A manhunt ensues—though the authorities aren’t sure if it’s a man they should be looking for.Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family—their personal fortune and the local economy having moved on from Pittsburgh steel—where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he’s a werewolf. Or perhaps it’s Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia. At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right—and Brian McGreevy the talent and ambition to enthrall us for years to come.

    An apocalyptic storm. Whispering voices in the air. She was right to fear the worst-case scenario. Amy Burnett has been buried in her work as a security expert. She likes it that way—her dark past can’t invade her thoughts as long as she stays holed up in her office. So why the heck has she ended up at a gothic mansion’s doorstep in the middle of the night? It’s because Craig Foster summoned her there. Amy’s company built the sealed chamber in his basement, for any worrisome worst-case scenario, but now the safe room has presented a scenario of its own: Craig’s daughter is trapped inside. It should be a quick fix. After all, what’s the worst thing that can happen when a stranger arrives at a remote mansion on a stormy night? An impossible mystery? A haunting? A visit from the lurking strangers in the woods? Surely not all three—that would require extraordinarily bad luck. Unfortunately, Amy’s been short on luck lately. Three Incidents at Foster Manor will keep you guessing until the end with a twist-filled, fast-paced, genre-blending mix of mystery, ghost story, thriller, and cosmic horror that will chill you to the core. This is a standalone story, but also acts as a sequel to P.T. Phronk's previous mystery, The Arborist. "Full of interesting characters, twists and scares, it will keep you off-balance all the way to the end!" —Franny "I'm always down some ghostly fun but then the fun dial twisted and wow." —Amazon Reviewer "If you like reading stories somewhat reminiscent of The Twilight Zone this is for you." —Alanna Patterson

    Ironically, recovering from her emotional and physical scars is not her biggest challenge. She is also haunted by Azrael, the angel of death. On the morning of the accident, Alex watches as Azrael takes the souls of her family. And the visions keep coming. A man with oily black hair in a pinstripe suit appears to Alex in the hospital, outside her high school, and in the woods near her campsite. She worries that she’s crazy, though Azrael appears to be just as threatened by her ability to see him. She confides in her doctor and friends and, while they appear to believe her, they are unable to help Alex banish death. Midway through the book, the narrative takes an unexpected twist and Alex’s recovery is overshadowed by the realization that she could bring her family back to life. But Azrael is determined to stop Alex’s meddling and she must enlist the help of her remaining family and friends if there is any hope for success.The Girl Who Cheated Death placed as a Semi-Finalist in the 2018 Faulkner Wisdom Competition

    Americans roam the streets in gauze masks to ward off the deadly Spanish influenza, and the government ships young men to the front lines of a brutal war, creating an atmosphere of fear and confusion. Sixteen-year-old Mary Shelley Black watches as desperate mourners flock to séances and spirit photographers for comfort, but she herself has never believed in ghosts. During her bleakest moment, however, she’s forced to rethink her entire way of looking at life and death, for her first love—a boy who died in battle—returns in spirit form. But what does he want from her?Featuring haunting archival early-twentieth-century photographs, this is a tense, romantic story set in a past that is eerily like our own time.

    Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems.Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.