Bryn Mawr Commentaries have been admired and used by Greek and Latin teachers at every level for twenty years. They provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation. The volumes in the series are modestly priced and remain in print indefinitely. The text in each volume is in either the original Greek or Latin, with grammatical and lexical commentary in English.

    Norman, who works in a doughnut shop and is unable to resist the lure of the sweet pastries, takes great pride in the huge bundle of keys that dangles from his waist; Lucien P. Smith has the mind of a five-year-old but imagines that he is able to read and comprehend the weighty books he lugs about; Arnold, the ringleader of the group, is a hyperactive, compulsive chatterer, who suffers from deep-seated insecurities and a persecution complex; while Barry, a brilliant schizophrenic who is devastated by the unfeeling rejection of his brutal father, fantasizes that he is a golf pro. Mingled with scenes from the daily lives of these four, where "little things" sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they, like their more fortunate brothers, are allotted on this earth.

    

    It’s less great when you turn up to find him dead on the floor, and an armored giant dressed like a freaking ancient warrior standing over his body though.Ares, the God of War, has lost his power and the only way for him to get it back? Me. Apparently, I’m a goddess. One with the power of war. I mean, it does explain a lot.To my relief, Joshua, my shrink and only friend, isn’t really dead. He’s been kidnapped and taken to Olympus—the world where I’m supposed to belong. I vow to do whatever it takes to find him. But Ares has other plans for me. He wants my power, and the easiest way for him to get it is to kill me.When Hades suggests a compromise, I’m forced to work side-by-side with a giant, murderous warrior god. One with far too many secrets. Ares might be the brute everyone thinks he is, but I’m no angel. He awakens a power within me that I’ve failed to control my whole life.And I soon discover that Joshua isn’t the only one that needs saving.This is the complete collection of The Ares Trials, including The Warrior God, The Savage God and The Golden God. It is intended for adults and is packed with magic, mythology and enemies-to-lovers soulmate romance!

    By the end of the Second World War, however, the reputation of both novels had grown and Faulkner's great fictional creation, Yoknapatawpha County, had become as much a part of America as any real area of the Mississippi landscape. This "Guide" explores the wealth of critical material generated by these two exceptional works of modernist fiction. From the initially mixed critical responses to the novels in the early 1930s, the "Guide" follows the enormous growth of interest in Faulkner's work across six decades. New writings shaped by a range of critical theories are discussed, offering the reader a clear view of the place now given to one of America's most innovative and influential novelists.

    The Devas or Gods of the Vedic age were eternal enemies of the Asuras or Demonic races. How could the son of the preceptor of the Gods possibly hope to find love and happiness with the daughter of the preceptor of the Demons? Yet love flowers in the unlikeliest places and so Kacha and Devayani began to dream the impossible dream. Their love was doomed to end tragically but the how and wherefore of the tragedy is what makes their story so unforgettable. But the story doesn’t end there. Instead, it segues (after a gap of a few years) into another: the love triangle of Devayani, her former friend Sharmishtha, and the man they both loved, Yayati. After a quarrel with her friend Sharmishtha, Devayani used her father’s influence and power to force her friend Sharmishtha to live out the rest of her life as Devayani’s personal maidservant. One day, Devayani found herself trapped at the bottom of a well deep in the forest. Soon after, a stranger wandering through the forest, chanced across her.. On learning that he was Yayati, king of a powerful nation, she blackmailed him into a relationship. But unknown to Devayani, Yayati fell in love with Sharmishtha, resulting in a love triangle that presages the plots of countless present-day soap operas. Read on to see how Ashok’s storytelling shines brilliant light upon this gem pried loose from the mosaic of his own Mahabharata Series.

    With stage performance specifically in mind, Ah1 renders Seneca's dramatic force in a modern idiom and style that move easily between formality and colloquialism as the text demands, and he strives to reproduce the richness of the original Latin, to retain the poetic form, images, wordplays, enigmas, paradoxes, and dark humor of Seneca's tragedies.Here is a moving and accomplished translation of this complex play dealing the the violent passions stirred by innocence and beauty and the terrible power of ideology, hatred, and misunderstanding.

    He would travel the world in his magnificent flying chariot, the Pushpaka Vimana, which had been gifted to him by his great-grandfather Brahma. Lanka enjoyed an age of peace and prosperity under Kubera's reign. But all that changed when his fearsome half-brother Dasagriva, the leader of the rakshasas, decided to claim the city as his own. Amar Chitra Katha pieces together from various sources in Indian mythology, the story of the Lord of Wealth.

    Sheltered by a potter the boy grew up with the prophecy of a wandering sage ringing in his ears that he would one day become king. The Sanskrit classic, Kathasaritasagar and Vikrama Charita, from which most of this story is taken, traces the path that makes Shalivahana so powerful that an entire era, the Shalivahana Shaka, was named after him.

    Can they summon their warriors and get them ready before it's too late?On the other side of the tumultuous country, young Sakthi, blissfully unaware about the danger that looms over the world, goes about her normal day of slaying demons in the quaint little village of Meghavazhi, and proving to her tribe that she stands leagues above the rest of her people – a feat quite unique, not only to her tribe, but to the rest of the waiting world. Her whole world, however, comes crumbling down on her when she unwittingly finds herself completing the triad, the three tasks which were set forth to identify her as one of the Chosen Hexad.Fear intermingled with the amorous charms of the wonderful land of Kumari Kandam brings forth a stimulating new experience for Sakthi as she gets completely taken in by the people, magic, and wealth of new changes that she has to face. Can she, a young innocent from an obscure village, navigate through the trials and tribunals to earn her place as a worthy member of the Chosen Hexad and stand with the Kings to face the wrath of the Greater Evil? What astounding adventures await the brave princess of Meghavazhi?

    The central figures are the Baums, a wealthy family whose fortune has vanished in the stock market crash, but their story is amplified and illuminated by brief glimpses of other lives; a farmer who has lost all in the dust bowl; a prostitute who exchanges her favors for dental work; a white Southern sheriff in thrall to a black short-order cook; a young man who dreams of success on Tin Pan Alley, etc. Moving deftly from scene to scene, some funny, some movingly poignant, the play becomes a deeply affecting evocation both of a tortured time in American history and of the indomitable spirit of the people who survived and prevailed in the face of unaccustomed adversity.

    Morrison's response to Sellars’ 2009 production of Othello is an intimate dialogue of words and music between Desdemona and her African nurse Barbary. Morrison gives voice and depth to the female characters, letting them speak and sing in the fullness of their hearts. Desdemona is an extraordinary narrative of words, music and song about Shakespeare’s doomed heroine, who speaks from the grave about the traumas of race, class, gender, war — and the transformative power of love. Toni Morrison transports one of the most iconic, central, and disturbing treatments of race in Western culture into the new realities and potential outcomes facing a rising generation of the 21st century.

     The greatest villain of our legends, burnt down every year, reduced to ashes again and again, only to rise anew. His is a cycle of death and rebirth that never ends, a legend that refuses to die. And there is a reason for that. The tale of Rāvan still screams to be told, to break free of the falsehoods that have buried his truth. But in the vastness of our myths, there are bits and pieces of his legend scattered all around, leading us to the truth of what could well be the greatest unsolved mystery of all time. The truth of Rāvan's life, and his death by a God in mortal flesh… Rāvan's origin, as the descendant of Lord Brahma, his devotion to Shiva and his conquest of Swarga speak of a great king, stronger and wiser than even the Devas. How then does he succumb to lust, cowardice and finally, foolhardiness? And what was Rāvan's sin that made his death necessary? The abduction of Sitā was a mere front, for the Rām avatar had been born long before that. Why did Vishnu stand against him, when he was blessed by both Shiva and Brahma? How was Rāvan, blessed with invincibility, defeated so conveniently, by a God in human flesh? Could Rāvan not have thought of that, and prepared against it? And why did Shiva allow the death of his greatest worshipper, the one he himself had named? What if the Rāmayan was just a part of a greater story, a cosmic game of chess between Vishnu and Rāvan? What if our greatest epic is merely the end of a tale that had begun long ago?"

    Now at your fingertips. The Mahabharata is the world's longest epic. It contains within it numerous fables, anecdotes and pieces of practical wisdom that make up what we today call Indian culture.Two thousand tales from this ocean of Vedic literature are now being retold for your reading pleasure. Crisp, comprehensive, contextual.In this volume you will find stories such as:- The three disciples of Dhaumya the sage- The strange adventures of Uttanka- The tortoise that fought with an elephant over years by a lake- How Sesha came to become the supporter of Mother Earth- Who the second Indra was and how he was 'defeated'And many more. Whether you're a casual reader of mythology or a die-hard fanatic, this is a must-read.