His dream girl shows up unexpectedly in the form of his old friend Pippa, who is all too happy to pitch a tent or play a hard game of hockey, after which she finds the perfect use for that packet of peas! In this twist on the fairy tale, Tony Wilson and Sue DeGenarro deliver a freshly humorous take on one prince s search for the just-right girl of his dreams.

    A new rendition of a beloved classic by award-winning author/illustrator team Jim Aylesworth and Barbara McClintock.Run! Run! Fast as you can! You can't catch me! I'm the Gingerbread Man! I've run from a husband! I've run from a wife! I've run from a butcher with a carving knife! I've run from a cow, and a muddy old sow, and I'll run from you, too! I can! I can!Jim Aylesworth's fresh, spirited tale --- to be read LOUD out loud --- and Barbara McClintock's expressive, exquisitely drawn characters combine to create a glorious new rendition of the favorite story about that sassy but delicious little cookie.

    One day, Little Bear wanders out of the woods and finds himself lost in the Big City. Will he find the city too noisy? Too quiet? Or just right? And what are the chances of him bumping in to someone who remembers exactly how he likes his porridge?

    She lived down the road from a family of bears... Goatilocks can't resist sampling first Papa Bear's porridge, then Mama Bear's porridge, then Baby Bear's porridge and his bowl and spoon, too. And it turns out Goatilocks has a taste for chairs and beds as well. Has Goatilocks devoured her way to disaster? What will happen when the Bear family returns home from their walk?This playful adaptation of a favorite fairy tale is full of tummy-rumbling fun.

    Meet a hen that lays golden eggs and a harp that sings by itself. And don't forget the ogre...A classic fairy tale with rich and dynamic illustrations that will leave you chanting "Fee-fi-fo-fum!"

    . . . A madcap, highly entertaining spoof."--Publishers Weekly "Would bring giggles to any age."--School Library Journal

    Recounts the race between the boastful hare and the persevering tortoise.

    After the death of her parents, a young girl is left at the mercy of a sorceress who thinks the girl can help her get a treasure.

    But only Rapunzel, from atop a penthouse in which she is imprisoned by her evil Aunt Esme, has hair so long that it sweeps the sidewalk in front of the building. The elevators don't work, so Aunt Esme uses Rapunzel's hair to come and go. And poor Rapunzel spends day after lonely day surrounded by orange-and-brown-patterned walls and shag carpeting, listening to her beloved LPs. Then, at last, a handsome stranger climbs up Rapunzel's hair...why, he's the glam-rock prince of her dreams! David Roberts's funky 1970s illustrations give this Rapunzel an exciting new twist. Bellbottoms, disco balls, and long sideburns make this the funkiest fairy tale ever!

    So when Jack comes home with only an old can of baked beans in return for their last few pennies, his mother throws it out the window. Overnight it grows into a gigantic baked beanstalk, which takes Jack to the castle of a giant who spends all his time counting his huge fortune. Jack helps the giant to find something more fun to do, and saves the café in the process!

    Hans Christian Andersen Medal-winner Lisbeth Zwerger brings her singular vision to a glorious picture-book adaptation of the haunting story of an enchanted swan princess. She has based her version on Tchaikovsky's original 1877 ballet, which had a happy ending, unlike the later, better-known, 1893 version. Her illustrations, luminous, lyrical, filled with grace and beauty, evoke the brilliance of the ballet and the universal appeal of this beloved fairy tale.

    But this story is set in the Last Frontier, and its details and imagery reflect Alaska's landscape and sensibility: the fairy godmother becomes an eagle spirit, the glass slipper a fisherwoman's boot. Evocative writing and colorful artwork distinguish this playful retelling of the classic. Here children learn about cultures and ways of life but happy endings are still the rule.

    No, please. Look at me. Would I LIE to you? It was the old woman who started it.Everyone knows there are at least two sides to every story, and if you believe in the big-eared, sharp-toothed villain of LITTLE RED RIDING HOOD, there's a logical explanation for everything. As our antihero tells it, it all starts with the helpful wolf doing odd jobs for Grandma (are you sure you don't want to sit a little closer?). How was he to know that he spoiled Little Red would come along and ruin a good working relationship? Zooming in dramatically from strategic angles, the amusing illustrations offer visual clues that this is a story to be taken with a grain of salt - and a lot of giggling.

    Disney’s Beauty and the Beast is retold in the classic Little Golden Book format.

    This whimsical take on Little Red Riding Hood brings new life to an old favorite.