A widely read classic exposition of the history of Africans on the continent—and the people of African descent in the United States and in the diaspora—this well researched analysis details the development of civiliza

    This new edition of Ar'n't I a Woman? reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives. Above all, this groundbreaking study shows us how black women experienced freedom in the Reconstruction South — their heroic struggle to gain their rights, hold their families together, resist economic and sexual oppression, and maintain their sense of womanhood against all odds.

    On April 4th, 1968 a shot rang out in the Memphis sky bringing to a close the life of the last great American hero, the Reverend Martin Luther King, Jnr.Although known to most for the delivery of his "I Have a Dream" address, which followed the peaceful march on Washington DC of 250,000 people, and as the youngest winner of the Nobel Peace Prize (at age thirty-five), King in his eleven years as elected president of the Southern Christian Leadership Conference, an organisation formed to provide new leadership to the then burgeoning civil rights movement, travelled over six million miles and spoke over twenty-five hundred times, appearing wherever there was injustice, protest, and action.Let the Trumpet Sound is the detailed examination of this life, written by Stephen B Oates, winner of the Robert E Kennedy Memorial Book Award and the Christopher Award.

    Yet, until now, little has been reported on the First Lady's roots. Prodigiously researched, American Tapestry traces the complex and fascinating tale of Michelle Obama's ancestors, a history that the First Lady did not even know herself. Rachel L. Swarns, a correspondent for the New York Times, brings into focus the First Lady's black, white, and multiracial forebears, and reveals for the first time the identity of Mrs. Obama's white great-great-great-grandfather—a man who remained hidden in her lineage for more than a century.American Tapestry illuminates the lives of the ordinary people in Mrs. Obama's family tree who fought for freedom in the Revolutionary and Civil Wars; who endured the agonies of slavery, the disappointment of Reconstruction, the displacement of the Great Migration, and the horrors of Jim Crow to build a better future for their children. Swarns even found a possible link to the Jewish Reform movement.Though it is an intimate family history, American Tapestry is also the collective chronicle of our changing nation, a nation in which racial intermingling lingers in the bloodlines of countless citizens and slavery was the crucible through which many family lines—black, white, and Native American—were forged.Epic in scope and beautifully rendered, this is a singularly inspiring story with resonance for us all.

    Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves.With stunning historical detail, Wilkerson tells this story through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career, which allowed him to purchase a grand home where he often threw exuberant parties.Wilkerson brilliantly captures their first treacherous and exhausting cross-country trips by car and train and their new lives in colonies that grew into ghettos, as well as how they changed these cities with southern food, faith, and culture and improved them with discipline, drive, and hard work. Both a riveting microcosm and a major assessment, The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is destined to become a classic.

    Since the creation of the first fraternity in 1906 at Cornell University, they hove provided young black achievers with opportunities to supped each other, while serving their communities and the nation. But never before has information about African-American fraternities and sororities been published for the general public. Now, "The Divine Nine," a meticulously researched history, tells the story of how these organizations have played a major role in shaping generations of black leaders.Today, America's nine block fraternities and sororities ore two and one-half million members strong and among the most powerful and influential groups in African-American society -- with chapters at major universities and colleges across the country. Many of America's most prominent business leaders, scientists, politicians, entertainers, and athletes took their first steps toward making a difference in the world in a fraternity or sorority. This extensive yet very accessible book celebrates the spirit of excellence shared by these and other renowned African Americans in brief, inspiring profiles."The Divine Nine" includes interviews with people like: ABC-TV's "The View" co-host Star Jones, Los Angeles Laker Shaquille O'Neal, Weather anchorman Spencer Christian, Historian John Hope Franklin, Poet Nikki Giovanni, and more, and features inspiring profiles of: Hank Aaron, Maya Angelou, Toni Braxton, Bill Cosby, W.E.B. DuBois, Duke Ellington, Martin Luther King, Jr., Toni Morrison, Coretta Scott King, Dionne Warwick, and many others.Fully illustrated with photographs, "The Divine Nine"chronicles an important yet previously neglected subject in African-American history, making it the first book of its kind, and one to he treasured for generations to come.

    Stop by stop, the perceptive young narrator tells her journey in poems, leaving behind the cotton fields and distant Blue Ridge mountains.Each leg of the trip brings new revelations as scenes out the window of folks working in fields give way to the Delaware River, the curtain that separates the colored car is removed, and glimpses of the freedom and opportunity the family hopes to find come into view. As they travel, Ruth Ellen reads from Narrative of the Life of Frederick Douglass, reflecting on how her journey mirrors her own-- until finally the train arrives at its last stop, New York's Penn Station, and the family heads out into a night filled with bright lights, glimmering stars, and new possiblity.James Ransome's mixed-media illustrations are full of bold color and texture, bringing Ruth Ellen's journey to life, from sprawling cotton fields to cramped train cars, the wary glances of other passengers and the dark forest through which Frederick Douglass traveled towards freedom. Overground Railroad is, as Lesa notes, a story "of people who were running from and running to at the same time," and it's a story that will stay with readers long after the final pages.A Junior Library Guild SelectionPraise for Lesa Cline-Ransome and James Ransome's Before She Was Harriet , a Coretta Scott King Honor Book and winner of the Christopher Award* "Ransome's lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past."--Kirkus Reviews, Starred Review* "a powerful reminder of how all children carry within them the potential for greatness."--Publishers Weekly, Starred Review

    Building on this work and the study of space, social relations, gender, and power in the Old South, Stephanie Camp examines the everyday containment and movement of enslaved men and, especially, enslaved women. In her investigation of the movement of bodies, objects, and information, Camp extends our recognition of slave resistance into new arenas and reveals an important and hidden culture of opposition.Camp discusses the multiple dimensions to acts of resistance that might otherwise appear to be little more than fits of temper. She brings new depth to our understanding of the lives of enslaved women, whose bodies and homes were inevitably political arenas. Through Camp's insight, truancy becomes an act of pursuing personal privacy. Illegal parties (frolics) become an expression of bodily freedom. And bondwomen who acquired printed abolitionist materials and posted them on the walls of their slave cabins (even if they could not read them) become the subtle agitators who inspire more overt acts. The culture of opposition created by enslaved women's acts of everyday resistance helped foment and sustain the more visible resistance of men in their individual acts of running away and in the collective action of slave revolts. Ultimately, Camp argues, the Civil War years saw revolutionary change that had been in the making for decades.

    This contentious mix of home-grown radicals, labor activists, newspaper editors, black workers, and intellectuals employed every strategy imaginable to take Dixie down, from a ludicrous attempt to organize black workers with a stage production of Pushkin—in Russian—to the courageous fight of striking workers against police and corporate violence in Gastonia in 1929. In a dramatic narrative Glenda Elizabeth Gilmore deftly shows how the movement unfolded against national and global developments, gaining focus and finally arriving at a narrow but effective legal strategy for securing desegregation and political rights. Little-known heroes abound in a book that will recast our understanding of the most important social movement in twentieth-century America.

    And then seventeen-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then eighteen-year-old Michael Brown in Ferguson, Missouri; and then Baltimore blew up; and then gunfire shattered a prayer meeting at a church in Charleston, South Carolina. Suddenly the entire country awakened to a stark fact: African Americans—particularly young black men—are an endangered species.Now the country’s urban war zone is brought powerfully to life by a rising young literary talent, D. Watkins. The author fought his way up on the east side (the “beast side”) of Baltimore, Maryland—or “Bodymore, Murderland,” as his friends call it—surviving murderous business rivals in the drug trade and equally predatory lawmen. Throughout it all, he pursued his education, earning a master’s degree from Johns Hopkins University, while staying rooted in his community.When black residents of Baltimore finally decided they had had enough—after the brutal killing of twenty-five-year-old Freddie Gray while in police custody—Watkins was on the streets when the city erupted. He writes about his bleeding hometown with the razor-sharp insights of someone who bleeds along with it. Here are true dispatches from the other side of America.

    Nadia Owusu grew up all over the world—from Rome and London to Dar-es-Salaam and Kampala. When her mother abandoned her when she was two years old, the rejection caused Nadia to be confused about her identity. Even after her father died when she was thirteen and she was raised by her stepmother, she was unable to come to terms with who she was since she still felt motherless and alone. When Nadia went to university in America when she was eighteen she still felt as if she had so many competing personas that she couldn’t keep track of them all without cracking under the pressure of trying to hold herself together. A powerful coming-of-age story that explores timely and universal themes of identity, Aftershocks follows Nadia’s life as she hauls herself out of the wreckage and begins to understand that the only ground firm enough to count on is the one she writes into existence.

    Ewing's narrative takes us from the streets of 1990s Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances, and identifies everyday objects - hair moisturizer, a spiral notebook - as precious icons.Her visual art is spare, playful, and poignant: a cereal box decoder ring that allows the wearer to understand what Black girls are saying; a teacher's angry, subversive message scrawled on the chalkboard. Electric Arches invites fresh conversations about race, gender, the city, identity, and the joy and pain of growing up.

    In setting up his household he took Tobias Lear, his celebrated secretary, and nine slaves, including Ona Judge, about which little has been written. As he grew accustomed to Northern ways, there was one change he couldn’t get his arms around: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire.Though Ona Judge lived a life of relative comfort, the few pleasantries she was afforded were nothing compared to freedom, a glimpse of which she encountered first-hand in Philadelphia. So, when the opportunity presented itself one clear and pleasant spring day in Philadelphia, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs.At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property.Impeccably researched, historian Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked it all to gain freedom from the famous founding father.

    He delivered this speech just three years after the Virginia Civil War Commission published a guide proclaiming that the Centennial is no time for finding fault or placing blame or fighting the issues all over again.David Blight takes his readers back to the centennial celebration to determine how Americans then made sense of the suffering, loss, and liberation that had wracked the United States a century earlier. Amid cold war politics and civil rights protest, four of America s most incisive writers explored the gulf between remembrance and reality. Robert Penn Warren, the southern-reared poet-novelist who recanted his support of segregation; Bruce Catton, the journalist and U.S. Navy officer who became a popular Civil War historian; Edmund Wilson, the century s preeminent literary critic; and James Baldwin, the searing African-American essayist and activist each exposed America s triumphalist memory of the war. And each, in his own way, demanded a reckoning with the tragic consequences it spawned.Blight illuminates not only mid-twentieth-century America s sense of itself but also the dynamic, ever-changing nature of Civil War memory. On the eve of the 150th anniversary of the war, we have an invaluable perspective on how this conflict continues to shape the country s political debates, national identity, and sense of purpose."

    And I make my analogy through the slave citizen's music—through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music."So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America—not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history.