The new tenants, siblings Caroline and Michael Compton, have recently inherited the run-down estate by the terms of an unusual will. Mysterious accidents and obvious acts of vandalism soon make it evident that someone doesn't want the new owners to ever occupy the house. Although Heather finds herself strongly attracted to Michael, she eventually begins to wonder where his true loyalties lie. Surrounded by strangers and unsure who to trust as the dangers mount, Heather must rely on her own nerve and resources to solve a mystery that is rooted in the dark past of the Compton House.

    Among this virtual army of hometown participants were numerous professional and amateur photographers, each with full access to the production’s inner workings—for the first time ever this compiles their behind-the-scenes photographs and stories into a treasure trove of Jaws rarities. Included are a foreword by director Steven Spielberg, interviews with production designer Joe Alves, screenwriter Carl Gottlieb, location casting director Shari Rhodes, and more, providing an unprecedented all-access pass to the creation of some of the most memorable and terrifying scenes in film history. This unique compendium is the first to focus on the production’s local participants, telling their stories at last.

    Anne Purdy, author of bestselling book Tisha, tells the story surrounding the lives of the Eagle Village Indians. She describes the end of the Gold Rush era changes that took place in the early part of the twentieth century, painting a vivid picture of life’s struggles here and of a woman who reaches out to those in desperate need of love and care.A tale of joy and sadness, with a final twist.

    Determined to do exactly what she sets her mind to, she explores the mountains and valleys around her home with an unquenchable thirst for knowledge and a keen eye that misses nothing. When her mother dies, Emmaline, Emmy for short, is thrust into the mystical, spiritual world of her mother’s native peoples, the Tsalagi, better known as the Cherokee. Given the power of observation and shape shifting by her immortal g-great-grandfather Two Feathers, who is the keeper of the Sacred Fire’s Ashes, Emmy is told that she must carry on her mother’s duties and is charged with the task of becoming the family “Ka no he ha Ka no Ge sdi,” the Storyteller. She is supposed to remember and pass down her family’s history and tell about their ancestors. As Emmy grows older and matures, her explorations become more advanced. She discovers a hidden path that takes her beyond an ancient willow tree to a layer of the world that at first seems much like her own, but she soon discovers that it is quite different… When she stays longer than allowed a mortal, she discovers that her grandfather can travel between space and time and communicate with all peoples between the layers of her world. Emmy’s Journey is a voyage through time and into the mysterious spiritual and mystical realms of the Cherokees and a world that most never knows exists.

    But can she let go of the memories she left behind to love again?Missy Stanton believes her life is over when her husband Tommy dies in a tragic work accident in the railyards of Boston. Alone in the city with no family and worse prospects, she turns to the Matrimonial Times in a moment of weakness. There, she meets Pastor Jack Tibsdale, who offers her a home in a place in Birch River, Wyoming, in return for her hand in marriage. Jack Tibsdale loves being a pastor, but it can be a lonely life, especially in a mining town like Birch River. With every woman married in town already, Jack must turn to writing to a mail-order bride. Touched by her plight, he offers her a marriage out of friendship, but soon realizes that her kind soul and beautiful face is exactly what he was looking for. After a quick marriage, Jack and Missy slowly get to know each other as Missy navigates her grief. Just as she believes that she may have a future in the beautiful town of Birch River, she discovers that she is carrying Tommy’s child. Falling in love with the kind, handsome pastor, she begins to worry: how can she tell this man that she’s having another man’s baby?With time running out, and two hearts on the line, will Missy and Jack learn to trust in God’s plan.

    Over the course of seven months in 1988, eleven women disappeared off the streets of New Bedford, Massachusetts, a gloomy, drug-addled coastal town that was once the whaling capital of the world. Nine turned up dead. Two were never found. And the perpetrator remains unknown to this day.   How could such a thing happen? How, in what was once one of America’s richest cities, could the authorities let their most vulnerable citizens down this badly? As Carlton Smith, a Pulitzer Prize finalist for his coverage of the Green River Killer case, demonstrates in this riveting account, it was the inability of police officers and politicians alike to set aside their personal agendas that let a psychopath off the hook.   In Killing Season, Smith takes readers into a close-knit community of working-class men and women, an underworld of prostitution and drug abuse, and the halls of New England law enforcement to tell the story of an epic failure of justice.

    More than 150 people -- primarily women -- from 24 communities were charged with witchcraft; 19 were hanged and others died in prison. In his introduction to this compact yet comprehensive volume, Richard Godbeer explores the beliefs, fears, and historical context that fueled the witch panic of 1692. The documents in this collection illuminate how the Puritans' worldview led them to seek a supernatural explanation for the problems vexing their community. Presented as case studies, the carefully chosen records from several specific trials offer a clear picture of the gender norms and social tensions that underlie the witchcraft accusations. The final documents cover recantations of confessions, the aftermath of the witch hunt, and statements of regret. A chronology of the witchcraft crisis, questions for consideration, and a selected bibliography round out the book's pedagogical support.

    She and her eighteen-year-old son, Peter Reilly, lived in a drab one-bedroom house on a desolate stretch of road. An intelligent, lively woman with a wicked sense of humor, Barbara also had dark moods and drank too much. She fought loudly with neighbors and her son, and appeared to have a messy, complicated love life. When Peter came home from the Teen Center one night to discover his mother lying naked on the bedroom floor with her throat slashed, the police made him their prime suspect. After eight hours of interrogation and a polygraph test, Peter confessed. Investigators were convinced they had an open-and-shut case, but the townspeople disagreed. They couldn’t believe that the naïve teenager was capable of such a gruesome crime, and blamed detectives for taking advantage of the boy’s trust. With the help of celebrities including Mike Nichols and William Styron, who contributes an eloquent and persuasive introduction to Joan Barthel’s account of the case, the community of Canaan rallied to Peter’s defense. A gripping murder mystery and an intimate portrait of the loyalties, resentments, and secrets lurking beneath the placid surface of quiet towns across America, A Death in Canaan is a masterpiece of “first-class journalism” (The New York Times).

    This one took 1/250th of a second. The photograph strikes us with visceral force, even years after the instant it captured. A white man, rage written on his face, lunges to spear a black man who is being held by another white. The assailant's weapon is the American flag. Boston, April 5, 1976: As the city simmered with racial tension over forced school busing, newsman Stanley Forman hurried to City Hall to photograph that day's protest, arriving just in time to snap the image that his editor would title The Soiling of Old Glory. The photo made headlines across the U.S. and won Forman his second Pulitzer Prize. It shocked Boston, and America: Racial strife had not only not ended with the 1960s, it was alive and well in the cradle of liberty.Louis P. Masur's evocative biography of a photograph unpacks this arresting image in a tour de force of historical writing. He examines the power of photography and the meaning of the flag, asking why this one picture had so much impact. Most poignantly, Masur recreates the moment and its aftermath, drawing on extensive interviews with Forman and the figures in the photo to reveal not just how the incident happened, but how it changed the lives of the men in it. The Soiling of Old Glory, like the photograph it is named for, offers a dramatic window onto the turbulence of the 1970s and race relations in America.

    It is a tale of death, intrigue, obstruction of justice, corruption and politics." —People Magazine  A young woman leaves a party with a wealthy U.S. senator. The next morning her body is discovered in his car at the bottom of a pond. This is the damning true story of the death of campaign strategist Mary Jo Kopechne at Chappaquiddick and of the senator—37-year-old Senator Ted Kennedy—who left her trapped underwater while he returned to his hotel, slept, and made phone calls to associates. It is the story of a powerful, privileged American man who was able to treat a woman's life as disposable without facing real consequences. And it is the story of a shameful political coverup involving one of the nation's most well-connected families and its network of lawyers, public relations people, and friends who ensured Ted Kennedy remained a respected member of the Senate for forty more years. Originally published in 1988 under the title Senatorial Privilege, this book almost didn't make it into print after its original publisher, Random House, judged it too explosive and backed out of its contract with author Leo Damore. Mysteriously, none of the other big New York publishers wanted to touch it. Only when small independent publisher Regnery obtained the manuscript was the book's publication made possible and the true story of the so-called "Chappaquiddick Incident" finally told. This new edition, Chappaquiddick, is being released 30 years after the original Senatorial Privilege to coincide with the nationwide theatrical release of the movie Chappaquiddick starring Jason Clarke, Kate Mara, Ed Helms, Bruce Dern, and Jim Gaffigan.

    For years their familiar story was of two siblings who took different paths out of South Boston: William "Billy" Bulger, former president of the Massachusetts State Senate; and his brother James "Whitey" Bulger, a vicious criminal who became the FBI's second most-wanted man after Osama Bin Laden. While Billy cavorted with the state's blue bloods to become a powerful political force, Whitey blazed a murderous trail to the top rung of organized crime. Now, in this compelling narrative, Carr uncovers a sinister world of FBI turncoats, alliances between various branches of organized crime, St. Patrick's Day shenanigans, political infighting, and the complex relationship between two brothers who were at one time kings. As the film Black Mass, starring Johnny Depp as Whitey Bulger, hits theaters, take a deeper dive into the story of the Bulgers, and their fifty-year reign over Boston with Howie Carr's The Brother's Bulger.

    14, 1975, eight daring thieves ransacked 148 massive safe-deposit boxes at a secret bank used by organized crime, La Cosa Nostra, and its associates in Providence, R.I. The crooks fled with duffle bags crammed full of cash, gold, silver, stamps, coins, jewels and high-end jewelry. The true value of the loot has always been kept secret, partly because it was ill-gotten to begin with, and partly because there was plenty of incentive to keep its true worth out of the limelight. It's one thing for authorities to admit they didn't find a trace of goods worth from $3 million to $4 million, and entirely another when what was at stake was more accurately valued at about $30 million, the equivalent of $120 million today. It was the biggest single payday in the criminal history of the Northeast. Nobody came close, not the infamous James "Whitey" Bulger, not John "The Dapper Don" Gotti, not even the Brinks or Wells Fargo robbers. The heist was bold enough and big enough to rock the underworld to its core, and it left La Cosa Nostra in the region awash in turmoil that still reverberates more than forty years later. Last Good Heist is the inside story of the robbery and its aftermath.

    Neiberg): baseball star Babe Ruth, symphony conductor Karl Muck, and Harvard Law student Charles Whittlesey.In the fall of 1918, a fever gripped Boston. The streets emptied as paranoia about the deadly Spanish flu spread. Newspapermen and vigilante investigators aggressively sought to discredit anyone who looked or sounded German. And as the war raged on, the enemy seemed to be lurking everywhere: prowling in submarines off the coast of Cape Cod, arriving on passenger ships in the harbor, or disguised as the radical lecturing workers about the injustice of a sixty-hour workweek.War Fever explores this delirious moment in American history through the stories of three men: Karl Muck, the German conductor of the Boston Symphony Orchestra, accused of being an enemy spy; Charles Whittlesey, a Harvard law graduate who became an unlikely hero in Europe; and the most famous baseball player of all time, Babe Ruth, poised to revolutionize the game he loved. Together, they offer a gripping narrative of America at war and American culture in upheaval.

    After spending several months in New York City, the family signed up for a journey to the Republic of Texas where they could homestead and eventually acquire 137 free acres for their efforts. Soon growing discontented with, not only the land, but also the management of the colony in which they had settled, the Horns decided to return to England. But, it was not to be. Attacked and captured by a party of Comanche Indians, Sarah Ann was faced with challenges and realities the like of which she never could have dreamed. Over a period of fifteen months of Comanche captivity, she and her captors rode endlessly across the Texas plains until finally she was purchased out of bondage and befriended by traders in New Mexico. This is the true story of a remarkable woman who endured an unimaginable amount of suffering and pain in her short lifetime.

    Year after year, whenever she visited her grandparents' cabin in South Dakota, she and Wihanbla would meet and spend time learning about each other's worlds - hers in the twenty-first century, his on the cusp of the infamous battles that would eventually lead to the internment of his people on reservations. Now grown, Clementine and her friend continue to meet, though her family has decided that she should have long ago done away with her "imaginary" friend. Clementine knows better. Wihanbla is as real as the sunshine she sees when she opens her eyes each day. She may not be able to touch it or him, but both are beautiful and true. They may be two individuals out of time, but their love is timeless. Over the years, Clementine grows desperate for a way to be with the man she knows is her true soul mate - but how?