The Battle Island mailman is missing, and only one person in the whole world can save him. Unfortunately, that person is done being a hero. Pete Kartson never asked for his island home to turn into a battle royale warzone. He’d certainly prefer that people in goofy costumes didn’t hack through his ceiling every morning at 7 a.m. And he really doesn’t feel like facing off against a crazed madman again. But Pete might not have a choice. Strange things are going on at Battle Island, and it’s looking like Mailman Dale is at the center of everything. Can Pete and his friends solve the mystery before it’s too late for everyone? The Monster of Battle Island is the second in a series of funny, action-packed battle royale adventures. It's a great way to convince reluctant readers to set down the controller for a few minutes and pick up a book. The Monster of Battle Island is perfect for fans of video game books for kids like the Trapped in a Video Game series and Cube Kid books.

    In his memoir, Maybe I Should Just Shut Up And Go Away, he looks back across the decades and shares the often-hilarious reality of what happens behind the scenes when you re a talk radio icon. Longtime friend with national radio greats Rush Limbaugh and Sean Hannity, he tells how those relationships began in the hot seat of competition. Tributes are included from Rush Limbaugh, Sean Hannity, Home Depot Founder Bernie Marcus and 2012 presidential nominee Herman Cain. Though early predictions by those who knew him in his youth cast Boortz as a sure prospect to become a preacher, he took a different route to educating the masses. Longtime listeners are certain to become enthusiastic readers as Boortz finally tips his hat to more than four decades of teeing up controversy, political education and general entertainment for audiences across the country to enjoy and tells all they ve been wanting to know but couldn t get anyone to share until now."

    Covers the entire spectrum of Dragonball, Dragonball Z, and Dragonball GT, including special 16-page 3-D section with 3-D glasses, character bios, cartoon episode guides, and a price guide for collector cards.

    *Includes Lucille Ball's own quotes about her life and career. *Includes a Bibliography for further reading.*Includes a Table of Contents.Lucille Ball, one of the most famous and versatile stars in American history, is above all defined by her charisma. She did not possess the overwhelming beauty of her contemporaries in the entertainment industry, yet her infectious enthusiasm continues to endear her to the American public even decades following her death. Indeed, at the time that I Love Lucy (1951-1957) ended, the show still remained the most-watched show in America. Ball possessed an intangible quality that captivated audiences, who were transfixed by even the most banal plot sequences in her sitcoms. That Ball was able to withhold her popularity even after the ending of I Love Lucy testifies to the fact that she was always the star attraction on the famous sitcom. Indeed, even after separating from Arnaz, Ball continued to achieve high ratings on her subsequent programs, most notably The Lucy Show (1962-1968) and Here’s Lucy (1968-1974). Without doubt, Ball’s longevity and the magnitude of her popularity make her the most cherished comedienne in American history. Given Ball’s immense fame, it is easy to strip her career out of its original context and assume that she would have risen to fame regardless of the medium. However, it is important to remember that I Love Lucy actually began when Ball was already 40 years of age, a relatively advanced age for someone in the entertainment industry. In fact, from 1933 through the end of the 1940s, Ball appeared in over 80 films (with very minor roles in almost all of these) while serving as a contract player for the MGM and RKO film studios. There is thus a massive discrepancy between the fame she achieved in the television medium and her lack of success in cinema. To this end, Ball’s career reflects the evolutions that occurred throughout the mid-1950s with regard to the entertainment industry, mass culture, and the ways in which the American public consumed popular culture. Where Ball was unable to rise to prominence in cinema, she represented the ideal actress for the television medium, and in this regard she introduced a new model for media celebrity, one that was more accessible if less physically dazzling. This biography explores the entirety of Ball’s life and career, with attention paid to her both her childhood and her pre-television and television periods. In so doing, this study provides as complete a picture as possible of the enormity of Ball’s rise to fame and how she was able to capture the favor of the American public. American Legends: The Life of Lucille Ball profiles the life and career of one of America’s most iconic actresses.

    Over the past few years, we ve seen facial hair sprouting up on faces everywhere. Men want to experiment with their facial gardens, but it s not always just as easy as putting the razor to rest Any man will surely go back to shaving when his beard starts to itch. When a goatee or mustache looks bad, he ll shave it off, discouraged and unaware of his options. Marginalized facial hair stereotypes prevent every day, normal guys from making facial hair part of their personal style. Men have forgotten about their beards, let alone how to wear and care for them. Until now. The Facial Hair Handbook is a hilarious and informative guide to all aspects of facial hair, for men of all ages and all faces. From making the decision to wear facial hair, to the best way to take it off, all men can finally be stylish and care for their appearance while staying true to who they are: Men.

     The "If We Make It Through November expanded edition" augments the original book with twice as much content. This version includes both a lengthy "manifesto" about the nature of Donald Trump's appeal and a prequel chapter chronicling the curious day when Rabin and his long-lost brother were reunited under a scalding sun, setting the stage for their unlikely but glorious Gathering adventure. Rabin's best book to date chronicles a surreal week the veteran pop culture writer spent covering, in rapid succession, the Republican National Convention where Donald Trump was nominated for President, possibly setting into motion a series of events leading to mankind's end, and the 17th annual Gathering of the Juggalos, Insane Clown Posse's notorious yearly festival of arts and culture. Rabin's companion throughout this crazy adventure, Raoul Duke to his Dr. Gonzo, is the author's long-lost half brother Vincent, a street-fighting welder from the mean streets of Saint Louis with a roughneck past filled with knife fights, horrific violence and almost unimaginable darkness. 7 Days in Ohio is a hilarious and surprisingly moving exploration of a unique moment in American life. It's also a story of brotherhood and family, about two very different men who find common ground in their shared affection for Insane Clown Posse. In the tradition of Fear and Loathing In Las Vegas and Rabin's previous memoirs comes the book Donald Trump doesn't want you to read (in part because he hates literacy) and the most soulful, moving and even tear-jerking text about men who pretend to be wicked clowns ever written. Praise for Nathan Rabin: "Smart and funny"-Mindy Kaling, The New Yorker "Brilliant"-John Green The Big Rewind: "I'm not as interested in anything as much as Nathan Rabin is interested in everything."-- Chuck Klosterman “With his uncanny grasp of cultural zeitgeist, Rabin could unseat Chuck Klosterman as the slacker generation’s vital critical voice.” —Heeb Magazine "Nathan Rabin's life reads like a fanboy's collision with Dostoyevsky. Hilarious, sad, truthful memoir is compulsively readable."-- Roger Ebert "[Rabin] has packed [The Big Rewind], like a cannon, full of caustic wit and bruised feelings. The result is a lo-fi, sometimes crude book that is nonetheless more effective (and affecting) than it has any right to be."-- The New York Times My World Of Flops: "Nathan Rabin's My Year of Flops is like watching a genius nurse a score of frightened, wounded baby birds back to life--a superhuman level of care and compassion lavished on That Which Never Had A Right To Exist. Truly brilliant." —Patton Oswalt You Don't Know Me But You Don't Like Me "An extremely funny and engaging book about how fandom provides people with surrogate families and a way to escape day-to-day banality." (Rolling Stone (four-star review) "I Love This Book"-Harris Wittels

    The embarrassment is palatable, but perseverance is the most touching part of these stories. These awful things that happened don't interrupt the dream. The dream of performing and stardom. The dream of connecting with an audience. No Encore! is a glimpse into the analog past; a trip to a distant world when artists made albums and suites of songs you listened in order." —Bret Easton Ellis   “They hated us and started throwing cups, bottles, change, chairs, and anything that wasn’t nailed down.” —Dean Ween This hilarious, sometimes horrifying, collection spans four decades and chronicles the craziest, druggiest, and most embarrassing concert moments in music history—direct from the artists who survived them.  “In the midst of my insanity, I thought it would be a very romantic gesture to go into Fiona Apple’s dressing room and write a message on her wall in my own blood.” —Dave Navarro From wardrobe malfunctions to equipment failures, from bad decisions to even worse choices, this is a riveting look into what happens when things go wrong onstage and off. “Ozzy had a sixty-inch teleprompter with the song lyrics, and that got stolen, along with microphones, snare drums and cymbals. Our drummer at the time was stabbing people in the neck with his drumstick.” —Zakk Wylde No Encore! is an unflinchingly honest account of the shows that tested the dedication to a dream—from Alice Cooper’s python having a violent, gastric malfunction on stage to Lou Barlow’s disastrous attempt to sober up at Glastonbury, from Shirley Manson’s desperate search for a bathroom to the extraordinary effort made to awaken Al Jourgenson as Ministry was taking the stage. As Hunter S. Thompson famously wrote, “Buy the ticket, take the ride.”  “I go to exit the venue, and there’s 25 people marching towards us. It’s about 3:00 AM, and they weren’t there to be nice. They were carrying bats, boards, chains, hammers, and they were coming for us.” —Dee Snider

    The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense.Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene--from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics--notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history--half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.

    Now in her ninety-fourth year, this timely celebration sheds new light on the myriad attributes and personal qualities she brings to the nation. From fortitude in the face of adversity to standing as the nation's ambassador all over the world, no one could doubt the work ethic that powers this remarkable woman, even into her nineties. Equally, her love of family - from her rock of over sixty years' marriage, Prince Philip, to her great grandchildren - shines through. But what are the secrets of her success? How does she still approach her day-to-day with such vitality and aplomb, even when culture and society are changing rapidly all around her?The Queen on fame: When an MP commented that it must be a strain meeting so many strangers all the time, the Queen smiled, 'It is not as difficult as it might seem. You see, I don't have to introduce myself. They all seem to know who I am.'The Queen on fashion: In the late sixties when Mary Quant and the mini skirt came to epitomize all that was fashionable, Princess Anne suggested her mother might also consider shortening her hemline. The Queen was adamant, 'I am not a film star.' The Queen on family: As Great Britain's most famous great grandmother, it is no surprise that the Queen values family life. 'Marriage gains from the web of family relationships between parents and children, grandparents and grandchildren, cousins, aunts and uncles.'In this book Karen Dolby unpicks the key elements that make the Queen so special to - and so loved by - the nation and presents a guide to how you too could put into practice some of Her Majesty's traits to help overcome adversity, find inner strength and present yourself as wonderfully considered and calm, even when all about you seems in chaos.

    

    Talking Cock combines answers to questions about sexuality, circumcision, and strange behavior with a deeply researched history, poignant true-life confessions, and insights from the hilarious to the downright obscene.

     As seen on ESPN's Cold Pizza Fantasy football -- one of America's most popular, and profitable, virtual pastimes -- became a way of life for sports humorist and author Mark St. Amant. Utterly fed up with never having won his league championship, St. Amant abandoned a successful advertising career to make fantasy football his full-time job, embarking on a sprawling reconnaissance mission to discover what really makes this game, and its 20 million players, tick. Committed is the result of St. Amant's ranting, relentless, and strategic pursuit of his own obsession. In this wickedly funny and deeply informative work, St. Amant offers readers an all-access sideline pass to his wild, unprecedented fantasy football season, and to the hobby itself. From its humble beginnings in a New York hotel in 1962 to a multibillion-dollar business today, from local and online leagues to high-stakes, cutthroat Las Vegas competitions, St. Amant lays bare the facts, figures, and fanaticism of fantasy football in all its multidimensional glory.

    Worth, Texas. Cullen Davis was one of the richest men in Texas and his second wife, Priscilla Davis, was shot in their mansion. Also shot and murdered were her twelve-year-old daughter and her thirty-year-old boyfriend, Stan Farr. Priscilla and two other people said it was Cullen. The culprit was wearing a wig so his identity was somewhat hidden but not completely. Cullen was arrested in the early morning hours of August 3, 1976, at his girlfriend's house. He later went on trial for the murder of Priscilla's daughter. He was found not guilty but the next year he was put on trial for a murder-for-hire plot to kill the judge overseeing his divorce from Priscilla. He got off from that charge, too. And somehow he finally skirted any murder charge for Stan Farr. Finally in 1979 he and Priscilla were divorced. Priscilla received 3.3 million dollars and Cullen was able to move back into his 19,000 square-foot mansion. Two books have been written and a movie was made describing these events and characters. But nothing has been written about what really happened in the decades after the trials of the 1970's. This book explains the facts of that fateful August night and what happened in the courtrooms of Texas. But the majority chronicles the path Priscilla took after the trials of the 1970's. Priscilla was not done with Cullen yet and she would try tirelessly to obtain some kind of justice. She also decided to have a little fun along the way. The press loved Priscilla but the general public were split. She had been painted as a low-rent gold-digger in the Texas courtrooms but everyone also knew that Cullen was probably guilty of murder. In the end, only the two of them really knew the truth. This is the story of how Priscilla learned to live with the fact that justice was denied her and Cullen would probably never pay. In 1995, a 26-year-old man named Greg Brown moved in with Priscilla, who was now 53. They became lovers and Greg tells how Priscilla learned to make the most of tragic situations which were both of her making and not of her making. It's a story of struggle, love and compromise even in the most dire of circumstances.

    Can you imagine being a struggling musician back then? It must take an incredible amount of restraint to play that gently.’ —Actor/comedian Fred Armisen, from his foreword to this book Just what is ‘yacht rock,’ you ask? Perhaps the easiest description is music that would not sound out of place being played while carousing aboard a yacht back in the good old days. But these songs were also some of the top pop gems of the 1970s and '80s. And while some associate yacht rock’s biggest songs with one-hit wonder artists, several of rock’s most renowned artists fall under this category, too - including Fleetwood Mac, the Eagles, Steely Dan, Hall & Oates, The Doobie Brothers, Toto, and more. Yacht rock seemed to have become extinct by the early twenty-first century … until a comedic video series, simply titled Yacht Rock, went viral and introduced captain’s hats and blazers to a whole new generation - as well as the emergence of a popular cover band, the Yacht Rock Revue, and of course, Jimmy Fallon’s on-air admiration of all things yacht rock. Now, yacht rock is one of the most celebrated ‘yesteryear’ styles of pop music, and has resonated with a new generation of musicians (including the Fred Armisen/Bill Hader-led Blue Jean Committee and soul/funk/electronica crossover act Thundercat). But despite all the hoopla, there has never been a book that told the entire story of the genre. Until now. Featuring interviews with many of the heavy hitters of the genre, including John Oates, Kenny Loggins, and Don Felder, The Yacht Rock Book leaves no sail unturned. This is the definitive story of the yacht rock’s creation, rise, chart-smashing success, fall, and stunning rebirth.

    With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don't even get him started on his love life and the whole Harry-Met-Sally situation. Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he'll make you laugh, and he'll drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but -- really -- it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'" Read to believe.