A stressed-out single mom of two and struggling novelist, Finlay’s life is in chaos: The new book she promised her literary agent isn’t written; her ex-husband fired the nanny without telling her; and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors.When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet. She soon discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation.Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moments, Finlay Donovan Is Killing It is the first in a brilliant new series from award-winning Elle Cosimano.

    Hotly pursued by the police, they crash into the suburban home of an accountant and take the family hostage. Soon the mafia are on the scene.

    Chet might have flunked out of police school ("I'd been the best leaper in K-9 class, which had led to all the trouble in a way I couldn't remember exactly, although blood was involved"), but he's a detective through and through.In this, their first adventure, Chet and Bernie investigate the disappearance of Madison, a teenage girl who may or may not have been kidnapped, but who has definitely gotten mixed up with some very unsavory characters. A well-behaved, gifted student, she didn't arrive home after school and her divorced mother is frantic. Bernie is quick to take the case-something about a cash flow problem that Chet's not all that clear about-and he's relieved, if vaguely suspicious, when Madison turns up unharmed with a story that doesn't add up. But when she disappears for a second time in a week, Bernie and Chet aren't taking any chances; they launch a full-blown investigation. Without a ransom demand, they're not convinced it's a kidnapping, but they are sure of one thing: something smells funny.Their search for clues takes them into the desert to biker bars and other exotic locals, with Chet's highly trained nose leading the way. Both Chet and Bernie bring their own special skills to the hunt, one that puts each of them in peril. But even as the bad guys try to turn the tables, this duo is nothing if not resourceful, and the result is an uncommonly satisfying adventure.With his doggy ways and his endearingly hardboiled voice, Chet is full of heart and occasionally prone to mischief. He is intensely loyal to Bernie, who, though distracted by issues that Chet has difficulty understanding-like divorce, child custody, and other peculiar human concerns-is enormously likable himself, in his flawed, all-too-human way.

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    “With its tale of provincial life, gimlet-eyed spinsters, and thwarted love…it feels almost like a Miss Marple mystery written by Colm Tóibín” (New York Times).The remote Irish village of Duneen has known little drama, and yet its inhabitants are troubled: Sergeant P.J. Collins hasn’t always been this overweight; Brid Riordan, a mother of two, hasn’t always been an alcoholic; and elegant Evelyn Ross hasn’t always felt that her life was a total waste.So when human remains—suspected to be those of Tommy Burke, a former lover of both Brid and Evelyn—are discovered on an old farm, the village’s dark past begins to unravel. As a frustrated P.J. struggles to solve a genuine case for the first time in his professional life, he unearths a community’s worth of anger and resentments, secrets and regrets.Darkly comic, at times profoundly sad, and “especially inviting because of its tongue-in-cheek wit” (Kirkus Reviews), Holding is a masterful debut. Graham Norton employs his acerbic humor to breathe life into a host of lovable characters, and explore—with searing honesty—the complexities and contradictions that make us human.

    The body of her estranged twin sister, Angela—the possible victim of a serial killer—has been pulled from the Seine. Putting what’s left of her life on hold, Shayna heads to Paris. But while cleaning out Angela’s apartment, Shayna makes a startling discovery: a coded message meant for her alone… Alive. Trust no one. Taking the warning to heart, Shayna maintains the lie. She makes a positive ID on the remains and works to find out where—and why—her missing sister is hiding. Shayna retraces her sister’s footsteps, and they lead her down into Paris’s underbelly.As she gets closer to the truth—and to the killer—Shayna’s own life may now be in the balance…

    What if she's not dead?Pushed to the breaking point, Cara Burrows flees her home and family and escapes to a five-star spa resort she can't afford. Late at night, exhausted and desperate, she lets herself into her hotel room and is shocked to find it already occupied — by a man and a teenage girl.A simple mistake at the front desk... but soon Cara realizes that the girl she saw alive and well in the hotel room is someone she can't possibly have seen: the most famous murder victim in the country, Melody Chapa, whose parents are serving natural life sentences for her murder.Cara doesn't know what to trust — everything she's read and heard about the case, or the evidence of her own eyes. Did she really see Melody? And is she prepared to ask herself that question and answer it honestly if it means risking her own life?

    On a freezing day in December, another child goes missing: 13-year-old Alison Carter vanishes from the isolated Derbyshire hamlet of Scardale. For the young George Bennett it is the beginning of his most difficult and harrowing case: a murder with no body, an investigation with more dead ends and closed faces than he'd have found in the inner city; an outcome that reverberates down the years.Decades later he tells his story to journalist Catherine Heathcote, but just when her book is poised for publication, Bennett tries to pull the plug. He has new information that he will not divulge, and that threatens the very foundation of his existence. Catherine is forced to reinvestigate the past, with results that turn the world upside down.A taut psychological thriller that explores, exposes and explodes the border between reality and illusion in a multilayered narrative that turns expectations on their head and reminds us that what we know is what we do not know...

    she used to be a Demon Hunter.Now retired, she's more interested in the domestic than the demonic. So when she catches sight of a demon in Walmart, she tells herself it's some other Hunter's problem. But when that demon attacks her in her kitchen, retirement is no longer an option.Now Kate has to kick a little demon butt, figure out why the creatures are trying to take her out and take over her home town, and at the same time take care of her 2-year-old, deal with a hormonal 14-year-old, get the family to Mass on time, and try to keep her past a secret from her daughter and her husband.She's a little out of practice, but hey ... if she can juggle two kids and an impromptu dinner party, ridding the town of demons should be a piece of cake. Like the saying goes, Carpe Demon ... and Kate intends to do just that.

    with a little problem: he's narcoleptic, and he suffers from the most severe symptoms, including hypnagogic hallucinations. These waking dreams wreak havoc for a guy who depends on real-life clues to make his living.Clients haven't exactly been beating down the door when Mark meets Jennifer Times―daughter of the powerful local D.A. and a contestant on American Star―who walks into his office with an outlandish story about a man who stole her fingers. He awakes from his latest hallucination alone, but on his desk is a manila envelope containing risqué photos of Jennifer. Are the pictures real, and if so, is Mark hunting a blackmailer, or worse?Wildly imaginative and with a pitch-perfect voice, Paul Tremblay's The Little Sleep is the first in a new series that casts a fresh eye on the rigors of detective work, and introduces a character who has a lot to prove―if only he can stay awake long enough to do it.

    Sure, she's got telekinetic powers—a skill that the government is all too happy to make use of, sending her on secret break-in missions that no ordinary human could carry out. But all she really wants to do is kick back, have a beer, and pretend she's normal for once.But then a body turns up at the site of her last job—murdered in a way that only someone like Teagan could have pulled off. She's got 24 hours to clear her name—and it's not just her life at stake. If she can't unravel the conspiracy in time, her hometown of Los Angeles will be in the crosshairs of an underground battle that's on the brink of exploding... Full of imagination, wit and random sh*t flying through the air, this insane adventure from an irreverent new voice will blow your tiny mind.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    Money, success, privilege - the residents have it all. Life is good.There's just one problem.Olive Collins' dead body has been rotting inside number four for the last three months. Her neighbours say they're shocked at the discovery but nobody thought to check on her when she vanished from sight.The police start to ask questions and the seemingly flawless facade begins to crack. Because, when it comes to Olive's neighbours, it seems each of them has something to hide, something to lose and everything to gain from her death.

    But Kennedy's teenage rebellion goes too far when, after a night of partying in the woods, her best friend, Haley, is murdered, and suspicion quickly falls upon Kennedy. She can't remember anything about the night in question, and this, along with the damning testimony from a college boy who both Kennedy and Haley loved, is enough to force Kennedy to enter a guilty plea.In 2008, Kennedy is released into a world that has moved on without her. Carter has grown distant as she questions Kennedy's innocence, and begins a relationship with someone who could drive the sisters apart forever. The twins' father, Gerry, is eager to protect the family's secrets and fragile bonds. But Kennedy's return brings the tragedy back to the surface, along with a whole new wave of media. When a crime show host comes to town asking questions, believing the murder wasn't wasn't as simple as it seemed, murky memories of Haley's death come to light. As new suspects emerge and the suburban woods finally give up their secrets, two families may be destroyed again.

    Instead, the victim turns out to be a woman he'd had an affair with before breaking it off to save his marriage. But there's a bigger problem: Liam has no memory of where he was or what he did on the night of the murder.Panicked, Liam turns to his brother, Sean, a homicide detective. Sean has his back, but incriminating evidence keeps piling up. From fingerprints to DNA, everything points to Liam, who must race against time and his department to uncover the truth - even if that truth is his own guilt. Yet as he digs deeper, dark secrets come to light, and Liam begins to suspect the killer might actually be Sean ...When the smoke clears in this harrowing family drama, who will be left standing?