His beat is a rough New Jersey neighborhood where the drug murders blur together, until the day Victor Dunham — a twenty-year-old with a steady job and a clean record — confesses to a shooting outside a fast-food joint. It doesn't take long for Rocco's attention to turn to Victor's brother, a street-corner crack dealer named Strike who seems a more likely suspect for the crime. At once an intense mystery, and a revealing study of two men on opposite sides of an unwinnable war, Clockers is a stunningly well-rendered chronicle of modern life on the streets.

    When Judah returns to his rural hometown of Silas, Florida after a stint in prison, he is determined to move forward and live it clean with his childhood best friend and newly discovered love, Ramey Barrow. Everything soon spirals out of control, though, when a phone call from Sherwood ensnares Judah and Ramey in a complicated web of thievery, brutality and betrayal. Pressured by the unrelenting bonds of blood ties, Judah takes part in robbing the Scorpions, a group of small-time, meth-cooking bikers who are flying down the highway with the score of their lives. Unbeknownst to the Cannons, however, half of the stolen cash in the Harley saddlebags belongs to Sister Tulah, a megalomaniacal Pentecostal preacher who encourages her followers to drink poison and relinquish their bank accounts. When Sister Tulah learns of the robbery, she swears to make both the Cannons and the Scorpions pay, thus bringing all parties into mortal conflict rife with deception and unpredictable power shifts. When Judah’s younger brother Benji becomes the unwitting victim in the melee, Judah takes it upon himself to exact revenge, no matter the damage inflicted upon himself and those around him. Judah becomes a driven man, blinded by his need for vengeance and questioning everything he thought he believed in. With Ramey at his side, Judah is forced to take on both the Scorpions and Sister Tulah as he struggles to do the right thing in a world full of wrongs.

    Rydal Keener is waiting for something exciting to happen in his grubby little Athens hotel. At forty-odd, Chester MacFarland has been waiting much longer, expecting his life of stock manipu­lation and fraud to catch up with him. And Colette, Chester's wife, is waiting for something altogether different. After a nasty little incident in the hotel, they all wait together. As the stakes, and the tension, in their three-cornered waiting game mount, they learn that while passports and silence can be bought, other things can cost as much as your life.

    Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett's tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness.

    As their relationship grows, they cross paths with the Chechen mafia; a man grown dangerous with age and thwarted hopes; two hapless stick-up artists; a very curious cop; and the original owner of the puppy, who wants his dog back. . . .

    He's got a dog, a best friend, enough cash to get him drunk, and a teenaged son to carry him home. Sure he's a constant pain in the local law's ass, but Sheriff Jimmy Mondale's got enough to worry about, what with his estranged daughter on a tear, and the District Attorney being onto his partnership with local ex-biker, meth kingpin, and tackle shop owner Chowder Thompson. When tragedy hits their small town of Spruce, Missouri, Terry's peckerwood bullshit will push the three of them into a volatile whirlwind complete with bullets, bodies, and broken bones.Praise for JEDIDIAH AYRES & PECKERWOOD:“Peckerwood is intensely original and harrowing country noir. Ayres delivers sharp-edged prose that lands like a knife under the ribs.” – Dennis Tafoya“A masterpiece of dirty, down-low rural noir. Read it and sink a little further into the muck.” – Scott Phillips“Some people find comfort in religion, booze, sex, drugs. I don’t judge. But I find comfort in Jedidiah Ayres.” – Benjamin Whitmer“Jedidiah Ayres combines a crooked world view and a dark turn of mind with a genuine, increasingly rare pulse of hu- manity to create stories that stand apart.” – Sean Doolittle“One of the most innovative crime fiction writers currently on the scene.” – LitReactor

    There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    Our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn’t expect is that digging for the truth will demand plenty of lying.

    He's just living out his life in his Appalachian hometown, working odd jobs with his partner, Rory, hemming in his demons the best he can. And his best seems just good enough until his estranged daughter overdoses, and he takes in his 12-year-old granddaughter, Wendy. Just as the two are beginning to forge a relationship, Derrick Kreiger, a dirty Cincinnati cop, starts to take an unhealthy interest in the girl. Pike and Rory head to Cincinnati to learn what they can about Derrick and the death of Pike’s daughter, and the three men circle, evenly matched predators in a human wilderness of junkie squats, roadhouse bars, and homeless Vietnam vet encampments.

    Sure, Jack has a wife and daughter at home, but this is just a little harmless flirting. Harmless, that is, until the blonde leans forward and says, “I poisoned your drink.”She tells Jack that unless she can keep someone within ten feet of her at all times, she’ll die. And if he wants the antidote, he’ll have to take her back to his hotel room and promise to stay by her side.Jack thinks: psycho. But as the violent night wears on, and he encounters a relentless government assassin, a threatening voice on a cell phone, a deadly waitress, dirty cops, and shady cab drivers…He begins to believe her.

    He doesn't get many visitors in The Hole, but a body found near his home has drawn police attention to his front door. The victim is not one of the many undocumented immigrants who risk their lives to cross the border in Rodeo's harsh and deadly "backyard," but a member of a major Southwestern Indian tribe, whose death is part of a mysterious rompecabeza-a classic crime puzzler-that includes multiple murders, cold-blooded betrayals, and low-down scheming, with Rodeo caught in the middle.Retired from the rodeo circuit and scraping by on piecework as a bounty hunter, warrant server, and divorce snoop, Rodeo doesn't have much choice but to say yes when offered an unusual case. An elderly Indian woman from his own Reservation has hired him to help discover who murdered her grandson, but she seems strangely uninterested in the results. Her attitude seems heartless, but as Rodeo pursues interrelated cases, he learns that the old woman's indifference is nothing compared to true hatred, and aligned against a variety of creative and cruel foes, the hard-pressed PI is about to discover just how far hate can go.CB McKenzie's Bad Country is a noir novel that is as deep and twisty as a desert arroyo. With confident, accomplished prose, McKenzie captures the rough-and-tumble outer reaches of the Southwest in a transfixingly original style that transcends the traditional crime novel.

    The story follows Kline, a brutally dismembered detective forcibly recruited to solve a murder inside the cult. As Kline becomes more deeply involved with the group, he begins to realize the stakes are higher than he previously thought. Attempting to find his way through a maze of lies, threats, and misinformation, Kline discovers that his survival depends on an act of sheer will. Last Days was first published in 2003 as a limited edition novella titled The Brotherhood of Mutilation. Its success led Evenson to expand the story into a full-length novel. In doing so, he has created a work that’s disturbing, deeply satisfying, and completely original.

    After being released from prison, Glen Davis returns to his hometown only to commit double homicide within forty-eight hours of his return. Sheriff Bobby Blanchard, as upright as Glen is despicable, walks in the path of Glen’s destruction and tries to rebuild the fragile ties of the families and community they share. Dark secrets that have been simmering for two generations explode to the surface, allowing us a chilling glimpse at how evil can fester in a man’s heart and eat up his soul.“This is the novel that will live with you day and night.” — Kaye Gibbons“Cancel the competition for the suspense thriller of the year. Larry Brown has already won it with Father and Son.” —St. Louis Post-Dispatch“Larry Brown is one of the great unsung heroes of American fiction... His work is a reminder of a reason to read.” —San Jose Mercury News

    and The Power of the Dog now gives us a fierce and funny new novel—and a blistering new take on the Mafia story.Frank Machianno is a late-middle-aged ex–surf bum who runs a bait shack on the San Diego waterfront when he’s not juggling any of his other three part-time jobs or trying to get a quick set in on his longboard. He’s a stand-up businessman, a devoted father to his daughter, and a beloved fixture in the community.Frank’s also a hit man. Specifically: a retired hit man. Back in the day, when he was one of the most feared members of the West Coast Mafia, he was known as Frankie Machine. Years ago Frank consigned his Mob ties to the past, which is where he wants them to stay. But a favor being called in now by the local boss is one Frank can’t refuse, and soon he’s sucked back into the treacherous currents of his former life. Someone from the past wants him dead. He has to figure out who, and why, and he has to do it fast.The problem is that the list of candidates is about the size of his local phone book and Frank’s rapidly running out of time.And then things go really bad.