A steady, dependable young woman, known as ‘Lenchen’ within the family, she was particularly ‘useful’ to her demanding and recently widowed mother, who could not bear to lose her to a marriage which would oblige her to move and live abroad with her husband. In 1866 she married Prince Christian of Schleswig-Holstein, a kindly but penniless bachelor fifteen years older than her. Despite the difference in ages, it was the only marriage among the Queen’s children in which both partners lived long enough to celebrate their golden wedding anniversary. For nearly sixty years Helena was a tireless supporter of good causes, particularly in the field of nursing and education. This concise biography examines her life, work and relationships with her family.

    Here is the dramatic - and tragic - story of Versailles and the men and women who made it their home.

    Features 80% exclusive, hitherto-unpublished archive photos and footage sequences of all the key players in situ, together with lyric sheets, Yoko's art installations, and exclusive new insights and personal testimonies from Yoko and over forty of the musicians, engineers, staff, celebrities, artists and photographers who were there-including Julian Lennon, Klaus Voormann, Alan White, Jim Keltner, David Bailey, Dick Cavett and Sir Michael Parkinson. "A lot has been written about the creation of the song, the album and the film of Imagine, mainly by people who weren't there, so I'm very pleased and grateful that now, for the first time, so many of the participants have kindly given their time to 'gimme some truth' in their own words and pictures" -Yoko Ono Lennon, 2018 In 1971, John Lennon & Yoko Ono conceived and recorded the critically acclaimed album Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, in the state-of-the-art studio they built in the grounds, and at the Record Plant in New York. The lyrics of the title track were inspired by Yoko Ono's "event scores" in her 1964 book Grapefruit, and she was officially co-credited as writer in June 2017. Imagine John Yoko tells the story of John & Yoko's life, work and relationship during this intensely creative period. It transports readers to home and working environments showcasing Yoko's closely guarded archive of photos and artifacts, using artfully compiled narrative film stills, and featuring digitally rendered maps, floorplans and panoramas that recreate the interiors in evocative detail. John & Yoko introduce each chapter and song; Yoko also provides invaluable additional commentary and a preface. All the minutiae is examined: the locations, the key players, the music and lyrics, the production techniques and the artworks-including the creative process behind the double exposure polaroids used on the album cover. With a message as universal and pertinent today as it was when the album was created, this landmark publication is a fitting tribute to John & Yoko and their place in cultural history.

    They have become the most famous surviving symbols of the Romanov Empire: supreme examples of the jeweller's art, but, to some, the vulgar playthings of a decadent court on the brink of revolution. Every one of these masterpieces is a slice of history, with each telling its own remarkable story." "Commissioned to produce a different egg every year, Faberge began a relentless search for novelty. It would see him exploiting, and extending, almost every jewellery technique and style available, creating eggs which reflected the lives and characters of the empresses who would receive them. Lavishly extravagant eggs commemorate public events that now seem little more than staging posts on the march to revolution. Others contrast the joie de vivre of the older tsarina, Marie Fedorovna, with her daughter-in-law Alexandra's shy and domestic spirituality. The muted austerity of the final few eggs seems all too appropriate for a country fighting to survive in the First World War." The abdication of the last tsar, Nicholas II, brought the sequence to an end. As he and his family were brutally massacred in a Siberian basement, the eggs disappeared, only to emerge years later in the storerooms of the Kremlin. Their subsequent history encompasses Bolsheviks and entrepreneurs, tycoons and heiresses, con-men and queens. Eggs have been sold and smuggled, stolen and forged. Now, as they return to Russia, bought by oligarchs, their history - like that of Russia itself- seems to have come full circle. Faberge's Eggs provides an engrossing, compelling and at timessurprising window onto the empire these masterpieces outlived.

    It focuses on critical analysis of the subject through a workbook section and self-quizzes along with prompts to explore the chapter's images and topics through the ArtStudy 2.0 CD-ROM, Web Site, and WebTutor? supplements.

    She has long deserved a full study and in Elisabeth Basford, she has found a dedicated and sympathetic biographer, who has done her full justice' - Hugo Vickers. Princess Diana is seen as the first member of the British royal family to tear up the rulebook, and the Duchess of Cambridge is modernising the monarchy in strides. But before them was another who paved the way. Princess Mary was born in 1897. Despite her Victorian beginnings, she strove to make a princess’s life meaningful, using her position to help those less fortunate and defying gender conventions in the process. As the only daughter of King George V and Queen Mary, she would live to see not only two of her brothers ascend the throne but also her niece Queen Elizabeth II. She was one of the hardest-working members of the royal family, known for her no-nonsense approach and her determination in the face of adversity. During the First World War she came into her own, launching an appeal to furnish every British troop and sailor with a Christmas gift, and training as a nurse at Great Ormond Street Hospital. From her dedication to the war effort, to her role as the family peacemaker during the Abdication Crisis, Mary was the princess who redefined the title for the modern age. In the first biography in decades, Elisabeth Basford offers a fresh appraisal of Mary’s full and fascinating life.

    Whether you’re photographing children, weddings, maternity and boudoir, or portraits of any kind, The Luminous Portrait will inspire you with Elizabeth’s personal approach and award-wining images, sharing the art to making flattering portraits that appear “lit from within.”

    She explores creating artistic effects with:ColorFound objectsTextureCastingCollageAnd, more!It doesn't stop there! Learn how to incorporate stories, words, meaningful images, and more in the layers of your resin jewelry. Susan shares her wealth of tips for collecting great found objects and for layering and encasing stories-in short, how to bring both great technique and great imagination to bear on jewelry making. Throughout the book, you'll enjoy easy step-by-step projects and finished pieces.

    Showcasing the best photographs as documented by up to a million or more participants from across the United States, the publication of America 24/7 will coincide with network television specials, a DVD documentary, a traveling exhibition of photographs, and a compelling website. In addition to the 1,000+ top photojournalists being hired by the America 24/7 team, amateur photographers from across the country will be invited to submit their own digital photographs of American life via the project's website--america24-7.com. Participants across the United States will help to create a vivid panorama of modern American life capturing the myriad experiences that take place across the nation within a week. The creators of America 24/7 have several New York Times bestsellers to their credit, including A Day in the Life of America, A Day in the Life of the Soviet Union, and Christmas in America.

    Hand methods were further eclipsed by the advent of the electronic watch in the 1960s, and many people feared that the mechanical watch would disappear entirely.

    At its heart are the three Cartier brothers whose motto was "Never copy, only create".Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family's history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more.

    

    To her, it was clear from the very beginning that these two people, each possessing singularly admirable qualities and capable of great affection, found it impossible to live together harmoniously.Now, defying a centuries old obligation on royal servants not to discuss the affairs and behaviour of the royal family, Wendy Barry has revealed this day by day detailed account of the mounting troubles inside Highgrove. She chronicles the growing emotional turmoil of a disintegrating relationship as witnessed by herself and other staff, and how both Prince and Princess sought comfort outside their marriage while trying to maintain the fairy tale public image.The turmoil at Highgrove often involved the butlers, cooks, dressers and valets as much as it did the Prince and Princess of Wales. They were the witnesses to the royal couple's sometimes illicit visitors, to the physical and psychological effects of Diana's struggle with bulimia, and Charles's secret night excursions and obsessive interest in his house and garden. Often the staff were caught in the crossfire of these two people who were tearing each other apart emotionally.Despite all of these problems, however, the Highgrove staff maintained an affectionate respect for both the Prince and the Princess. Contrary to news reports portraying Charles as an uncaring father, the staff viewed him as having loving relationship with his two sons, and there were good times and laughter with Diana.After the uproar caused by Diana's allowing her friends intimate details of her marriage in a book and the subsequent controversy over Prince Charles's biography, Wendy Berry has decided to set the record straight with 'The Housekeeper's Diary'.The first book by a Highgrove insider, it is a fascinating first hand account without partisanship for Charles or Diana of what life is really like living in close contact with two of the most famous people in the world.

    In that time, he became a close friend and trusted confidant who shared her most private moments. His first-hand account contradicts many of the so-called 'facts' about the Princess and provides an affectionate, if not always uncritical, insight into this complex, troubled, but ultimately fascinating woman.Here is the authentic voice of a man who played an important role during Diana's most trying times, and in her beloved sons' formative years, and who shows himself to be an exceptionally perceptive observer of the events that unfolded around the Princess. After Inspector Wharfe resigned his position in 1993 (making headline news), Diana announced her withdrawal from public life and axed her Scotland Yard protection - a decision her former 'top cop' believes led ultimately to her death.This account presents the most intimate portrait of Diana to date, as well as a fitting tribute to one of the outstanding figures of our age.

    Focusing on art before 1520, this edition organizes the material chronologically. It now incorporates considerable new material on the history of music and theatre, and updates scholarship on ancient art.