Now seventeen, Kit doesn’t remember the incident, and she doesn’t want to. In fact, her only clear memories from before her parents’ death are of the fantastical stories of pirates and mermaids that she and her dad invented about the small island where she grew up, a place she calls Neverland. Following Kit’s parents’ deaths, her uncle and guardian, Doc, transformed the island into a boarding school for mentally ill teenagers and sent Kit away to school on the mainland. But when Kit tries and fails to end her life, Doc brings her home to the island and places her in the care of his colleague, Dr Hannah Ward. Resisting her treatment, Kit instead pulls her friends deeper into her world of make-believe. It’s only when Kit and her new boyfriend, Rohan, take the fantasy too far and land themselves in very real danger that her faith in Neverland is shaken, and Kit must find a way back to reality.

    How do you move on when the world won’t let you?12:46: Claire Bingley stands alone at a bus stop12:47: Ted Conkaffey parks his car beside her12:52: The girl is missing . . .Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction,Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer. Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past. The residents of Crimson Lake are watching the pair's every move... and the town offers no place to hide.

    Trouble is, Jason’s bad news. Really bad. Now Mum’s quit her job and they’re all moving north to Port Flinders, population nobody."That's a Southern Right Whale. They have the largest balls of any animal in the world."She’d do anything to keep her ten-year-old brother safe. Things she can’t even say out loud. And when Jason gets violent, Skye knows she has to take control. She’s got to get Ben out and their mum’s useless as. The train home to Adelaide leaves first thing each morning and they both need to be on it. Everything else can wait."Ladybirds bleed from their knees when they're stressed."The Gulf is an acute, moving and uplifting story from the inimitable, alchemical imagination of Anna Spargo-Ryan."Anna Spargo-Ryan returns with another impressive novel that will have readers feeling every emotion experienced by the beautifully written characters." - Books + Publishing 4 STARSPRAISE FOR ANNA SPARGO-RYAN‘There is something magical about Anna Spargo-Ryan’s debut ...In its wildly imaginative way, The Paper House tears at the fabric of reality, rendering an incomprehensible loss palpably real.’Gretchen Shirm, Sydney Morning Herald‘Equally heartbreaking, uplifting and insightful.’Sunday Herald Sun

    Ikey's partner in crime is his mistress, the forthright Mary Abacus, until misfortune befalls them. They are parted and each must make the harsh journey from 19th century London to Van Diemens Land. In the backstreets and dives of Hobart Town, Mary learns the art of brewing and builds The Potato Factory, where she plans a new future. But her ambitions are threatened by Ikey's wife, Hannah, her old enemy. The two women raise their separate families. As each woman sets out to destroy the other, the families are brought to the edge of disaster.

    They're on the run from Reason's grandmother Esmeralda, who believes in magic and practices horrifying dark rituals. But when Sarafina suffers a mental breakdown, Reason is sent to the one place she fears most - Esmeralda's home in Sydney.Nothing about the house or Esmeralda is what Reason expected. Then, when she walks through Esmeralda's back door in Sydney and finds herself on a New York City street, Reason is forced to face the shocking truth. Magic is real. And Reason is magic.

    She spends her days helping others find happiness, but her own family relationships are tense and frayed. Estranged from both her sister, April, and her ex-husband, Lawrence, Ester wants to fall in love again. Meanwhile, April is struggling through her own directionless life; Lawrence's reckless past decisions are catching up with him; and Ester and April's mother, Hilary, is about to make a choice that will profoundly affect them all.Taking place largely over one rainy day in Sydney, and rendered with the evocative and powerful prose Blain is known for, Between a Wolf and a Dog is a celebration of the best in all of us -- our capacity to live in the face of ordinary sorrows, and to draw strength from the transformative power of art. Ultimately, it is a joyous tribute to the beauty of being alive.

    Retra is a Seal – sealed minds, sealed community - no craving for parties or pleasure. What are the Night Creatures Retra can see in the shadows? What happens to those who grow too old for Ixion? Without Joel, is her eternal bond with a Riper guardian enough to save her? Listen well, baby bats. Burn bright, but do not stray from the paths. Remember, when you live in a place of darkness you also live with creatures of the dark.

    Candice has solutions.Candice Phee isn't your typical twelve- year-old. She has more than her fair share of quirks. But she has the very best of intentions and unwavering determination to make sure everyone around her is happy. Which is no easy feat when you're dealing with a pet fish with an identity crisis, a friend who believes he came from another dimension, an age-old family feud, and a sick mom. But she is on a mission. And she's going to fix it all, even if it means risking sea sickness, guarding an edge of a cliff, and dancing in the rain. Her methods might be unique, but Candice will do whatever it takes to restore order to her world and make sure everyone is absolutely, categorically happy again. Hilariously honest and wonderfully touching, "The Categorical Universe of Candice Phee" will have you rooting for the underdog and celebrating the oddball in each of us.

    Sarah Krasnostein's The Trauma Cleaner is a love letter to an extraordinary ordinary life. In Sandra Pankhurst she discovered a woman capable of taking a lifetime of hostility and transphobic abuse and using it to care for some of society's most in-need people.Sandra Pankhurst founded her trauma cleaning business to help people whose emotional scars are written on their houses. From the forgotten flat of a drug addict to the infested home of a hoarder, Sandra enters properties and lives at the same time. But few of the people she looks after know anything of the complexity of Sandra's own life. Raised in an uncaring home, Sandra's miraculous gift for warmth and humour in the face of unspeakable personal tragedy mark her out as a one-off.

    The old man was brought up expecting to marry the heiress to Kuran Station—a grand estate in the Australian Outback—only to be disappointed by his rejection and the selling off of the land. He has devoted his life to putting the estate back together and has moved into the once-elegant mansion.   McIvor tries to imbue William with his obsession, but his hold on the land is threatened by laws entitling the Aborigines to reclaim sacred sites. William’s mother desperately wants her son to become John McIvor’s heir, but no one realizes that William is ill and his condition is worsening.

    'Takes all of your dystopian nightmares and connects them to a mother lode of pure emotional intensity. There's so much keen detail here about the cruel logic of oppressive institutions, you'll feel Mirii's yearning for freedom in your bones - and you'll rejoice at every tiny moment of escape that she achieves. Welcome to Orphancorp is harrowing, scarily real, and ultimately super moving.' - Charlie Jane Anders (i09) 'Punchy, crunchy, sexy and smart, Welcome to Orphancorp is a short, sharp shock of a story with bruised-but-not broken characters and a bonsai dystopia you can actually believe in. Marlee Jane Ward is a writer of heart and passion, muscle and slow-burning anger.' - Ian McDonald 'Welcome to Orphancorp is an intimate, heartfelt story set in the darkest of places. I can't stop thinking about these characters.' - Kij Johnson 'An object lesson in how to dehumanise young people by locking them up and depriving them of all warmth and care - has never been more timely. This gritty, greasy story is peppered with violence and lit with the slenderest shafts of affection and hope. It will make your jaw clench with fear for the indomitable Mirii Mahoney, and your fist punch the air at her every tiny victory.' - Margo Lanagan

    Many women are repeat callers: on average, they will go back to an abusive partner eight times before leaving for good.‘You must get so frustrated when you think a woman’s ready to leave and then she decides to go back,’ I say.‘No,’ replies one phone counsellor, pointedly. ‘I’m frustrated that even though he promised to stop, he chose to abuse her again.’Women are abused or killed by their partners at astonishing rates: in Australia, almost 17 per cent of women over the age of fifteen – one in six – have been abused by an intimate partner.In this confronting and deeply researched account, journalist Jess Hill uncovers the ways in which abusers exert control in the darkest – and most intimate – ways imaginable. She asks: What do we know about perpetrators? Why is it so hard to leave? What does successful intervention look like?What emerges is not only a searing investigation of the violence so many women experience, but a dissection of how that violence can be enabled and reinforced by the judicial system we trust to protect us.Combining exhaustive research with riveting storytelling, See What You Made Me Do dismantles the flawed logic of victim-blaming and challenges everything you thought you knew about domestic and family violence.

    Back in Sydney his partner Ellie waits for the results of her latest round of IVF treatment.That result, when it comes, will change both their lives and propel them into a future neither could have predicted. In a collapsing England Adam will battle to survive an apocalyptic storm. Against a backdrop of growing civil unrest at home, Ellie will discover a strange affinity with beekeeping. In the aftermath of a pandemic, a young man finds solace in building virtual recreations of the dead. And new connections will be formed from the most unlikely beginnings.Clade is the story of one family in a radically changing world, a place of loss and wonder where the extraordinary mingles with the everyday. Haunting, lyrical and unexpectedly hopeful, it is the work of a writer in command of the major themes of our time.

    The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.The woman walked out to the car park, towards an old Corolla. For a moment, she held the child gently against her breast and, with her eyes closed, she smelled her.She then clipped the infant into the car, got in and drove off.That is where the footage ends.It isn't where the story ends, however.It's not even where the story starts.

    No work is more important.Jena is the leader of the line—strong, respected, reliable. And—as all girls must be—she is small; years of training have seen to that. It is not always easy but it is the way of things. And so a girl must wrap her limbs, lie still, deny herself a second bowl of stew. Or a first.But what happens when one tiny discovery makes Jena question the world she knows? What happens when moving a single stone changes everything?