for avoiding one of the biggest death knells in horror writing--predicable cliches--from Ramsey CampbellHow to use character and setting to stretch the limits of credibility, from Mort CastleWith On Writing Horror, you can unlock the mystery surrounding classic horror traditions, revel in the art and craft of writing horror, and find out exactly where the genre is going next. Learn from the best, and you could be the next best-selling author keeping readers up all night long.

Meet a Jerk, Get to Work, How to Write Villains and the Occasional Hero


Jaqueline Girdner - 2011
    

Self-Editing for Fiction Writers: How to Edit Yourself Into Print


Renni Browne - 1993
    Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories.In this completely revised and updated second edition, Renni Browne and Dave King teach you, the writer, how to apply the editing techniques they have developed to your own work. Chapters on dialogue, exposition, point of view, interior monologue, and other techniques take you through the same processes an expert editor would go through to perfect your manuscript. Each point is illustrated with examples, many drawn from the hundreds of books Browne and King have edited.

Creating Characters: How to Build Story People


Dwight V. Swain - 1990
    Along with a clever plot, well-drawn characters make us want to continue reading a novel or finish watching a movie. In Creating Characters, Dwight V. Swain shows how writers can invent interesting characters and improve them so that they move a story along.“The core of character,” he says in chapter 1, “lies in each individual story person’s ability to care about something; to feel implicitly or explicitly, that something is important.” Building on that foundation—the capacity to care—Swain takes the would-be writer step-by-step through the fundamentals of finding and developing “characters who turn you on.” This basic but thought-provoking how-to is a valuable tool for both the novice and the seasoned writer.

By Cunning & Craft: Sound Advice and Practical Wisdom for Fiction Writers


Peter Selgin - 2007
    Based on the belief that writing successful fiction is a balance between making the right conscious choices and trusting one's own instincts, this text shows readers how to combine the instinctive process of creation with sound technical ingenuity.

The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives


Lajos Egri - 1942
    Lajos Egri's classic, The Art of Dramatic Writing, does just that, with instruction that can be applied equally well to a short story, novel, or screenplay. Examining a play from the inside out, Egri starts with the heart of any drama: its characters. All good dramatic writing hinges on people and their relationships, which serve to move the story forward and give it life, as well as an understanding of human motives - why people act the way that they do. Using examples from everything from William Shakespeare's Romeo and Juliet to Henrik Ibsen's A Doll's House, Egri shows how it is essential for the author to have a basic premise - a thesis, demonstrated in terms of human behavior - and to develop the dramatic conflict on the basis of that behavior.Using Egri's ABCs of premise, character, and conflict, The Art of Dramatic Writing is a direct, jargon-free approach to the problem of achieving truth in writing.

Writing Habit Mastery - How to Write 2,000 Words a Day and Forever Cure Writer’s Block


S.J. Scott - 2013
    The truth is this: Great writers don't have more time than you do. They make time to write. Not only do they make time, they also follow specific routines that help them avoid writer's block altogether. By developing the "writing habit" you'll have the confidence to sit down in front of a computer every day, knowing the words will come. YOUR GOAL: Write 2,000 Words a Day -- Every Day! One of the key factors to effectively developing ANY habit is choosing a specific, measurable goal. So if you want to become a prolific writer, then you'll need to choose a specific word count for each day. While I suggest 2,000 words as a goal, you can pick any number that fits in with your busy schedule. You might choose 500 or 1,000 words a day. Or, you might have more time than I do (or write faster than I do) and choose to write 3,000 or 10,000 words each day. The important thing is to establish a daily word count goal and then stick to it. In "Writing Habit Mastery" you'll learn how to incorporate writing into your daily routine. What you'll get is a strategy and list of tools that will help you develop a sustainable writing habit and demolish writer's block."Writing Habit Mastery" contains a step-by-step blueprint of habits and routines you can use to develop this routine.Inside this guide you'll learn how to: Establish the PERFECT writing routine and environment Find the time to write--even if you have a full-time job Minimize distractions and interruptions Crank out PUBLISHED works on a consistent basis Create an energized state where you're ready to write Make money from your completed books or screenplays < Follow a simple seven-step process that prevents writer's block You can write thousands of words every day. All you need is a strategy to develop this habit.

You Can Write a Mystery


Gillian Roberts - 1999
    In Part One, she defines the genre, concentrating on core elements of the category, from developing ideas and building character profiles to researching crimes and selecting point of view. Following her examples and exercises, readers will begin to create their own story as they construct an outline filled with hooks, cliffhangers, intriguing characters and red herrings. In Part Two, she offers expert advice for editing, revising and submitting a top-notch manuscript.

The Craft of Writing Science Fiction That Sells


Ben Bova - 1994
    Guides writers step by step through the major elements of SF storytelling, showing how to construct strong, editor-attracting stories and novels.

How to Write a Swoon-Worthy Sweet Romance Novel


Victorine E. Lieske - 2018
    How do you make your readers believe your characters are falling in love? How do you show that sizzle of attraction? How do you write a good kissing scene? How do you bring in the much-needed tension but still have your characters flirting and getting closer? In this book I take one of my romance novels (Acting Married) and I go through the entire novel with you, basically interrupting myself to tell you what I was thinking as I was writing the novel. It's like watching a movie with commentary. I pull back the curtain so you can see why I started it the way I did, why I decided to put certain scenes in, and what pushes the romance forward in the book. I preface all this with what I consider the essentials of a good romance novel, and I end with my list of well-loved romance tropes that you can draw from in order to write your own bestselling romance novel.

The Art & Craft of the Short Story


Rick DeMarinis - 2000
    In his highly personal and compelling style, DeMarinis shares advice, classic examples and exercises in this definitive book on the short story.

Write Smart, Write Happy: How to Become a More Productive, Resilient and Successful Writer


Cheryl St. John - 2018
    The act of writing, cycles of revision, and the confusing publishing industry can shatter a writer's confidence, leaving you feeling like an imposter, overcome with rejection. Survival--and success--requires commitment, honesty, courage, resilience, sacrifice, and miles and miles of heart.You have everything you need as a writer--it lies within, in the form of consistency and self-confidence. With Write Smart, Write Happy, best-selling author Cheryl St. John will help you unlock your skills, guiding you to overcome every hesitation, obstacle, form of writer's block, and procrastination habit you have. Within these pages, you'll learn to:Organize your writing life by using a planner, scheduling your yearly goals, and acknowledging career plans.Sharpen your saw by recharging your creativity, developing positive motivation, and creating healthy writing habits.Affirm your beliefs by overcoming self-doubt, learning to use affirmations, and altering your thinking.Conquer remaining fears by releasing tendencies towards perfectionism and establishing strategies for habitual success.Written with a no-nonsense attitude, St. John's "advice from the trenches" will help you take an introspective look at your own writing habits and life. Through examples and inspiration from writers who struggled with--and overcame--rejection and reservations, discover the path towards writing smarter and happier today.

How to Write a Dynamite Scene Using the Snowflake Method (Advanced Fiction Writing Book 2)


Randy Ingermanson - 2018
    Because if you can write one terrific scene, you can write a hundred. And that’s a novel. This is a short book, with just one goal—to teach you the simple principles you can use right now to design a powerful scene before you write it. If you’ve already written your novel, you can use these same principles to make each scene better. About the Book How to Write a Dynamite Scene Using the Snowflake Method will give you the power tools you need to write scenes that move your reader’s emotions. You’ll learn: The one thing your reader most desperately wants. And why. How to decide which character should have the point of view. The 2 kinds of scenes designed to give your reader a powerful emotional experience—and how to know which to use. 5 ways to test that your lead character’s goal in each scene is perfect. How to end every scene so it leaves your reader wanting more. Why dilemmas are good, and how to know when they’re ruining your story. 4 ways to know that your character’s decision will drive your story forward. How to know when a scene is broken—and how to fix it. Excerpt from Chapter 1: Your reader desperately wants one thing. You have it in your power to give your reader that one thing. And what is that one thing? I could tell you what that one thing is, and you would nod and agree that yes, that one thing is clearly something all readers want. But telling you that one thing wouldn’t make it stick in your mind forever. I want it to stick. I’d rather show you that one thing. Once you’ve seen it, once you’ve lived it, you’ll never forget it. That one thing will be inside you, fueling everything you write. So let me tell you a quick story about one of our ancestors who lived many thousands of years ago in a small village on this planet we call home. When I say he’s our ancestor, I mean it literally—he’s your ancestor and he’s my ancestor and he’s every human’s ancestor. That ancestor of ours was once a thirteen-year-old boy, the newest man in the village, and the smallest. Imagine you’re that boy on the day when word comes to the village that there’s a killer tiger ravaging the village’s herd of goats. The Tale of the Tiger You’re furious. A drought has been burning the land for many months. That herd of goats is all that keeps your village from starvation. You’re also terrified. There’s only one way to get rid of a killer tiger. The village has to organize a hunt, find the tiger, and kill it. But that won’t be easy, because there’s nothing more dangerous in your world than a killer tiger. The village headman sends word around to the whole village. All men meet in the village square, and bring your spear. When the messenger comes to your hut, he shakes his head and frowns. He thinks you’re too young to go. In your heart, you’re afraid he’s right.